HERE - Camerimage

Transkrypt

HERE - Camerimage

Camerimage 2014
22nd International Film Festival of the Art of Cinematography
CAMERIMAGE 2014
Festival Centre – Opera Nova, Bydgoszcz
15 – 22.11.2014
Camerimage 2014
1
Camerimage 2014
22nd International Film Festival of the Art Of Cinematography CAMERIMAGE 2014 was organised
under the honorary patronage of prof. Małgorzata Omilanowska, Minister of Culture and National
Heritage.
The Festival was organized with financial help of the City of Bydgoszcz, the Ministry of Culture and
National Heritage, Polish Film Institute and with the support of Creative Europe – MEDIA Programme
of the European Union.
OFFICIAL SPONSORS AND PARTNERS
ARRI, HAWK, Panavision, Zeiss, Cineverse, Technicolor, TVP, Consus, Panasonic, Variety, RMF Classic,
BMW.
MEDIA PATRONS
TVP, Variety, RMF, RMF Classic, Rzeczpospolita, Wprost, Region Plus, Trendy Art of Living,
TV5Monde, Sundance Channel, Wirtualna Polska, Empik, Kino, FilmPro, TelePro, Film& TV Kamera,
Film&TV Kameramann, Cinearte, British Cinamtographer, American Cinematographer, ICG Magazine,
Film&Digital Times, Movie Scope, Media Vision, Video Static, PromoNews, Hungry Eye.
INDUSTRY SPONSORS
Sony, Osram, Canon, KINOFLO Lightning Systems, LEE Filters, Panalux, Lightcraft, Monteria.pl, Sad,
WAMM Video Solutions, Harkness Screens, MARKFILM, SFP - Polish Filmmakers Association, PSC –
Polish Society of Cinematographers, PSM – Polish Society of Editors, BSC – British Society of
Cinematographers, ASC – American Society of Cinematographers, bvk – German Society of
Cinematographers, CINEC.
SPONSORS
LOTTO, Grolsch, PEPSI, Rockstar, S&S Selekcjonerzy Wina, UNIQUA, Bydgoskie Meble, Multikop,
CARDCO, M.G.B. Rusztowania, LightArt, Konsalnet, Pajak Sport, Solar, 052b Creative Agency,
EuroAWK.
PARTNERS
Opera Nova, Wyższa Szkoła Gospodarki (University of Economy), Multikino, MCK - Kino Orzeł
(Municipial Cultural Center – Orzel Cinema), Galeria Miejska BWA (Bydgoszcz Municipial Gallery),
Farbiarnia Gallery, Leon Wyczółkowski Regional Musem in Bydgoszcz, BZG Bydgoszcz Airport, GRAN,
The One Klub, Kino Atlantic (Atlantic Cinema), Legalna Kultura, ICG the Emerging Cinematographer
Awards 2014, Kancelaria Radców Prawnych Mikolcz Trowski i Wspólnicy sp. k., Kancelaria Prawnicza
Wierciński Kwieciński Baehr WKB, HTNS.
CAMERIMAGE MARKET
ARRI, HAWK/Vantage Film, Panavision group: Panavision, Lee Filters & Panalux, Zeiss, Panasonic,
Sony, Osram, Canon, Codex Digital, Digital Sputnik, Tiffen, Angenieux, K5600 Lighting, GPD Film
Studio, Transvideo, DoPChoice, Studiotech, J.L. Fisher, The Rag Place, Aaton Digital, CW Sonderoptic,
Smartlight Motion, Pajak Sport.
Camerimage 2014
2
Camerimage 2014
International Film Festival of the Art of Cinematography CAMERIMAGE 2014 was held from 15 th till
22nd November in Bydgoszcz. OPERA NOVA was the Festival Centre. Screenings were also located in
MULTIKINO cineplex. University of Economy (WSG) hosted film workshops and seminars which were
attended in crowds. The Festival seminars and meetings with acclaimed filmmakers were also held in
ORZEŁ CINEMA. GALERIA MIEJSKA BWA (Bydgoszcz Municipial Gallery) held RH75 – Birthday
Exhibition of Ryszard Horowitz, TUMULT FOUNDATION GALLERY in Toruń organised Bob Dylan
Paintings exhibition, FARBIARNIA GALLERY presented Zofia Nasierowska Photography Exhibition,
there was also PORTRAITS Art photography exhibition by Henryk Pietkiewicz at LEON
WYCZOLKOWSKI DISTRICT MUSEUM IN BYDGOSZCZ. The Festival Club was located in the club THE
ONE.
WE SINCERELY THANK ALL OUR PARTNERS AND SPONSORS
FOR THE IMMENSE HELP THEY GAVE US!!!
Camerimage 2014
3
Camerimage 2014
CAMERIMAGE 2014 HONORARY AWARDS
The Lifetime Achievement Award
Caleb Deschanel
Lifetime Achievement Award for Directing
Philip Kaufman
Krzysztof Kieślowski Award
Alan Rickman
Excellence in Directing Award
Stephen Daldry
Award for Outstanding Achievements in Documentary Filmmaking
Kim Longinotto
Award to Production Designer with Unique Visual Sensitivity
Jeannine Oppewall
Award to Editor with Unique Visual Sensitivity
Martin Walsh
Award For Outstanding Achievements in the Field of Music Videos
Jonas Åkerlund
Camerimage 2014
4
Camerimage 2014
CAMERIMAGE 2014 WINNERS
MAIN COMPETITION
Golden Frog: Leviathan
cin. Mikhail Krichman
dir. Andrey Zvyagintsev
Silver Frog: Omar
cin. Ehab Assal
dir. Hany Abu-Assad
Bronze Frog: Mommy
cin. André Turpin
dir. Xavier Dolan
*** *** ***
POLISH FILMS COMPETITION
Best Polish Film: Hardkor Disko
cin. Kacper Fertacz
dir. Krzysztof Skonieczny
*** *** ***
STUDENT ETUDES COMPETITION
Laszlo Kovacs Student Award – The Golden Tadpole: Berlin Troika
cin. Julian Landweer
dir. Andrej Gontcharov
school: Deutsche Film- und Fernsehakademie Berlin - German Film and Television Academy (dffb)
The Winner of the Golden Tadpole has also received the Polish Filmmakers Association Award
Silver Tadpole: The Shadow Forest
cin. Andrzej Cichocki
dir. Andrzej Cichocki
school: Kieslowski Faculty of Radio & TV University of Silesia, Katowice
Bronze Tadpole: Do You Even Know
cin. Clémence Warnier
dir. Arthur Lecouturier
school: Institut des Arts de Diffusion (IAD), Belgium
Camerimage 2014
5
Camerimage 2014
Polish Film Institute and Mastershot Special Award for Best Cinematography in the Student Etudes
Competition: Room 55
cin. James Blann
dir. Rose Glass
school: National Film and Television School (NFTS)
*** *** ***
FEATURE LENGTH DOCUMENTARY FILMS COMPETITION
Golden Frog — Grand Prix: Blood
cin. Yura Gautsel, Sergei Maksimov
dir. Alina Rudnitskaya
Special Mention: Monte Adentro
cin. Mauricio Vidal
dir. Nicolás Macario Alonso
*** *** ***
SHORT DOCUMENTARY FILMS COMPETITION
Golden Frog — Grand Prix: Starting Point
cin. Przemysław Niczyporuk
dir. Michał Szcześniak
Special Mention: Shipwreck
cin. Morgan Knibbe
dir. Morgan Knibbe
*** *** ***
DIRECTORS’ DEBUTS COMPETITION
under the patronage of the Polish Filmmakers Association (SFP)
Best Directorial Debut: Theeb
cin. Wolfgang Thaler
dir. Naji Abu Nowar
*** *** ***
Camerimage 2014
6
Camerimage 2014
CINEMATOGRAPHERS’ DEBUTS COMPETITION
under the patronage of the Polish Filmmakers Association (SFP)
Best Cinematography Debut: When Animals Dream
cin. Niels Thastum
dir. Jonas Alexander Arnby
*** *** ***
3D FILMS COMPETITION
Best 3D Documentary Film: Beyond the Edge
cin. Richard Bluck
dir. Leanne Pooley
Best 3D Feature Film: The Young and Prodigious T.S. Spivet
cin. Thomas Hardmeier
dir. Jean-Pierre Jeunet
*** *** ***
MUSIC VIDEOS COMPETITION
Best Music Video: DJ Snake & Lil Jon Turn Down For What
cin. Larkin Seiple
dir. DANIELS
Best Cinematography In A Music Video: Paolo Nutini Iron Sky
cin. Robbie Ryan
dir. Daniel Wolfe
*** *** ***
ADVERTISING SPOTS COMPETITION “EUROPEAN FUNDS IN FOCUS”
Organised in co-operation with Kujawsko-Pomorskie Voivodeship
Under the Honorary Patronage of the Ministry of Infrastructure and Development
The Jury decided not to present the Main Award.
The Special Mention was presented to The Ministry of Infrastructure and Development for Historia
prawdziwa, część 1.
