usługa produkcji i koordynacji trasy koncertowej

PUNKT EKLEKTIK SESSION
Projekt finansowany z funduszy EOG, pochodzących z Islandii, Liechtensteinu i Norwegii,
oraz budżetu Państwa i środków Gminy Wrocław
Załącznik nr 1 do Opisu Przedmiotu Zamówienia
do zapytania ofertowego z dnia 05.09.2014r.
Usługa produkcji i koordynacji trasy koncertowej Punkt Eklektik Session
Rider techniczny – Koncert Eklektik Ensemble
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Bass Drum
Snare Top
Snare Hole
Rack Tom
Floor Tom
Hi--‐Hat
OH L
OH R
SPD
SPD
Bass Amp
Bass Synth
Guit Amp L
Guit Amp R
Guit Amp 2
Electronics
Electronics
Loops L
Loops R
Keys L
Keys R
Bari Sax
Flutes
Vocal Main
Vocal FX
D 112
SM 57
SM 57
MD 421
MD 421
KM 184
KM 184
KM 184
DI
DI
DI
DI
SM 57
SM 57
SM 57
DI
DI
DI
DI
DI
DI
own mic
DPA 4099
SM 58
SM 58
PUNKT EKLEKTIK SESSION
Projekt finansowany z funduszy EOG, pochodzących z Islandii, Liechtensteinu i Norwegii,
oraz budżetu Państwa i środków Gminy Wrocław
Rider techniczny – Koncert Nils Petter Molvaer feat. Jan Bang, Erik Honore
1. Stageplot tba
1.1. CH INSTRUMENT MIC / DI INS CH INSTRUMENT MIC / DI INS
1.1.1.Kick 52 Comp 21 Trumpet DI 1 DI Comp
1.1.2.Snare 57 Comp 22 Trumpet DI 2 DI Comp
1.1.3.HH Cond 23 Trumpet DI 3 DI
1.1.4.Tom 1 604 24 Trumpet DI 4 DI
1.1.5.Tom 2 604 25 Trumpet RE 20 Comp
1.1.6.Tom 3 604 26 Announcements SM 58
1.1.7.Tom 4 604 27
1.1.8.OH L Cond 28
1.1.9.OH R Cond 29
1.1.10. Perc 1 DI 30
1.1.11. Perc 2 DI 31 Reverb 1
1.1.12. Perc 3 DI 32 Reverb 1
1.1.13. Perc DI 1 Cond 33 Reverb 2
1.1.14. Perc DI 2 Cond 34 Reverb 2
1.1.15. Perc DI 3 Cond 35 Delay
1.1.16. Bass 1 DI DI Comp 36 Delay
1.1.17. Bass 2 DI DI Comp 37 Multi FX
1.1.18. Guitar 1 AT 4081 Comp 38 Multi FX
1.1.19. Guitar 2 AT 4081 Comp 39 iPod L minijack
1.1.20. Guitar 3 AT 4081 Comp 40 iPod R minijack
2. VENUE BACKLINE
2.1. Guitar
2.1.1.2 x Fender Twin Guitar amps
2.1.2.1 x Drum throne
2.1.3.3 x Guitar stands
2.2. Guitar & Bass
2.2.1.Vintage Fender Bassman 50/100 or vintage Ampeg SVT silverface, must have two channels, tube amps only
2.2.2.Cabinet: 2x12" + 1x15" matching the amp
2.2.3.Fender Princeton Reverb or Fender Deluxe Reverb
2.2.4.2 x Guitar stands power outlets by amps and monitor
2.3. Drums
2.3.1.Prefer vintage old Gretsch / Ludwig /Slingerland with new coated white skins
2.3.2.1 x Bassdrum 22”-14 or 24”-14
2.3.3.2 x Small toms 12”-8 and 13"-8"
2.3.4.2 x Floortoms 14”-14” and 16"-16"
2.3.5.1 x Snare 14"-6" or 14"-6 1/5 (prefer wood)
2.3.6.1 x Hi hat stand
2.3.7.3 x Snare stands
2.3.8.1 x Bassdrum pedal
2.3.9.6 x Cymbal stands
2.3.10. 1 x Drum throne
2.3.11. 1 x Carpet
2.4. Remixers :
2.4.1.1 mixing console, min 8 ch with sub groups ( Midas Venice)
PUNKT EKLEKTIK SESSION
Projekt finansowany z funduszy EOG, pochodzących z Islandii, Liechtensteinu i Norwegii,
oraz budżetu Państwa i środków Gminy Wrocław
2.4.2.1
bar
stool and 2 tables, 1 piano stool
2.4.3.1 Piano stool, 1 small table approx. 50 cm height.
2.4.4.1 Mixer (Mackie 12 channel or similar high quality mixer with minimum 12 channels/2
aux sends)
2.4.5.1 Table with room for 2 laptops, mixer, soundcards (standing height) and bar stool AC
power, all sockets needs to be Schuco,Scandinavian type
3. SOUND & BACKLINE REQUIREMENTS
3.1. PA
3.1.1.System controllers should be located at foh position and open to be adjusted.
3.1.2.a qualified sound engineer/system-operator has to be present at all times.
3.2. Outboard:
3.2.1.2 x 31band EQ
3.2.2.1 x Lexicon 480 L
3.2.3.1 x Yamaha SPX 90/990/1000/2000
3.2.4.1 x TC Electronic d2
3.2.5.8 x dbx 166a compressor
3.2.6.2 x Drawmer DS 201 Gate
3.3. MONITORS
Monitors can be run from FOH, but a separate monitor mixer is preferred.
Console must have at least: 32 mono channels. 4 band input equalizer with sweep, variable
high pass-filter, phase reverse, inserts, 8 Aux-sends.
5 identical high quality bi-amped wedges on 5 programs, 31 band EQ inserted on all sends.
3.4. MISCELLANEOUS
Sound system must be rigged and tested for functionality before artist arrives for setup and
sound check. Local system engineer must be available for the artists own engineer at all
times from sound check to end of concert.