PDF - Curators` Network
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PDF - Curators` Network
Łukasz Jastrubczak did his MA on Academy of Fine Arts in Katowice in 2009. With his conceptual approach he uses mainly sculpture, photography and video. He plays on synthesizer in Boring Drug band. Since 2012 he has been coordinating Times New Arial Museum. With Sebastian Cichocki he is working on a book Mirage that will be published on the end of 2012. Both with Krzysztof Kaczmarek he has established a group Krzysztofjastrubczakłukaszkaczmarek. He lives in Krakow. http://lukaszjastrubczak.com solo exhibitions 2012 Still Life (both with Krzysztof Kaczmarek), CCA Ujazdowski Castle, Warsaw Mirage, Bunkier Sztuki, Kraków Lucciola, Galeria Pies, Poznań 2011 Mirage, Galeria Sabot, Cluj-Napoca, Romania 2010 Every piece with a circle, Galeria ZPAF i Ska, Kraków Tropiki, Galeria Pies, Poznań NTSC, BWA Zielona Góra Distant Drum, Art in General, New York, USA 2009 2013, CCA Kronika, Bytom White Video, ŻAK|BRANICKA , Berlin, Germany 2008 Film Noir, CCA Kronika, Bytom 2007 01, CCA Kronika, Bytom selected group exhibitions 2012 Rękawiczki Jeffa Koons’a, CCA Kronika, Bytom Es ist Zeit fur Turnschuhe!, Kuenstlerhaus, Dortmund, Germany 2011 Tarnów. 1000 years of modernity, Galeria Miejska in Tarnow Nie Na Miejscu, CCA Ujazdowski Castle, Warsaw Polish Contemporary Art from the National Museum in Krakow Collection, Ministry of Culture, Warsaw (with Krzysztof Kaczmarek) 2010 Body in the Library, BWA Design, Wrocław (with Krzysztof Kaczmarek) UM Festival, Uckermarck, Germany No sleep!, BWA Zielona Góra The Dump - Recykling of Thoughts, CCA Łaźnia, Gdańsk 2009 Section of Contemporary Art - Polish Alphabet, BWA Tarnów Sport dla niewysportowanych, ZPAF i Ska, Kraków Under the Bridge, CCA Łaźnia, Liverpool, UK Dissapearing at the Wisła river , Fundacja Bęc Zmiana, Warsaw Hell of Things, CCA Kronika, Bytom 2008 Ain’t No Sorry, Museum of Modern Art, Warsaw Marian Szpakowski - kontynuacja, Muzeum Ziemii Lubuskiej, Zielona Góra Something Must Break, OFF Festiwal, Mysłowice Establishment (and its discontents), CCA Ujazdowski Castle, Warsaw We Go Far Beyond, Galeria Starter, Poznań Helsinki by Night, Taik Gallery, Berlin Manual CC, CCA Ujazdowski Castle, Warsaw, Uqbar, Berlin, Germany 2007 Lighthouse Ankara, main railway station, Ankara, Turkey Manual CC, CCA Kronika, Bytom Umpolen, Museums Quartier, Vienna, Austria performance 2012 New Performance Festival, Turku, Finland Fifth Song About Triangles, Galeria Pies, Poznań Gallery Weekend 2011 Third Song About Triangles, performance (with Marcin Zarzeka), Ve.Sch, Vienna, Austria other 2011 What’s the Difference Between Pawel and Wawel, touring film screenings of polish movies from 60’s in Iceland (with Krzysztof Kaczmarek) Sound workshops, Zachęta National Gallery, Warsaw 2010 Secret of a Statue, film screening + installation (with Krzysztof Kaczmarek), Goldex Poldex, Kraków prize 2011 Headlands Centre for the Arts in San Francisco, residency program Młoda Polska, Ministry of Culture stipend 2009 Art in General in New York, residency program ID sculpture concrete 90 x 40 x 30 cm 2012 Form of a sculpture is based on a prop from 1957 SF movie Forbidden Planet. It depicts a foot of a monster from ID. It was left in the forest, on the northern part of Poland in the area of Elbląg. Third Song About Triangles installation DVD, speakers, projector, chain, motor device duration 4’33’’, loop 2011 Dressed in a triangular shaped costume made with cardboard, Łukasz performs an atonal composition with a recorder and synthesizer. In the installation a projector, which projects a video, is attached to a motor device that rotates it 360 degrees. An image from Third Song About Triangles wanders around the room. Songs About Triangles installation DVD, Tv sets in various dimensions 2’56’’ 3’21’’ 4’33’’ 4’58’’ 5’36’’ 2012 - ? All Songs About Triangles, made by Łukasz, are presented as a video installation. The sound of each composition overlaps. Each new song is longer than the previous one, so all compositions, when looped, never repeat the same configuration of sounds. Eclipse photo documentation of an action c-print 120 x 100 cm 2009 Łukasz made this work during his stay in Liverpool. Using a two-metre wide circle (made with fabric and plastic tube) attached to a few balloons, he generated “artificial sun eclipses“. The End photo documentation of an action c-print 60 x 40 cm 2008 During one of his actions in Mysłowice, imitating film credits and their movement, Łukasz released into the air a caption “The End.” Made from cardboard and attached to helium filled balloons, it lifted high into the sky and eventually disappeared. Soundtrack video DVD 8’34’’ 2009 While Łukasz’s girfriend Gosia is asleep, Łukasz imitates the sound of the wind, human steps and rain drops. Those sounds penetrate her subconscious. Animation installation black trampoline, 9 photographs (various size), glue tape 2010 The Animation piece consists of a trampoline and a set of photographs attached to a wall, depicting a figure in motion, broken down to single frames. Photo frames are printed in all available formats in the Photolab (A3, A4, 10 x 13, ID format, passport format, etc.). By jumping on the trampoline, the viewer activates the animation and observes a running and zooming out figure on the wall. Loop photo documentation of a performance two photographs and description 2x (30 x 40,3 cm) 2010 The Loop action took place in New York in 2010. It consisted of a person, dressed in black, together with a black 1966 car, familiar from American movies. Within the continuum of everyday life and the natural, physical motion of people and cars, the two performative elements (the person and the car) were unnaturally looped, meeting each other in the centre of the composition every three minutes. Tracing the form of a square, following the path of the streets, the black car repeatedly drove around the block to the left, whilst the person repeatedly walked around the block to the left. Rythmical repeatedness in time was opposed to the fluxed instabillity. A feeling of déjà vu was created for the unconcious participant, as the repeated motion took place around fifteen times. Sleepwalk installation slaid projector (carousell), 72 slaids, 72 blank slaids 2008 I walked through a park in complete darkness. I couldn’t see anything in the dark. I was holding a photo camera which guided me through the darkness whenever the flash went off. When I no longer knew which way to go, I became scared and would push the trigger. The seventy two transparencies created in the process make up the series “Sleepwalk”, which is then presented as an installation. The slides are projected with an empty, blank frame in between each one of them. They are projected at a high speed, which makes individual shots almost unrecognizable, while the alternate bursts of light create an unsettling mood. The rhythmic sound of the slides changing inside the projector is reminiscent of a thriller movie soundtrack. Rapid Vienna vs. Rapid Vienna video DVD 6’19’’ 2008 Łukasz shot a video of a soccer game where the players from the Rapid Vienna team compete against themselves. The computer controls all of the action. In the three different versions of the video, the team won against itself twice with a score of 1:0, the third was a tie, and there was an instance where the computer turned the camera to thegoalkeeper and kept it still for a while with him standing alone, waiting for an attack.