Camerimage 2014
7
Camerimage 2014
MAIN COMPETITION









Roland Joffe – Jury President, director
Christian Berger, AAC – cinematographer
Ryszard Bugajski – director
Manuel Alberto Claro, DFF – cinematographer
David Gropman – production designer
Ryszard Horowitz – photocomposer
Davi Macmillan – sound editor
Arthur Reinhart, PSC – cinematographer
Oliver Stapleton, BSC – cinematographer
BIRDMAN / BIRDMAN CZYLI NIEOCZEKIWANE POŻYTKI Z NIEWIEDZY {Opening Gala Film}
USA
COMING HOME
China
DESERT DANCER
Morocco, UK
FIELD OF DOGS - ONIRICA / ONIRICA - PSIE POLE
Poland
FOREIGN BODY / OBCE CIAŁO
Italy, Poland, Russia
FURY / FURIA
UK
GET ON UP
USA
GODS / BOGOWIE
Poland
LEVIATHAN / LEWIATAN
Russia
MOMMY / MAMA
Canada, France
MR. TURNER
France, Germany, UK
MY BLIND HEART / MOJE ŚLEPE SERCE
Austria
Camerimage 2014
8
Camerimage 2014
OMAR
Palestine
TRASH / ŚMIEĆ
UK
WILD / DZIKA DROGA
USA
POLISH FILM COMPETITION
Jury:









Caleb Deschanel, ASC – Jury President, autor zdjęc filmowych
Affonso Beato, ASC, ABC – cinematographer
Scott Franklin – producent
Ellen Harrington – curator, film programmer, producer
Matthew Libatique, ASC – cinematographer
Phil Meheux, BSC – cinematographer
Jeannine Oppewall – production designer
Michael Seresin, BCS – cinematographer
Amy Vincent, ASC – cinematographer
HARDKOR DISKO
Poland
HEART AND THE SWEETHEART, THE / SERCE, SERDUSZKO
Poland
JACK STRONG
Poland
KEBAB & HOROSCOPE
Poland
NUDE AREA / STREFA NAGOŚCI
Netherlands, Poland
WORD, THE / OBIETNICA
Poland
Camerimage 2014
9
Camerimage 2014
3D FILMS COMPETITION
Jury:






Jim Chabin – Jury President, producer
Grant Anderson – producer, digital artist
Markus Lanxinger – stereographer
Phil “Captain 3D” McNally – stereographer
Barry B. Sandrew – visual effects pioneer
Steve Schklair – producer, digital artist
BEYOND THE EDGE / EVEREST – POZA KRAŃCEM ŚWIATA
New Zealand
CATHEDRALS OF CULTURE. CENTRE GEORGES POMPIDOU / ŚWIĄTYNIE KULTURY. CENTRUM
GEORGES POMPIDOU
Denmark, France, Norway, Germany, Austria
CATHEDRALS OF CULTURE. HALDEN PRISON / ŚWIĄTYNIE KULTURY. WIĘZIENIE HALDEN
CATHEDRALS OF CULTURE. THE BERLIN PHILHARMONIC / ŚWIĄTYNIE KULTURY. FILHARMONIA
BERLIŃSKA Denmark, France, Norway, Germany, Austria
CATHEDRALS OF CULTURE. THE NATIONAL LIBRARY OF RUSSIA / ŚWIĄTYNIE KULTURY. ROSYJSKA
BIBLIOTEKA NARODOWA
CATHEDRALS OF CULTURE. THE OSLO OPERA HOUSE / ŚWIĄTYNIE KULTURY. OPERA W OSLO
CATHEDRALS OF CULTURE. THE SALK INSTITUTE / ŚWIĄTYNIE KULTURY. INSTYTUT SALKA
DAWN OF THE PLANET OF THE APES / EWOLUCJA PLANETY MAŁP
USA
DEEPSEA CHALLENGE 3D
USA
GOODBYE TO LANGUAGE 3D / POŻEGNANIE Z JĘZYKIEM
France
PRESENT FOR YOU
Japan
YOUNG AND PRODIGIOUS T.S. SPIVET, THE
Canada, France, USA
Camerimage 2014
10
Camerimage 2014
STUDENT ETUDES COMPETITION
Jury:








Rob Epstein – Jury President, director, screenwriter, producer
Andreas Dresen – director, screenwriter
Phedon Papamichael, ASC – cinematographer
Steven Poster, ASC – cinematographer
Irena Strzałkowska – producer
Martin Walsh, ACE – editor
Marcin Wrona – director, screenwriter
Aaron Young – art dealer
ALBERT
Szkoła Filmowa w Łodzi
Poland
ANTON
Nederlandse Filmacademie - Netherlands Film Academy (AHK)
Netherlands
BERLIN TROIKA
Deutsche Film- und Fernsehakademie Berlin - German Film and Television Academy (dffb)
Germany
BROTHER
Internationale Filmschule Köln (IFS)
Germany
DIE VIOLINE
Griffith Film School
Australia
DO YOU EVEN KNOW
Institut des Arts de Diffusion (IAD)
Belgium
INHERITOR
Vserossijskij Gosudarstvennyi Institut Kinematografii - Russian Institute of Cinematography (VGIK)
Russia
JACKET, THE
Institut für Film und Fernsehen FILMAKADEMIE WIEN
Austria
LAUGHTER IN THE DARK / ŚMIECH W CIEMNOŚCI
Poland
Camerimage 2014
11
Camerimage 2014
MY LAST CONCERT
Fachhochschule Dortmund - University of Applied Sciences and Arts (FH Dortmund)
Germany
NORTH
National Film and Television School (NFTS)
UK
ROOM 55
UK
SCANONIZATION / SKANONIZACJA
Poland
SEAGULLS
Institut National Superieur des Arts du Spectacle et des Techniques de Diffusion (INSAS)
Belgium
SHADOW FOREST, THE / LAS CIENI
Uniwersytet Śląski - Wydział Radia i Telewizji im. K. Kieślowskiego (UŚ WRiTv)
Poland
STRONG COFFEE ISN’T SO BAD, THE / MOCNA KAWA WCALE NIE JEST TAKA ZŁA
Warszawska Szkoła Filmowa
Poland
TAINTED IN RED
PUC-Rio
Brazil
THEY CALL ME OWL
Universidad de Sevilla
Spain
TONYA IS CRYING ON THE LOVERS’ BRIDGE
Vserossijskij Gosudarstvennyi Institut Kinematografii - Russian Institute of Cinematography (VGIK)
Russia
VISIT, THE
Minshar School of Art
Israel
WAIT FOR ME
Arts University Bournemouth (AUB)
UK
WAY IN RYE
American Film Institute (AFI), Center for Advanced Film and Television Studies
USA
Camerimage 2014
12
Camerimage 2014
DOCUMENTARY FILMS COMPETITION „IMAGE OF THE WORLD - WORLD IN IMAGES”
FEATURE DOCUMENTARY FILMS COMPETITION
Jury:





Maryse Alberti – Przewodnicząca Jury, autorka zdjęć filmowych
Svetlana Cvetko – autorka zdjęć filmowych
Johannes Kirchlechner, bvk – cinematographer
Giona Nazarro – krytyk filmowy, dziennikarz, pisarz
Tony Pierce-Roberts, BSC – cinematographer
BLOOD / KREW
Russia
COAST OF DEATH
Spain
FAREWELL TO HOLLYWOOD / POŻEGNANIE Z HOLLYWOODEM
USA
GABOR
Spain
GOD THE FATHER...
USA
GREEN PRINCE, THE / ZIELONY KSIĄŻĘ
Israel, Germany, UK, USA
LAST GREAT CLIMB, THE
UK
MONTE ADENTRO
Argentina, Colombia
SEPIDEH - REACHING FOR THE STARS / SEPIDEH MARZY O GWIAZDACH
Denmark
SLEEPLESS IN NEW YORK / BEZSENNOŚĆ W NOWYM JORKU
Switzerland
THREE WOMEN / TRZY KOBIETY
Poland
UNFORGIVEN: RWANDA
Germany
Camerimage 2014
13
Camerimage 2014
SHORT DOCUMENTARY FILMS COMPETITION
Jury:





Jay Rosenblatt – Jury President, director, producer, documentary filmmaker,
editor
Kate Amend, ACE – editor
Christian Frei – director, producer
Larry Grobel – writer, journalist
Nancy Schreiber, ASC – cinematographer
BELLA
Mexico
CHILDREN CALLING / DZIECI DZWONIĄ
Poland
CHRISTMAS / BOŻE NARODZENIE
Russia
GOD DOESN'T MAKE A MISTAKE
Iran
GROWING HOME
Norway
LADY IN NUMBER 6: MUSIC SAVED MY LIFE, THE / PANI SPOD SZÓSTKI
Canada, UK, USA
MATIAS
Brazil
MOST GENIAL SYSTEM EVER, THE
Germany
NEW FAMILY, A
Cambodia, Italy
ONCE UPON A TREE
Netherlands
PARADISE, A
Cuba
SCARS OF CAMBODIA
France
SHIPWRECK
Netherlands
Camerimage 2014
14
Camerimage 2014
SOURCE, THE / RODNIK
Poland
STARTING POINT / PUNKT WYJŚCIA
Poland
SUPER-UNIT(S) / SUPERJEDNOSTKA
Poland
WERKA
Poland
MUSIC VIDEO COMPETITION
Jury:






Ed Lachman, ASC – Jury President, cinematographer
Hanns Peter Bushoff – Marketing Consultant Sony Music Germany
Matthew Libatique, ASC – cinematographer
Nancy Scheiber, ASC – cinematographer
Michael Seresin, BSC – cinematographer
Roman Vasyanov, RGC – cinematographer
Arcade Fire WE EXIST
USA
Beyonce PRETTY HURTS
USA
Chet Faker GOLD
USA
Coldplay MAGIC
UK
Dawid Podsiadło NO
Poland
Disclosure GRAB HER
France
DJ Snake & Lil Jon TURN DOWN FOR WHAT
USA
Dr Misio DZIEWCZYNY
Poland
Camerimage 2014
15
Camerimage 2014
George Michael LET HER DOWN EASY
Spain
James Vincent McMorrow RED DUST
UK
Kan Wakan LIKE I NEED YOU
USA
Lana Del Rey SHADES OF COOL
USA
Milow WE MUST BE CRAZY
Belgium
OK Go THE WRITING'S ON THE WALL
USA
Paolo Nutini IRON SKY
Czech Republic
Paul McCartney EARLY DAYS
USA
Peder GHOST OF A SMILE
Denmark
Sia CHANDELIER
USA
Ulrich Forman I GOT YOU (UNDER MY SKIN)
France
Woodkid THE GOLDEN AGE
USA
Camerimage 2014
16
Camerimage 2014
FEATURE DEBUTS COMPETITION
Under the patronage of the Polish Filmmakers Association
DIRECTORS’ DEBUTS COMPETITION
Jury:





Albert Hughes – Jury President, director, producer
Dorota Chamczyk – producer, director
Adriano Goldman, ABC – cinematographer
Thomas Hardmeier, AFC – cinematographer
Lilly Kilvert – production designer
DISCIPLE, THE
Finland
FISHING WITHOUT NETS / POŁÓW BEZ SIECI
Kenya, USA, Somalia
HARDKOR DISKO
Poland
INBETWEEN WORLDS / MIĘDZY ŚWIATAMI
Germany
OF HORSES AND MEN
Iceland, Norway, Germany
SOMETHING MUST BREAK / COŚ MUSI SIĘ STAĆ
Sweden
THEEB
Jordan, United Arab Emirates (UAE), Qatar, UK
VIKTORIA
Romania, Bulgaria
VIOLET
Belgium, Netherlands
WHIPLASH
USA
