file
Transkrypt
file
Department of Art Faculty: Level: Module: Module Code: Module Type: Introductory requirements: Language of Delivery: Module supervisor: Principal lecturer: Mode of Delivery: Number of Hours: Number of Hours per week: Term: Assessment requirements: Points ECTS: Education of Art /Fine Art Bachelor’s / ‘Licentiate’ Visual Structures and mechanisms of visual Perception 03.9-WA-EASP-SWIZ Core module None Polish kw. art. I st. Piotr Czech, Jarosław Dzięcielewski, PHd kw. art. I st. Piotr Czech Lectures, Seminars 30 1 1, 2 A pass grade. Pass/Exam 6 Lectures Introductory requirements: Language of Delivery/Instruction: Polish Principal lecturer: kw. art. I st. Piotr Czech Module Aims: The basics of perception and visual activity of human kind, science of light, colour and their systems, formation of space with the elements of visual semantics. Selected issues in visualisation in modern culture( land art, photography, film, picture mixing, picture as a indirect link in the man-computer system: computer graphics, animation, producing and perceiving pictures. Module outcomes: The students should be prepared to make practical use of their knowledge on perception and man’s visual activity, science of light, colour, formation of space and also to apply basic and contemporary methods in illustration and composition. They should be able to synthesise, analyse and interpret visual phenomena and to select the right media for artistic realisation. Assessment requirements: Regular attendance. A pass. Oral exam. Basic literature: Arnheim Rudolf, Sztuka i percepcja wzrokowa. Psychologia twórczego oka, Wydawnictwo słowo/obraz terytoria, Gdańsk 2004 Mączyńska-Frydryszek A., Jaskólska-Klaus M., Maruszewski T. Psychofizjologia widzenia PWSSP, Poznań 1991 (pod redakcją prof. Tomasza Maruszewskiego) Strzemiński Władysław, Teoria widzenia, Wydawnictwo Literackie Kraków 1974 Kandynski Wasilij, Punkt i linia a płaszczyzna, PIW Warszawa 1986 Zeugner Gerhard, Barwa a człowiek, Arkady 1965 Gombrich Ernst Hans, Sztuka i złudzenie, PJW Warszawa 1981 Supplementary literature: Młodkowski Jan, Aktywność wizualna człowieka, PWN, Łódź 1998 Berger John, O patrzeniu, Warszawa 1999 Berger John, Sposoby widzenia, Poznań 1997 Barthes Roland, Światło obrazu, Warszawa 1996 Gregory Richard Langton, Oko i mózg. Psychologia Widzenia, PWN Warszawa 1971 Sarzyńska-Putowska Joanna, Komunikacja Wizualna, Fundacja ASP Kraków 2002 Frutiger Adrian, Człowiek i jego znaki, Wydawnictwo Do i Optima, Warszawa 2003 Gombrich Ernst Hans, O sztuce, Rebis Warszawa 2008 Seminars Introductory requirements: Language of Delivery/Instruction: Polish Principal seminars: Jarosław Dzięcielewski, PhD Module Aims: Presentation of mechanisms of visual perception used in the area of visual art and their relations with psychophysiology of vision. One of the aims is to familiarise the students with basic elements used to form surface and space such as: line, stain, stroke, block, screen, colour,structure, composition, texture, construction, and their mutual relationship. Module outcomes: The students should be able to form their own judgements and convictions connected with the completion of the topics. Assessment requirements: Attendance and completion of the teaching programme. Basic literature: M. Walis-,,pola semantyczne”. H. G. Gadamer- ,,Aktualność piękna. Sztuka jako symbol i święto.” L. Wittgenstein- ,,Uwagi o kolorach”. G. Perec- ,,Przestrzenie”. Z. Herbert- ,,Studium przedmiotu”.