Camerimage 2014
17
Camerimage 2014
CINEMATOGRAPHERS’ DEBUTS COMPETITION
Jury:







Roger Sppottiswoode – Jury President, director, screenwriter, editor
Dennis Dembia – marketing manager
Eric Edwards – cinematographer
David Franco – cinematographer
Stephen Lighthill, ASC – cinematographer
Krzysztof Malkiewicz – cinematographer
Sergei Trofimov, RGC – cinematographer
BYPASS
UK
DARK SAMURAI
Denmark
DIFRET
USA, Ethiopia
HARDKOR DISKO
Poland
IT'S ONLY MAKE BELIEVE
Norway
LIFE AFTER, THE
Mexico
RUIN
Australia
SOMETHING MUST BREAK / COŚ MUSI SIĘ STAĆ
Sweden
THINGS PEOPLE DO
USA
WHEN ANIMALS DREAM
Denmark
Camerimage 2014
18
Camerimage 2014
ADVERTISING SPOTS COMPETITION
“EUROPEAN FUNDS IN FOCUS”
in co-operation with Kujawsko-Pomorskie Voivodeship
under the honorary patronage of the Ministry of Infrastucture and Development
Jury:




Natalia Hatalska – expert on alternative forms of communication in marketing
dr Magdalena Florek – marketing specialist, brand strategy consultant
Jan Majle – Change Intergrated creative director
Paweł Tkaczyk – expert on branding, founder of MIDEA agency
Spots were submitted by:
Regional Labour Office in Kielce
Business Service Centre in Łódź
The Marshal’s Office of Kujawsko-Pomorskie Voivodeship in Toruń
The Marshal’s Office of Lubelskie Voivodeship in Lublin
The Marshal’s Office of Małopolskie Voivodeship in Cracow
The Marshal’s Office of Opolskie Voivodeship in Opole
The Marshal’s Office of Świętokrzyskie Voivodeship in Kielce
The Marshal’s Office of Świętokrzyskie Voivodeship in Kielce
The Marshal’s Office of Lubuskie Voivodeship in Zielona Góra
Ministry of Infrastucture and Development in Warsaw
The Marshal’s Office of Podkarpackie Voivodeship in Rzeszów
***
CALEB DESCHANEL RETROSPECTIVE
With the participation of the Artist
BEING THERE
USA
BLACK STALLION, THE
USA
FLY AWAY HOME
Canada, USA
NATURAL, THE
USA
PASSION OF THE CHRIST, THE
USA
PATRIOT, THE
Germany, USA
Camerimage 2014
19
Camerimage 2014
RIGHT STUFF, THE
USA
KIM LONGINOTTO RETROSPECTIVE
With the participation of the Artist
DAY I WILL NEVER FORGET, THE
UK
DIVORCE IRANIAN STYLE
UK, Iran
GAEA GIRLS
UK
LOVE IS ALL: 100 YEARS OF LOVE & COURTSHIP
UK, USA
PINK SARIS
India, UK
PRIDE OF PLACE
UK
ROUGH AUNTIES
Republic of South Africa, UK
SALMA
UK
SISTERS IN LAW
Cameroon, UK
REMEMBERING THE MASTERS: JERZY LIPMAN RETROSPECTIVE
Partners: Filmoteka Narodowa (the National Film Archive)
ASHES, THE
Poland
COLONEL WOLODYJOWSKI
Poland
GENERATION, A
Poland
KANAŁ
Poland
Camerimage 2014
20
Camerimage 2014
KNIFE IN THE WATER
Poland
SPEED
Poland
REMEMBERING THE MASTERS: JOHN ALCOTT RETROSPECTIVE
CLOCKWORK ORANGE, A
UK, USA
GREYSTOKE: THE LEGEND OF TARZAN, LORD OF THE APES
UK, USA
NO WAY OUT
USA
SHINING, THE
UK, USA
UNDER FIRE
USA
MICHAEL POWELL AND EMERIC PRESSBURGER RETROSPECTIVE
BLACK NARCISSUS
UK
CANTERBURY TALE, A
UK
EDGE OF THE WORLD, THE
UK
I KNOW WHERE I’M GOING
UK
LIFE AND DEATH OF COLONEL BLIMP, THE
UK
MATTER OF LIFE AND DEATH, A
UK
ONE OF OUR AIRCRAFT IS MISSING
UK
Camerimage 2014
21
Camerimage 2014
PEEPING TOM
UK
RED SHOES, THE
UK
SMALL BACK ROOM, THE
UK
TALES OF HOFFMAN, THE
UK
***
POKAZY SPECJALNE, PRZEGLĄDY, PANORAMY
SPECIAL SCREENINGS
CATCH {Talent Demo Showcase}
USA
CUT, THE
Canada, France, Germany, Italy, Poland, Russia, Turkey
DROP, THE / BRUDNY SZMAL
USA
EDEN
France
FOXCATCHER
USA
HAPPY CHRISTMAS
USA
IMITATION GAME, THE / GRA TAJEMNIC {Opening Gala Film}
UK, USA
INTERROGATION / PRZESŁUCHANIE {WAYS TO FREEDOM project presentation}
Poland
INTERSTELLAR
UK, USA
LITTLE CHAOS, A
Camerimage 2014
22
Camerimage 2014
UK
NEXT TO HER
Israel
NIGHTCRAWLER / WOLNY STRZELEC
USA
NOAH / NOE: WYBRANY PRZEZ BOGA
USA
SKELETON TWINS, THE
USA
THEORY OF EVERYTHING, THE / TEORIA WSZYSTKIEGO
UK
WARSAW UPRISING / POWSTANIE WARSZAWSKIE
Poland
WINTER SLEEP / ZIMOWY SEN
France, Germany, Turkey
DOCUMENTARY SPECIAL SCREENINGS
AND THE OSCAR GOES TO ...
USA
BELTRACCHI – THE ART OF FORGERY
Germany
BENDING THE LIGHT
USA
BYDGOSZCZ FROM DAWN TILL DUSK / BYDGOSZCZ OD ŚWITU DO ZMIERZCHU
Poland
CHEMIST'S RETURN, THE / POWRÓT CHEMIKA
Poland
CHEVETTE 83
Canada
CHOPIN - THE SPACE CONCERT / CHOPIN – KOSMICZNY KONCERT
Poland
FINDING VIVIAN MAIER / SZUKAJĄC VIVIAN MAIER
USA
Camerimage 2014
23
Camerimage 2014
GOTTLAND
Czech Republic
GOTTLAND: DARLING OF THE NATION / GOTTLAND: KOCHANECZEK LUDU
Poland
HOUSE OF OPEN ARMS, THE
Slovenia
IN SEARCH OF THE LOST LANDSCAPE / W POSZUKIWANIU UTRACONEGO KRAJOBRAZU
Sweden, Poland
JORGE'S PATHS
Portugal
MAIDAN / MAJDAN. REWOLUCJA GODNOŚCI
Netherlands, Ukraine
MAN ON THE MOON
Italy
MATA MATA - STORIES ABOUT FOOTBALL, DREAMS AND LIFE
Brazil
NIE-OBECNOŚĆ
Poland
NIGHT WILL FALL
Israel, Denmark, Germany, UK, USA
NO WORD FOR WORRY
Norway
RED ARMY
USA
SUPERIOR ORDERS
Hungary
WALKING UNDER WATER / BADJAO. DUCHY Z MORZA
Poland, UK
WIĘCEJ ŚWIATŁA. FESTIWAL OPERATORÓW FILMOWYCH CAMERIMAGE 97
Poland
WOMEN PIONEERS, THE
Israel
Camerimage 2014
24
Camerimage 2014
3D SPECIAL SCREENINGS
Enchanted Kingdom 3D
UK
Last Emperor 3D, The / OSTATNI CESARZ 3d
China, Italy, France, UK
Stalingrad
Russia
IMAGES OF OTHERNESS
FOUR LETTERS APART - CHILDREN IN THE AGE OF ADHD / SKAZANI NA ADHD
Denmark
GOOD SON, THE / SYNEK
Israel
HUMANITARIANS, THE
Germany
LIFE BENEATH MY SKIN
Iran
PROMISE OF A HAPPY CHILDHOOD, THE / OBIETNICA DZIECIŃSTWA
Poland
SPARTACUS & CASSANDRA
France
THROUGH ME
Spain
ICG EMERGING CINEMATOGRAPHERS AWARDS
International Cinematographers Guild's Emerging Cinematographers Awards is a short film
competition was open to all ICG members who are not professional cinematographers. Camerimage
presented the best films entered into the competition this year.
1982
USA
Camerimage 2014
25
Camerimage 2014
COMMON TONGUE
USA
GOOD LUCK, MR. GORSKI
Ireland, USA
IMMACULATE RECEPTION, THE
USA
LANCASTER STOMP
USA
MAKING A SCENE: FOREST WHITAKER
USA
SEQUENCE
USA
SURE THING
USA
UNE LIBÉRATION
USA
WALLACE
USA
BEST FILMS OF FH DORTMUND
Partner: FH Dortmund
1200 DEGREES
ASLEEP ON A TRAIN
BASEL 39.5 - SEMINAR LED BY HILLE SAGEL
BEHIND GREEN DOORS
BIRTHDAY / URODZINY
BLUEPRINT
CITIZEN SUBWAY LED BY HARALD OPEL
CONTAINER
DOOR TO DOOR
Camerimage 2014
26
Camerimage 2014
DSW
EVERYONE
FASHION – WOMAN ONCE A BIRD
FASHION SEMINAR LED BY ZICKGRAF
FEVER
GHOST OF TOM JOAD. INTO THE WILD
HOW FIT ARE YOU
I USED TO KNOW SOMEBODY FROM KENTUCKY
INTRUSION / INTRUZJA
IT STARTS WITH ME
LIBRARY OF BABEL
LINE 102
LOOSE CONNECTION
MITE
NOT SURE THAT HE IS DEAD
NOT WORTH A BULLET
PUB, THE
PLANE TO THE NEXT BUS STOP / SAMOLOT NA AUTOBUS
SPEKTRUM TRAILER LED BY HARALD OPEL
SURE AIN'T NOTHING
TIMPE TE
WHEN SILENCE BECOMES A PROBLEM
WOMAN NAMED LIKE ME, THE
YOUR SMILE IS ALREADY UPSTAIRS
Camerimage 2014
27
Camerimage 2014
BEST FILMS OF ŁÓDŹ FILM SCHOOL
Partner: Łódź Film School
AB OVO
ANABIOSIS / ANABIOZA
WITHOUT SNOW / BEZ ŚNIEGU
CASTING
BAPTISM / CHRZEST
BODY OF MINE, THE / CIAŁO MOJE
CLAIRE
CARESS OF THE BUTTERFLY, THE / DOTYK MOTYLA
SHIVERING TRUNKS / DRŻĄCE TRĄBY
DUNIA. THERE AND BACK / DUNIA. TAM I Z POWROTEM
EPISODE / EPIZOD
FILM WITH NO FLIES ON, A / FILM, ŻE MUCHA NIE SIADA
GRAVEDIGGERS, THE
I WON'T BE HERE TOMORROW / JUTRO MNIE TU NIE BĘDZIE
KIGO
KIMERIA
COMA / KOMA
CIRCLES OF DREAM / KRĘGI SNU
NORMAL PEOPLE / LUDZIE NORMALNI
LUKE AND LOTTA / ŁUKASZ I LOTTA
MOUSE
BIRTH OF THE NATION / NARODZINY NARODU
INCREDIBLY ELASTIC MAN, AN / NIEPRAWDOPODOBNIE ELASTYCZNY CZŁOWIEK
Camerimage 2014
28
Camerimage 2014
FATHER / OJCIEC
MISS MUSHROOM / PANI MUCHOMOR
THROUGH GLASS / PRZEZ SZYBĘ
Q
SPHERE / SFERA
SIENA / SIENA
WAY FOR MORAVIA, A / SPOSÓB NA MORAVIĘ
STEFAN AND THE BEETLE / STEFAN I ŻUCZEK
SUMMERTIME / SUMMERTIME
SUCH A LANDSCAPE / TAKI PEJZAŻ
RAINSTORM / ULEWA
LIVER AND POTATOES / WĄTROBA I ZIEMNIAKI
SCREAM / WRZASK
WINTER / ZIMA
STUDENT ETUDES PANORAMA
400 BAGS
Centro de Capacitación Cinematográfica (CCC)
Mexico
AKIO
Deutsche Film- und Fernsehakademie Berlin - German Film and Television Academy (dffb)
Germany
APALACHICOLA
Florida State University College of Motion Picture, Television and Recording Arts (FSU)
USA
BACK AND FORWARD INC.
Fachhochschule Dortmund - University of Applied Sciences and Arts (FH Dortmund)
Germany
BARDO
Akademia Multi Art - AMA Film School
Camerimage 2014
29
Camerimage 2014
Poland
BUSINESS TRIP / DELEGACJA
Warszawska Szkoła Filmowa
Poland
CHECKPOINT
Vysoká škola múzických umení v Bratislave - Academy of Music and Dramatic Arts (FTF VŠMU)
Slovakia
DAYS OF STEEL
Nederlandse Filmacademie - Netherlands Film Academy (AHK)
Netherlands
IN A MIRROR
Institut für Musik und Medien Düsseldorf
Germany
INHERENT NOISE
Poland
LAST ACT, THE
Faculty of Dramatic Arts - Skopje
Macedonia
LAST BUS, THE
Film University Babelsberg KONRAD WOLF
Germany
LAST HAND, THE
UK
MOST URGENT LONGINGS OF ELEONORE SCHWARZ, THE
Kunsthochschule für Medien Köln - Academy of Media Arts Cologne (KHM)
Germany
PAULI
Tampereen ammattikorkeakoulu - Tampere University of Applied Sciences (TAMK)
Finland
RAGWEED
L'inis
Canada
RESIDENTIAL HOME, THE / DOM OPIEKI
Poland
Camerimage 2014
30
Camerimage 2014
SACRED SPRING / BYŁ SOBIE KRÓL
Poland
SUMMER OF LOVE / LATO MIŁOŚCI
Uniwersytet Śląski - Wydział Radia i Telewizji im. K. Kieślowskiego (UŚ WRiTv)
Poland
SUNDAY DINNER WITH THE MORGANS
University for the Creative Arts (UCA)
UK
TILL DAY’S END
Tel-Aviv University Department of Film & Television
Israel
VOICE OF THE HERO
Tomas Bata University in Zlín, Faculty of Multimedia Communications
Czech Republic
WHERE WE ARE
Hamburg Media School (HMS)
Germany
YOUNG AMERICANS
American Film Institute (AFI), Center for Advanced Film and Television Studies
USA
***
EUROPEAN FILMS REVIEWS
European Films Review was initiatied in 2004 and became extremely popular part of the festival
programme since then. We presented most interesting achievements in European cinematography.
The section also included meetings, discussions with filmmakers. As a part
of this year’s European Films Review, presentation of Swiss Cinema Review was scheduled.
EUROPEAN PANORAMA
AGNIESZKA
Germany
ANYWHERE ELSE
Germany, Israel
AT HOME / W DOMU
Germany, Greece
Camerimage 2014
31
Camerimage 2014
DIPLOMACY / DYPLOMACJA
France, Germany
GRAND BUDAPEST HOTEL, THE / GRAND BUDAPEST HOTEL
Germany, UK, USA
IN THE CROSSWIND / SPOTKANIE WIATRÓW
Estonia
INVISIBLE WOMAN, THE / KOBIETA W UKRYCIU
UK
JAUJA
Argentina, Brazil, Denmark, France, Germany, Mexico, USA
KEEPER OF LOST CAUSES, THE / KOBIETA W KLATCE
Denmark, Germany, Sweden
LOS ÁNGELES
Germany, Mexico
LOVERS, THE
Australia, Belgium, India
NOBLE
UK, Vietnam
NYMPHOMANIAC: VOL. I / NIMFOMANKA - CZĘŚĆ I {director’s cut}
Belgium, Denmark, France, Germany, UK
NYMPHOMANIAC: VOL. II / NIMFOMANKA - CZĘŚĆ II {director’s cut}
Belgium, Denmark, France, Germany, UK
OKI - IN THE MIDDLE OF THE OCEAN
Latvia
POST PARTUM
Belgium, France, Luxembourg
REFUGIADO / POD OCHRONĄ
Argentina, Colombia, France, Germany, Poland
REMOTE CONTROL / PILOT
Germany, Mongolia
SHATTERING SHADOW, THE
Belgium, Ethiopia, Germany
TEVANIK
Lithuania
Camerimage 2014
32
Camerimage 2014
THEY ARE ALL DEAD
Germany, Spain, Mexico
WHO AM I - NO SYSTEM IS SAFE
Germany
YVES SAINT LAURENT
France
YVY MARAEY - LAND WITHOUT EVIL
Bolivia, Mexico, Norway
SWISS CINEMA REVIEW
BELOVED SISTERS / SIOSTRY I SCHILLER
Switzerland, Germany, Austria
CHERRY PIE / CIASTO Z WIŚNIAMI
Switzerland
CIRCLE, THE / W KRĘGU
Switzerland
MY NAME IS SALT
India, Switzerland
NEULAND
Switzerland
O SAMBA
Switzerland
ONE STEP TO FREEDOM
Switzerland, Austria
ROSIE
Switzerland
VIKTORIA – A TALE OF GRACE AND GREED
Switzerland
***
Camerimage 2014
33
Camerimage 2014
WORKSHOPS, SEMINARS & MEETINGS
ARRI WORKSHOPS
ARRI BIG SCREEN EXPERIENCE
For the First Time at Camerimage, ARRI Showcases Images on a Big Screen That Go Beyond Today’s
Standards
Capture with ARRI Cameras and Lenses, Deliver Anything
Join ARRI for an exciting, fast-paced tour of the amazing variety of production types, distribution
formats and deliverables that can be accommodated when shooting with the ALEXA and AMIRA
camera systems. ARRI showreels were demonstrated and how high dynamic range and superior pixel
quality truly enhance viewing experience. The exceptional quality of images captured with
ARRI/ZEISS Master Anamorphic lenses and the super-wide cinematography made possible by the
Ultra Wide Zoom were shown.
Hear From the Professionals
The renowned cinematographers Phedon Papamichael, ASC, Stijn Van der Veken, ASC, SBC, and Neil
Harvey and Johann Perry shared their views and discussed their creative experiences.
Seeing More in Monochrome: Black-and-White with Infrared
Experience the rich black-and-white images of ARRI Rental’s ALEXA XT B+W, as well as the camera’s
ability to capture images in amazing infrared.
65 mm Reborn: Digital Like You’ve Never Seen it Before
ARRI Rental’s ALEXA 65 system, with a sensor larger than a 5-perf 65 mm film frame, capture an
uncompressed ARRIRAW 65 mm image of staggering definition while maintaining the ALEXA’s
famous dynamic range and colourimetry.
Wednesday, 19th November
17:45–19:00
Opera Nova Main Screening Room
ALEXA 65 WORKSHOP
From Glass to Post
Wednesday 19th November
12:00 – 13:00
Workshop Centre
University of Economy Building M
ARRI / OSRAM WORKSHOP
SUPPORTED BY CODEX
Blocking, Lighting and Shooting a Scene
with Phedon Papamichael, ASC
Simple techniques for on-set lighting and camerawork
Born in Athens and brought up in Munich, cinematographer Phedon Papamichael, ASC, moved to
America in the 1980s as a photojournalist and began his career in movies by shooting seven features
for Roger Corman in just two years. Subsequent credits include Wim Wenders’ The Million Dollar
Hotel, Gore Verbinski’s The Weatherman, and the James Mangold films 3:10 to Yuma and Walk the
Line, which won Papamichael the President’s Award at Camerimage.
Camerimage 2014
34
Camerimage 2014
The 2004 film Sideways marked the beginning of a fruitful collaboration with director Alexander
Payne, further cemented with The Descendants and Nebraska, which was shot in black-and-white
with ALEXA and earned Papamichael an Oscar nomination and the BSC Best Cinematography Award,
as well as nominations for an ASC Award, a BAFTA and the Golden Frog at Camerimage. For George
Clooney he has shot The Ides of March and The Monuments Men.
Papamichael comments, “In the workshop we’ll cover different approaches to lighting and
camerawork, utilizing simple tools and classic techniques. Shooting with the ALEXA means we’ll be
able to make lighting decisions as we go along, working from the monitor image and taking
advantage of the camera’s dynamic range and sensitivity by eliminating fill light until we arrive at the
right look for the scene.”
Thursday, 20th November
11:30–14:30
Workshop Centre
ARRI WORKSHOP
From the Page to the Screen
with Stijn Van der Veken, ASC, SBC
The choices and challenges of turning script ideas into images
Born and raised in Belgium, Stijn Van der Veken, ASC, SBC, graduated from the film school of IAD and
began his career as a camera assistant. He soon moved into the role of cinematographer, shooting
documentaries for Belgian television such as Shadow of the Cross and Salmon for Corleone. In
addition, he shot several drama series, including Katarakt, Emperor of Taste, Wolven, Vermist and
Quiz Me Quick. Feature film credits include Zot Van A, Wolf, Maria Dolores, SM Rechter and Alles
voor Lena.
The short film Death of a Shadow garnered Stijn acclaim for his cinematography – it was shortlisted
for an Oscar nomination for Best Short and earned a nomination in the same category at the
European Film Awards. Another short, Murk Light, won him the Black Pearl prize for Best
Cinematography at the Abu Dhabi International Film Festival. Stijn has recently been working on the
television series In Flanders Fields with director Jan Matthys, with whom he is a frequent
collaborator.
“One of the most interesting aspects of cinematography is the different approaches you can take to
transforming words on paper into images on the screen,” said Stijn. Participants explored the
challenge of carrying ideas and characters from one medium to another, while also looking at how
equipment choices – such as anamorphic vs. spherical lenses – are really about selecting the right
story-telling tools for each project.
Thursday, 20th November
15:30–18:30
Workshop Centre
ARRI WORKSHOP
AMIRA and Techniques for Documentary Filmmaking
with Johann Perry and Neil Harvey
Responsive camerawork and working with available light
Cinematographer Johann Perry has filmed music videos, dramas and commercials, but his main focus
has been documentaries. From arts, science, history and fly-on-the-wall programs to docudramas, he
Camerimage 2014
35
Camerimage 2014
is proud to be a part of Britain’s long tradition of quality documentary-making and has worked with
award-winning filmmakers such as Vanessa Engle, Leo Regan, Sam Hobkinson and Ben Anthony.
Neil Harvey is a BAFTA-nominated cinematographer who has shot prestigious documentaries as well
as acclaimed one-off dramas. He has worked with stars such as Lisa Kudrow, George Michael and
Meg Ryan, but has also been on productions that involved accompanying British and US forces when
they invaded Iraq, and infiltrating armed gangs in El Salvador.
Both Perry and Harvey own ARRI AMIRA cameras, and have used them on a wide range of
documentaries in recent months. During this workshop they shared their experiences and provide
general guidance on shooting with available light in unscripted situations.
Perry notes, “If you study painting you’ll see that daylight coming through a single window can be
used to make a scene look beautiful. Learning to control available light and make it work for you is a
crucial skill in documentaries, so we’ll be looking at that. We’ll also discuss handheld camerawork,
analysing what you can do in terms of camera position and configuration to make sure you don’t
miss those unrepeatable moments.”
Friday, 21st November
11:30–14:30
Workshop Centre
PANAVISION SEMINARS
Moderated by Benjamin B.
Tuesday, 18 November
MCK, Kino Orzel
ul. Marcinkowskiego 12-14
11:15 – 13:15
Anamorphic: Tradition & Innovation
To mark Panavision’s 60-year history with anamorphic lenses, leading cinematographers discussed
the format’s past, present & future.
14:15 – 17:00
Masterclass with Caleb Deschanel
Caleb discussed excerpts from his films, with questions & comments from the audience.
KODAK SEMINAR
IT’ ABOUT THE LOOK
ORGANIC. MAGICAL. ROMANTIC.
Kodak on Thursday, November 20th,presented what some of today’s talented cinematographers have
to say about their creative choices and why film matters to them.
Kodak.com/go/motion
Seminar Room, Opera Nova Congress Centre
Thursday, November 20, 17:45:00
K5600 & TRANSVIDEO SEMINAR
THE IMAGE CREW, A PRACTICAL SEMINAR
Moderated by Benjamin B.
Opera Nova Congress Centre, 1st Floor, Seminar Room
Camerimage 2014
36
Camerimage 2014
Key members of the image-making crew, including the cinematographer and gaffer, discussed set
management, lighting approaches, monitoring and other practical filmmaking topics, with comments
and questions from the audience.
Wednesday, 19.11, 12:30-14:00
Opera Nova Congress Centre 1st floor, Seminar Room
CANON EOS C500 WORKSHOP
The Lighting Workshop Stephen Goldblatt ASC, BSC held at CamerImage 2014 demonstrated
techniques for Concert film making as seen in Tate Taylor’s new film Get On Up based on the life of
R&B legend James Brown.
My intention for this Canon lighting workshop was to show how images like those made in Get On Up
were achieved and to demonstrate and explain on a small stage the use of resources and techniques
including the Canon C500 Raw output alongside the Arri Alexa. To that end its important that those
who attended the workshop saw the movie the night before.
Stephen Goldblatt
Workshops Centre, University of Economy (WSG)
Building M
Monday, 17.11, 11:00-14:00
CANON SEMINAR
Experience with Canon Cinema EOS C500 camera
Centrum Kongresowe Opera Nova, 1 piętro, Sala seminaryjna
Friday, 21.11, 15:15-16:45
ZEISS SEMINAR
Shooting with ZEISS lenses
Sunday, 16 November 2014, 13:30
Monday, 17 November 2014, 14:15
From HDSLR video to big feature film productions – tips on how to choose the right equipment and
lenses
Presentation with Sebastian Wiegärtner, DOP and Managing Director of an owner-operated
advertising agency
Wednesday, 19 November 2014, 11:00
Shooting 2D and 3D – the requirements on two lenses for a perfect match
Florian Maier, CEO of Stereotec, had live demonstration on a fully motorized Stereotec 3D Rig on
how the ZEISS CP.2 are aligned for 3D
SONY CineAlta
Sony invited cinematographers to explore the creative possibilities of 4K. SONY latest hardware and
software upgrades further widen artistic options. SONY invited to the screening of Winter Sleep,
recent winner of the Palme D’Or at the 67th Cannes Film Festival, presented by Cinematographer
Gökhan Tiryaki, who shot with Sony’s F65 CineAlta Super 35mm Camera.
Winter Sleep screening: Opera Nova Main Screening Room, Monday, 17.11, 22:15
Camerimage 2014
37
Camerimage 2014
Meeting with Gökhan Tiryaki: Opera Nova Congress Centre, Seminar Room,
COLORFRONT PRESENTATION
It’s All About The Image
Led by Bill Feightner, currently Chief Technology Officer (CTO) for Colorfront. He was co-founder and,
most recently, CTO and executive vicepresident of technology at EFILM. Feightner has earned a
Technical Achievement Award from the Academy of Motion Picture Arts and Sciences, an Emmy
Award, plus a Monitor Award. In 2013, SMPTE awarded Feightner the 2013 Technicolor/Herbert T.
Kalmus Medal, which recognizes outstanding contributions to the highest standards of quality and
innovation in motion picture post-production and distribution services.
About Colorfront: Budapest-based Colorfront is developing high performance media software since
2000. Colorfront dailies systems have been used on hundreds of motion picture productions
worldwide. Recent and forthcoming productions processed on Colorfront dailies systems include:
Hercules: The Thracian Wars, Hunger Games: Mockingjay, Mad Max: Fury Road, The Fault In Our
Stars, Tomorrowland and Unbroken. Colorfront's pioneering technology developments have earned
the company an Academy and Emmy Award.
Tuesday, 18.11, 16:30-18:00
TECHNICOLOR PANEL
Monday, 17.11, 15:30
TIFFEN SEMINAR
WHAT DO OPTICAL FILTERS OFFER DIGITAL ACQUISITION
The aim of this seminar was to introduce and discuss the properties that camera filtration offers
digital acquisition and what cinematographers are looking to do with the intervention / introduction
of secondary glass in producing their images in the digital realm
Participants: Steven Poster ASC, Philippe Ros AFC, Pablo Garcia 4K Workflow Specialist Sony DMPC
Pinewood, Carey Duffy MPTV Filter Group Consultant Tiffen International Ltd Pinewood Studios.
Thursday, 20.11, 19:30-21:00
CODEX / SW SONDEROPTIC SEMINAR
Technology meets art
Digital cinematography
Seminar with Michael Seresin, BSC
Wednesday, 19.11, 19:15-20:30
DIGITAL SPUTNIK WORKSHOP
Lighting with Digital Sputnik LED Systems
Unique and practical lighting workshop with hands on experience. Participants had a chance to be of
the crew to shoot a short feature film using only Digital Sputnik systems during the festival. The short
was directed by Laila Pakalnina. Finished film was screened for everybody on 20th of November in
Multikino on Screen 7, at 19:00
Camerimage 2014
38
Camerimage 2014
Screening was followed by discussion and Q&A
Multikino, Screening Room No. 7
Thursday, 20.11, 19:00
BLACKMAGICDESIGN SEMINAR
SYNC
A Big Screen Treatment with Blackmagic Design
Hasraf Dulull, known to many in the industry as HaZ, is part of a new breed of filmmakers. HaZ first
shot to prominence in 2012 following the success of his faux Sci-Fi documentary Project Kronos. This
was a true ‘word of mouth’ phenomenon, spreading virally online and which quickly landed HaZ his
first feature film development deal in Hollywood.
A visual effects supervisor, with credits including The Dark Knight Rises, Hellboy II: The Golden Army
and Prince of Persia, HaZ has now turned filmmaker and recently previewed his latest short film,
SYNC. Set in the not-too-distant future of 2025, robot data couriers (Syncs) are used to transport
information safely from one location to another, doing whatever it takes to get it there fast, and
securely.
HaZ and director of photography Adam Batchelor were joined for a screening of SYNC and learn firsthand how the duo used camera packages from Blackmagic Design, as well as a post-production
workflow featuring DaVinci Resolve, to bring the film’s fast-paced narrative to the big screen. There
was also question-and-answer session with HaZ and Adam following their presentation.
HaZ Dulull, Writer, Director and Producer
It may look commercial, but trust me, the things we did to make it happen were very guerrilla! That is
the beauty of a project like this; we all had the passion, the drive and the commitment to make a
Hollywood-esque movie on a shoe string budget, using locations and resources in ways you wouldn’t
think of had we been following the rules of conventional filmmaking.
Adam Batchelor, Director of Photography
The Blackmagic experience was rewarding, exciting and more importantly easy! I think for the first
time a high quality, professional digital cinematic image is available to everyone.
Wednesday, 19.11, 16:00
PANASONIC
THE LEGACY CONTINUES
Seminars about the new Varicam.
Opera Nova Congress Center, 1st Floor, Seminar Room
Tuesday, 18.11, 18:30
Friday, 21.11, 17:15
FILMLIGHT LTD.
BLG: Colour from set to screen
Daniele Siragusano, Workflow Consultant at FilmLight
Daniele utilises his experience & workflow expertise—gathered at CinePostproduction in Munich and
dve Digital Video & Effects GmbH—to help customers achieve the best productivity and creativity in
their own unique setups.
Digital acquisition means that the image processing engine is vitally important for creating
meaningful images from captured data. But in modern post workflows, there are different processing
engines at every stage: monitoring on-set, dailies, editing, VFX and colour grading. Until now,
communicating a consistent and flexible look—and modifying that look—was almost impossible,
Camerimage 2014
39
Camerimage 2014
requiring re-rendering and -transferring every time you made creative changes. But there is another
way. Join Daniele Siragusano to learn about FilmLight’s renderless and colour-accurate framework
that makes it possible to control, communicate and finesse image creation ‘at every stage’ from set,
to editorial, VFX and post-production. Daniele gave an introduction to the major grading techniques,
as well as explaining the two prevalent colour management frameworks—ACES and Baselight’s
Generalised Colour Spaces—from a creative perspective.
Sunday, 16.11, 17:45-19:15
Opera Nova Congress Center, 1st Floor, Seminar Room
HDR PRESENTATION
New Exciting Aesthetics on the Horizon of Cinematography High Dymamic Range and Wide Color Gamut
Stefan Grandinetti, Cinematographer, BVK
Professor for Digital Cinematography at Stuttgart Media University, Germany
Capturing and displaying motion pictures in HDR and WCG is a new enrichment for cinematic
storytelling and of high value for image quality: Bright light sources and saturated highlights can be
reproduced closer to the human perception, a more realistic appearance of materials and enhanced
perception of space is achieved, the subjective perception of sharpness increases. The obvious
brighter reproduction of lights than on today’s conventional projections or displays (without loosing
dynamic range in the shades) provokes an emotional impact and is a powerful enrichment for new
lighting concepts…
Representative sequences, that were captured with a dynamic range of up to 18 stops and are
displayed on a HDR-monitor show extraordinary saturation in highlights and low noise in low lights at
the same time - that was the experience of presentation participants.
Sunday, 16.11, 15:00-17:00
TOMASZ OPASINSKI WORKSHOP
The value of Key Art in film marketing
Hundreds of people, millions of dollars and years of production boil down to… one image. If you have
2 seconds of someone’s attention, how do you spark interest and curiosity? It was a discussion on
strategy and selection of THAT one image to represent and sell film.
Tomasz Opasiński - Computer Graphics Specialist in Publishing and Advertising. Collaborated on the
artistic and creative aspects of over 350 visual campaigns for such films as Bourne Ultimatum,
Hellboy, Hulk, I am Legend, Ice Age, King Kong, Shrek, The Fountain, Zodiac or Transformers. He has
participated, as a competitor and as a jury member, in many domestic and international contests:
Young Creatives Cannes Lions Contest (Warsaw, Poland), The Hollywood Reporter Annual Key Art
Awards (Hollywood, USA), Golden Trailer Awards (New York / Los Angeles, USA). He resides and
works in Los Angeles.
Monday, 17.11, 13:00-14:30
MCK, Kino Orzeł, Marcinkowskiego 12-14
IMAGO & BSC
Inspirational talk with Chris Menges BSC, ASC
IMAGO has been holding a series of "inspirational talks” in a number of European cities. Our
International Federation of Cinematographers had the great pleasure of bringing to Bydgoszcz and
the wonderful CAMERIMAGE Festival the extraordinary life of Chris Menges BSC ASC through his
imagery and words.
Camerimage 2014
40
Camerimage 2014
This talk was an illustrated journey of discovery of the life of a modest man, universally regarded as
one of the greats of our profession.
Double Oscar winner for The Killing Fields and The Mission, also nominated for The Reader, Chris
Menges has amassed one of the most impressive filmmaking CVs of the last half century.
In his fascinating earlier career he was regarded as Britain’s most accomplished documentary
cameraman. Chris Menges is now revered by the BSC as one of its most distinguished
cinematographers. Among the directors with whom he has collaborated are Ken Loach, Stephen
Frears, Roland Joffe, Neil Jordan, Stephen Daldry and Tommy Lee Jones.
Tone is more important than technique – Christopher J. Menges
Wednesday, 19.11, 19:30-21:30
Music Videos: The MasterClass Series
JONAS ÅKERLUND
A masterclass by the renowned Swedish director Jonas Åkerlund, who has made his mark with a
distinctive storytelling and visually driven signature style that often pushes the boundaries of the
status quo. Jonas Åkerlund an internationally awarded director of music videos, commercials,
documentaries, stage shows and feature films is the recipient of Camerimage Award for Outstanding
Achievements in the Field of Music Videos.
Jonas’ music videos have earned him several Grammy Awards, an Icon Award, MTV Video Music
Awards (including Best Director), and the prestigious MVPA Hall of Fame Award. He recently received
his third Grammy award for Best Music Film for Paul McCartney’s “Live Kisses”.
In his mastercclass, Jonas presented a selection of his music videos and talk about his work with the
likes of Madonna, Lady Gaga, U2, The Rolling Stones, Beyoncé, Metallica, Paul McCartney, Ozzy
Osbourne, Robbie Williams, The Smashing Pumpkins and Lenny Kravitz, to name just a few.
Additionally, on Thursday, just before the screening of the film Nightcrawler, there was a premiere
screening of Jonas Åkerlund director's cut video of Coldplay's “Magic”. Coldplay gave their special
consent for the video to be screened for the first time before Camerimage audience.
Friday, 21.11, 21:00
KIM LONGINOTTO MASTERCLASS
Join KIM LONGINOTTO, acclaimed director and cinematographer, for a panel discussion featuring a
selection of her unsurpassed documentary work, which spans over 30 years of filmmaking. Kim
shared clips and documentary technique experiences from her professional career, which has been
consistently challenging, engaging, and, above all, compelling. The inaugural recipient of the
Camerimage Award for Outstanding Achievement in Documentary Filmmaking answered questions
about her iconic work – from Rough Aunties to Salma and recent project Love is All: 100 Years of Love
& Courtship – and share her philosophy of cinéma vérité. She was the guest of honor at the 22nd
edition of the Camerimage Festival.
Tuesday, 18.11, 19:30-21:30
LODZ FILM SCHOOL
MASTERCLASS: JACEK KOPROWICZ, JERZY ZIELIŃSKI
The director and the cinematographer taleked about the work on the visual side of the cult Polish
horror film Medium (1985).
Camerimage 2014
41
Camerimage 2014
The combination of the two distant film genres such as a detective/crime and a horror story were
discussed in the context of specific visual characteristics of the film narrative stages.
The meeting with Jacek Koprowicz was combined with a promotion of the book Medium.
Visualisation of the Narrative (Publisher: PWSFTViT 2013). The book was accompanied by a DVD with
the digitally restored film (film with English subtitles).
Tuesday, 18.11, 17:15-18:45
LODZ FILM SCHOOL
MASTERCLASS: THE CINEMATOGRAPHER’S EYE
The premiere of the publication The Cinematographer’s Eye was accompanied by short lecture:
Michał Bukojemski: Stereoscopic Photography
Jacek Szymczak: Underwater Photography
Jerzy Zieliński: Photography in Virtual Art. Design
With participation of Ryszard Lenczewski and Piotr Wojtowicz
Publication: The Cinematographer’s Eye Ryszard Lenczewski, Piotr Wojtowicz, Jerzy Zieliński, Michał
Bukojemski, Jacek Szymczak (Publisher: PWSFTViT 2014). Series: Art. of Cinematography
Thursday, 20.11, 17:45-19:45
GORDON WILLIS TRIBUTE
A tribute to the late, great Gordon Willis, ASC, illustrated by clips from his films, with comments by
leading cinematographers & Stephen Pizzello, author of an upcoming book about Willis.
moderated by Benjamin B
presented by American Cinematographer
Friday 21.11, 15:30-17:30
Multikino, Screening Room 7
STEPHEN LIGHTHILL SEMINAR
AFI Conservatory Cinematography program
Stephen Lighthill, ASC, head of the American Film Institute Conservatory Cinematography program,
welcomed all festival attendees to a discussion of the AFI conservatory approach to film making
education with an emphasis on the Cinematography discipline. Mr Lighthill was joined by recent
alumni at this reception and conversation about AFI.
For over forty years, the AFI cinematography program has been one of the few programs offering an
advanced Master Of Fine Arts degree in cinematography. During that time, an amazing group of
alumni have gone on to prominent careers including this year's Camerimage Lifetime Achievement
Award honoree, Calib Deschanel, ASC. Some mini movies (3 minutes or less) from Cinematography
Fellows at AFI. And were reviewed, a discussion of the evolving environment of filmmaking in general
and cinematographers in particular. All festival attendees could take part.
Tuesday, 18.11, 18:30-20:00
GET NOTICED AS A PROFESSIONAL FILM ARTIST!
A panel discussion with experienced agents for emerging talents
Rebecca Fayyad, Palud LUX ARTISTS
Kristen Tolle-Billings, WPA Worldwide Production Agency
Camerimage 2014
42
Camerimage 2014
Jonathan Silverman, Global Artists Agency
Robert Arakelian, UTA United Talent Agency
We all know how important it is to promote yourself and be visible in the arts market. Especially
when it comes to visual arts, it is indeed challenging to be part of a globally recognized group of
filmmakers. Although it is easy to put a product of artistic creation on the spot using newly
developed media and social interaction, it is difficult to be recognized and visible among the
thousands of others who wish for the same.
CAMERIMAGE Festival’s organizers and co-operating individuals from the film industry have more
than 20 years of experience in giving artists the possibility not only to screen their achievements to
international audiences, but also to discuss and develop new ways of improving performance and –
let us not be afraid to use the word – make their businesses even more thriving.
In our history we had workshops, panel discussions and projects directed at various specialists,
connecting and promoting best practices sharing, brainstorming the newest ideas and giving tools for
further development in the arts industry. At the 22nd edition of the CAMERIMAGE Festival we have
decided to link experienced talent agents who are often present at international film festivals with
young filmmakers so as to discuss and work on the best solutions and ideas for cooperation between
art and business.
Wednesday, 19.11, 14:15
TALENT DEMO
Consulting programme with experts:
Dorota Chamczyk, documentary films director, producer, TVN
Scott Franklin, film producer
Moritz Hemminger, film producer, ARRI Worldsales
Albert Hughes, director, producer
Stephen Lighthill, cinematographer
Jay Rosenblatt, director, producer, documentary filmmaker, editor
Nancy Schreiber, cinematographer
Irena Strzałkowska, film producer
Martin Walsh, editor
Vilmos Zsigmond, cinematographer
Festival Centre Opera Nova, Maestra Restaurant
PSC
Polish Society of Cinematographers presented documentary film Warsaw Uprising followed by a
discussion:
Archival materials in storytelling – ethical, legal, historical and artistic aspects
Screening: Opera Nova, Documentary Screening Room, Wednesday, 19.11, 20:00
Discussion: Opera Nova Congress Centre, 3rd Floor, Conference Room, 19.11, 21:30
Partners: Museum of Warsaw Uprising, FilmPro magazine
WAYS TO FREEDOM
WAYS TO FREEDOM (KINO WOLNOŚĆ) is a social project aimed at arousing national consciousness
and the feeling of unity in a free democratic community on the 25th anniversary of the first free
parliamentary elections in Poland. The WAYS TO FREEDOM project is realised under the auspices of
Polish President Bronislaw Komorowski and his 25 years of Freedom.
Camerimage 2014
43
Camerimage 2014
CAMERIMAGE Festival and the authors of the project invited to see Interrogation (Przesłuchanie)
directed by Ryszard Bugajski and for a meet-and-greet with the film’s author. The film screening was
preceeded with a projection of the short educational film History Lesson – the breakthrough. The film
was completed the day before Martial law was introduced. It was banned from public viewing, so its
official premiere was not until 1989. The film, inspired by Soviet trials in the 1950s, shows a harsh
view of Stalinism and exposes the state of terror.
Interrogation (Przesłuchanie) was my personal manifesto. I presented my attitude towards the reality
that surrounded me for the most part of my life. A reality that was so very different from what I
needed and what I imagined it should be. (...) My film is a manifesto of a man who wants to be free,
regardless of the price he has to pay. I think this film could have been made elsewhere than Poland.
People fight for personal freedom everywhere, although it’s not as drastic in democratic countries.
Ryszard Bugajski
Wednesday, 19 . 11 , 13 : 15 - 17 : 30
Miejskie Centrum Kultury, Kino Orzeł
Marcinkowskiego 12-14
3D SEMINAR
Common mistakes in 3D cinematography
In his presentation Markus Lanxinger, Stereographer and Stereoscopic Supervisor with credited on
Transformers: Age of Extinction and The Amazing Spiderman among other titles, presented most
common errors in 3D cinematography and discussed how to avoid them. The first part of the
presentation focused on the technical errors that go undetected and on developing a strategy for
automatic detection before a movie is released and sent out to the theaters. Part 2 will focused on
the difficulties to keep a proper scale and consistency in the 3D throughout the movie. Both parts will
explain how 3D cinematography directly affect the 3D image and how it is perceived by the
audience.
Wednesday, 19.11, 15:30-17:00
3D seminar hosted by International 3D & Advanced Imaging Society
A seminar moderated by Jim Chabin, the president of I3DS, with the participation of Barry Sandrew,
Grant Anderson, Marcus Lanxinger and Steve Schklair. During the seminar the society was presented
and a discussion about 3D technology followed. The speakers talked about the present condition and
future of 3D and other advanced imaging technologies.
Friday, 21.11, 13:30-15:00
10th LEGAL FORUM “10th MUSE THROUGH THE EYES OF THEMIS”
Only in Polish language
Organisers:
CAMERIMAGE Festival
Adwokat Maciej Adamczyk et consortes
Radca Prawny Lucyna Sas-Swadźba
Adwokat Łukasz Niedziela - Kancelaria Adwokacka United Professionals
Radca Prawny Michał Trowski - Kancelaria Radców Prawnych Mikolcz Trowski i Wspólnicy
Thursday, 20.11, 10:00-15:00
Opera Nova Congres Centre, 1st Floor, Seminar Room
Camerimage 2014
44
Camerimage 2014
LEGAL CULTURE LECTURE of prof. dr hab. Elżbieta Traple
Basic legal and copyright aspects during filming and subsequent film exploitation
Polish language only
TO CREATE WITH NO COMPROMISE
GROLSCH Crowdfunding Workshops for emerging filmmakers
WORKSHOPS ACCOMPANYING ADVERTISING SPOTS COMPETITION
Multikino, Room 7
Thursday, 20.11.
13:30
Natalia Hatalska
A transmedia strategy with the use of broadly-defined social media for city and region promotion
only in Polish language
The attendants and the creator of the workshop tried to find an answer to the question of how to
create a place brand and communicate it in an integrated and multichannel way. They discussed the
subjects of good and bad practices of territorial marketing in Poland, the role of a consumer in
creating a place brand, and marketing campaigns (including issues of content strategy in social
media, the developing role of new technologies, and so-called transmedia).
16:15
Paweł Tkaczyk
How can you talk about European Funds without talking about money? A different approach to
brand building
Advertising European funds can either be boring, or... very unconventional. Is it possible to get
through to the listeners by talking about something other than money? What are the current trends
in modern brand building? What PR activities should we pay attention to? How can we utilise the
latest tools and technology? Whose half of the money is thrown down the drain?
Holiday Inn
Conference Room
Friday, 21.11, 9:00
SHOPA Design Thinking Workspace
Design thinking – How do you design a perfect product?
Design thinking is a methodology focused on the end user. Focusing on the human being, we design
perfect solutions. See how it’s done in Silicon Valley! SHOPA Design Thinking Workspace – the first
space in Poland that, based on design thinking methodology, makes use of the potential of scientists,
students and entrepreneurs to create common solutions.
Speakers:
Radosław Ratajczak – originator and creator of the SHOPA campaign. Expert in Design Thinking and a
great fan of methodology as a way of creating innovation. A graduate of the Top 500 Innovators
programme – an internship at Stanford University.
Camerimage 2014
45
Camerimage 2014
PhD, Eng Piotr Szewczykowski – an employee of the Department of Materials Engineering in the
Faculty of Mechanical Engineering at the University of Technology and Life Sciences (UTP) in
Bydgoszcz. Innovation broker in the Faculty of Chemical Technology and Engineering at UTP.
MEETINGS & SEMINARS
Book Premiere From Wajda to Komasa
Meeting with Barbara Hollender
Wednesday, 19.11, 11:00-12:30
Q&A with Barry Sandrew after the Special Screening of Enchanted Kingdom
Barry Sandrew, the visual effects pioneer and founder of Legend3D, Inc., which was responsible for
the conversion of Enchanted Kingdom, talked about the possibilities of a creative flexibility in 2D to
3D conversion for documentaries, what the cinematographer should know about the conversion
process, and the ways of getting that impossible 3D shot. Barry Sandrew was joined by Grant
Anderson, Executive Director & Stereoscopic Supervisor at Sony Pictures 3D Technology Center.
Friday, 21.11, Multikino, Screening Room 6
17:45-18:45
Q&A with Steve Schklair after the Special Screening of Stalingrad moderated by Barry Sandrew.
The discussion with Steve Schklair, an international 3D expert and the 3D Producer on Stalingrad,
revolved around 3D as another creative tool for the cinematographer and the parallels and
differences between a 2D and a 3D shoot.
14:15 Stallingrad
16:30 Q&A
Tuesday, 18.11, Multikino, Screening Room 6
Meeting with Ryszard Horowitz about his autobiography
„An Incredible Life. Memoires of photocomposer.”
Sunday, November 16th, 17:00, BWA Gallery
Meeting with director Stephen Daldry & cinematographer Adriano Goldman
following the screening of their film Trash
Sunday, November 16th, 17: 15, Conference Room, Opera Nova Congress Centre, 3rd Floor
Meeting with Alan Rickman, director of A Little Chaos
following the screening
Sunday, November 16th, 19: 15, Conference Room, Opera Nova Congress Centre, 3rd Floor
“The Look of Sex Addiction”
Meeting with cinematographer Manuel Alberto Claro & VFX supervisor Peter Hjorth
following the screening of Nymphomaniac Vol. II (director’s cut)
Monday, November 17th, 18:00, MCK Kino Orzeł
Meeting with Thelma Schoonmaker, Ian Christie, Andrew Macdonald and Erich Seargant
after the screening of The Red Shoes in Retrospective of Michael Powell & Emeric Pressburger movies
Monday, November 17th, 19:45, Conference Room, Opera Nova Congress Centre, 3rd Floor
Camerimage 2014
46
Camerimage 2014
Meeting with Gökhan Tiryaki, cinematographer of Winter Sleep
film presented in Special Screenings section
Tuesday, November 18th, 14:30, Seminar Room, Opera Nova Congress Centre, 1st floor
Meeting with Thelma Schoonmaker, Nigel Arthur and Ewa Reeves
after the screening of A Matter of Life And Death in Retrospective of Michael Powell & Emeric
Pressburger movies
Tuesday, November 18th, 17:00, Multikino, Screening Room 7
Meeting with Thomas Hardmeier, cinematographer of Yves Saint Laurent
following the screening , Tuesday, November 18th, 21:30, Screening Room No 10, Multikino
Bob Dylan Art Seminar with Aaron Young and Hanns Peter Bushoff
Tuesday, November 18th, 20.30, Opera Nova Congress Center Seminar Room, 1st Floor
Meeting with Janusz Majewski – Zofia Nasierowska Photography
Exhibition in Farbiarnia Galery
Wednesday, November 19th, 19:00, Farbiarnia Gallery
Working with John Alcott - Meeting with Roger Spottiswood
director of Under Fire - following the screening
Wednesday, November 19th, 21:00, Screening Room No 10, Multikino
Advanced filmmaking - meeting with Phedon Papamichael
Thursday, November 20th, 20:00, MCK Kino Orzeł
Meeting with Denis Lenoir, cinematographer of Eden
Thursday, November 20th, 20: 45, Screening Room No 10, Multikino
Meeting with cinematographer Caleb Deschanel
Lifetime Achievement Award Recipient
Special Guest to Retrospective Screenings of his movies
Thursday, November 20th, 20:45, Conference Room, Opera Nova Congress Centre, 3rd Floor
Meeting with Music Video Competition Nominees
Thursday, November 20th, 23:00, Conference Room, Opera Nova Congress Centre, 3rd Floor
Meeting with Philip Kauffman and Caleb Deschanel
following the screening of The Right Stuff
Friday, November 21st, 17:45 MCK Orzeł Cinema
Meeting with director& producer Fatih Akin, cinematographer Rainer Klausmann and production
designer Allan Starski, creators of The Cut
Friday, November 21st, 19:30 Conference Room, Opera Nova Congress Centre, 3rd Floor
Camerimage 2014
47
Camerimage 2014
ACCOMPANYING EVENTS
Bob Dylan Paintings
The first exhibition of Bob Dylan’s paintings and drawings in Poland
Tumult Foundation Gallery, Rynek Nowomiejski 28, Toruń
Opening: Monday, 17 November, 18:00
Bob Dylan’s music excites millions of fans all around the globe. It has reached almost every corner of
the world. On the other hand, his drawings, paintings or installations are known to only a handful of
the most faithful fans. Thanks to the persistent attempts of the CAMERIMAGE Film Festival
organisers, Dylan’s paintings, exhibited extremely rarely, are finally going to be displayed in the
Tumult Gallery in Toruń, Poland.
Dylan made his passion for drawing known as late as in 1994, when he presented a series of sketches
created during his tours in Europe, America and Asia between 1989 and 1992. The drawings known
as Drawn Blank were usually made in charcoal or pencil, and later reworked. By using various
techniques and materials Dylan recreated the Drawn Blank paintings in a number of different colour
schemes. In 2010 the artist turned to a new medium – acrylic on canvas – and created fifty paintings
known as The Brazil Series. One year later he presented another cycle, The Asia Series, which not only
reflected his personal observations of life and people during his travels around China, Japan, Vietnam
and Korea, but featured quotes from works by such artists as Edouard Manet, Paul Gaugin and Henri
Cartier-Bresson. In 2013 Dylan displayed a collection of twenty three canvases dedicated to New
Orleans, a city which he describes as ‘one very long poem’. The same year the National Portrait
Gallery in London presented thirteen pastel portraits of his brush, featuring both his friends and
fictional figures. His last project includes seven iron gates made of old metal objects welded
together. The Revisionist Art series is of a similar nature, and features thirty collage paintings created
from elements taken from popular American magazines.
The Toruń exhibition showcased only a small section of Bob Dylan’s abundant and diversified
artwork. It featured paintings and graphics created in 2008 and 2013 on the basis of the Drawn Blank
drawings, as well as one of Dylan’s iron gates that he worked on in 2012 and 2013. The exhibition
accompanying CAMERIMAGE is a real treat for Dylan’s fans and art lovers. Bob Dylan does not
present his works very often, and he chooses the exhibition venues carefully. His highly personal
approach to paintings and installations makes them even more unique. Needless to say, the
exhibition of an outstanding poet, a three-time nominee for the Nobel Prize in Literature, the man
who revolutionised the rock music of the twentieth century, couldn’t be missed.
The exhibition was an accompanying event of the 22nd edition of the International Film Festival of
the Art of Cinematography CAMERIMAGE.
The exhibition will be open until Sunday, 14 December
Exhibition available: Tuesday-Sunday 12:00 – 18:00
Free entry
Exhibition partners: Halcyon Gallery in London & BWA Municipal Gallery Bydgoszcz, City of Bydgoszcz
The project is co-financed by the City Council of Toruń
Exhibition was co-financed by the European Regional Development Fund within the Regional
Operational Programme for Kujawsko-Pomorskie Voivodeship for the years 2007-2013 and the
budget of Kujawsko-Pomorskie Voivodeship.
Camerimage 2014
48
Camerimage 2014
Seminar on Bob Dylan’s art
the Seminar on Bob Dylan’s art with:
Aaron Young, art dealer for over three decades, chairman of The Halcyon Group with over thirty
galleries throughout the United Kingdom, representing artists such as Dale Chihuly, Bob Dylan, and
Lorenzo Quinn among others. The Halcyon Group owns Washington Green, Europe’s largest
publisher of fine art editions. Aaron Young is also the principal shareholder of McGaw Graphics, a
thirty-five-year-old company which distributes posters internationally for The Andy Warhol
Foundation, the Keith Haring Estate and the Museum of Modern Art, New York to name just a few;
and
Hanns Peter Bushoff, Marketing Consultant at Sony Music Germany, holder of a PhD in journalism,
who was head of press for Ariola/BMG Records Munich and senior marketing manager for Sony
BMG. He is currently working as a marketing consultant for many internationally-acclaimed music
artists. Among his clients have been Bob Dylan, Bruce Springsteen, Rod Stewart, Carlos Santana,
David Bowie, Neil Diamond, Celine Dion, Barbra Streisand, Joan Baez, Harry Belafonte, Patti Smith,
Tom Waits, Marianne Faithful, Dido, and Leonard Cohen.
Tuesday, 18th November, 20:30
Bydgoszcz, Opera Nova Congress Centre, Seminar Room
RH75 – A BIRTHDAY EXHIBITION OF RYSZARD HOROWITZ
BWA Bydgoszcz Gallery
17.11.2013 –12.01.2014
Exhibition Opening: Sunday, November 17th at 18:00
BWA Municipal Gallery Bydgoszcz and CAMERIMAGE Festival invited to an exhibition of 75 works of
Ryszard Horowitz celebrating 75th birthday of this outstanding photographer.
For the sake of this exhibition, Ryszard Horowitz had cherry-picked 75 of his best and most renowned
works. This exceptional artist makes use of various photographic techniques, retouching, and
multiple exposure of film in the camera or manipulations in the darkroom. His photographs often
depict a fairy-tale-like world, an intriguing play of symbols and images. He is considered a pioneer of
special effects in photography prior to digital imaging. New technologies allowed Horowitz to obtain
similar effects by means of cutting-edge computer techniques and advanced software, including
Photoshop.
The RH75 exhibition is one of the events celebrating Ryszard Horowitz’s birthday. Ryszard Horowitz is
one of the closest friends of the Festival. The posters for the 1994 and 1995 celebrations of
cinematography featured his photocompositions. The artist himself has participated in CAMERIMAGE
a number of times as a member of the jury. This year the photographer also joined our panel of
experts who will select the winner of the Golden Frog award in the CAMERIMAGE main competition.
Exhibition venue:
BWA Municipal Gallery Bydgoszcz
Gdańska 20
The exhibition will be open until 15 February 2015
Camerimage 2014
49
Camerimage 2014
RETROSPECTIVE OF ZOFIA NASIEROWSKA’S PHOTOGRAPHS
FARBIARNIA ART GALLERY
Pomorska 68A/1, Bydgoszcz
Free entry
Exhibition of photographs by Zofia Nasierowska-Majewska (born 24.04. 1938, died 03.10. 2011), a
distinguished Polish photographer specialising in portraiture.
Zofia Nasierowska’s works have been exhibited both in Poland and abroad and received many
prestigious awards at international events, held in Budapest, Karlovy Vary, Glasgow, London, and
Stockholm, to name just a few. Nasierowska occasionally dealt with landscape photography and
made video coverages, but her true lifelong passion was portraiture. She portrayed a vast number of
people known in the fields of theatre, film, art, and culture. In the 60s and 70s she was the
photographer of choice for the majority of Polish artists and intellectuals, hence she came to be
known as “the Polish Annie Leibovitz”. Her works included portraits of such artists as Beata
Tyszkiewicz, Krystyna Janda, Jerzy Kawalerowicz, Anna German, Roman Polański, Tadeusz Konwicki,
Anna Jantar, Piotr Fronczewski, Gustaw Holoubek, Irena Jarocka, and Irena Santor. At the same time,
Nasierowska’s photographs were published on the covers of numerous weekly magazines: Film,
Ekran, Zwierciadło, Przekrój, and Kobieta i Życie. The trademarks of her portraits were their carefully
prepared lighting and appropriate take on the model, often somewhat idealising the person in front
of the lens. Having worked as a photographer for 35 years, she eventually abandoned her career due
to an eye condition. The artist died in Warsaw on the 3rd October 2011. Our exhibition was a perfect
opportunity to experience her widely admired and remarkable works.
The exhibition was organized under the auspices of the Marshal of the Kujawsko-Pomorskie
Voivodeship.
This project was co-financed by the Town Council of Bydgoszcz.
Exhibition prepared as a part of the “F-torki“ initiative.
We also invited to the meeting with Janusz Majewski, husband of Zofia Nasierowska-Majewska, on
Wednesday, 19th November, at Farbiarnia Gallery, Pomorska 68a/1, at 19:00.
PORTRAITS
Art photography exhibition by Henryk Pietkiewicz
14.11.-23.11.2014
Opening: Monday, 17th November, 13:00
The Exhibition presented portraits of people from Polish film industry, icons of Polish culture:
Roman Polański, Andrzej Wajda, Agnieszka Holland, Maja Komorowska, Agata Buzek, Krzysztof
Zanussi, Jan Englert, Olgierd Łukaszewicz, Jerzy Stuhr, Janusz Gajos …
Venue: Leon Wyczolkowski District Museum, Archeological Collections, Mennica 2, Mill Island
Exhibition under the patronage of CAMERIMAGE Festival
Offer of the Leon Wyczółkowski Regional Museum in Bydgoszcz for the guests of the
Camerimage Festival, 16–23 November
Information about discounts:
The Leon Wyczółkowski Regional Museum in Bydgoszcz had the pleasure to inform you that within
the joint cooperation with the organizers of the International Film Festival of the Art of
Cinematography CAMERIMAGE, all accredited guests of the Festival received a 50% discount for
Camerimage 2014
50
Camerimage 2014
purchase of admission tickets. The discount (given after showing your Festival ID) was in force
throughout the duration of the festival and applied to all facilities and exhibitions of the Regional
Museum.
Information about the museum exhibitions:
Archeological Collection, Mennica 2
“In the Borderland between Wielkopolska and Pomerania. Bydgoszcz and its Environs since the Dawn
of Time”
Varnishing Day, November 20, 2013, 6:00 p.m.
The exhibition showed the earliest history of our region, from the beginning of settlement (ca.
12,000–10,000 B.C.) until the period of migration of the nations (fifth–sixth century A.D.). Presented
artefacts were coming from the regions of Krajna, Kuyavia and Pałuki, and the majority of them are in
the collection of the Leon Wyczółkowski Regional Museum in Bydgoszcz. Remains of material culture
over centuries were shown in the exhibition, including various tools, decorations, weaponry, and
everyday articles. Visitors were able to trace back technological transitions and the evolution of
human thought, which gradually aimed at taming the environment and improving the quality of life.
Artefacts and numerous reconstructions were presented over various epochs and prehistoric
periods. In order to go on this “unique time travel”, the organizers installed modern forms of media,
allowing visitors to actively participate in touring the exhibition and broaden their knowledge on any
field of interest. On the other hand, various multimedia and interactive forms provide visitors with a
convenient way to digest new information and create an opportunity for active participation in their
visit.
“In the City of Bydgost. Mysteries of life of early medieval residents of Bydgoszcz and its area”
The exhibition presented material culture seen through many aspects of the social and spiritual life
of the early medieval residents of Bydgoszcz and its surrounding area. The exhibition featured tools,
ornaments, weaponry, and everyday articles.
European Money Centre, Mennica 4
“History of Money. Ancient Rome”
The exhibition “History of Money. Ancient Rome” showed the history of the Roman state and its
citizens, highlighting the economic functions of money, consisting of its influence on civilization and
progress through stimulation of production and trade. It also presented the cultural role of money,
reflected by iconography and epigraphy featured on coins, serving as state propaganda, promoting,
among other things, the idea of imperial authority.
“History and the present state of Mill Island”
Mill Island, a river island surrounded by the waters of the Brda River which occupies a total area of
6.5 ha, due to its situation in the proximity of the Old Market Square, is a very unique site in Europe.
In the past, this part of the city served as its business zone, featuring first its famous mint and later a
milling industry centre. Along with the gradual diminishing of the industrial character of the island, it
has transitioned to a venue for cultural events. These days, as a result of the revitalization works
carried out in the area, Mill Island exclusively fulfils social, cultural, entertainment and tourist
functions.
“Bydgoszcz Mint”
It was a historical exhibition, comprising almost a hundred years of the history of the Bydgoszcz Mint.
It presents the process of coin minting, blacksmith’s tools, crucibles, minting stamps, scales, and
treasury boxes.
Camerimage 2014
51
Camerimage 2014
The basement presented an illustrated process of coin minting, based on replicas of stained glass
windows from the mint of Constance. In addition, the exhibition presented a 100-ducat coin dating
from 1621 in 3D technology, which is regarded as one of the most beautiful coins in Europe.
Modern Art Gallery, Mennica 8
“Multiplication”
The purpose of the exhibition was to present the diversity and multidimensionality of contemporary
artistic discourses. The organizer of the exhibition invited famous Polish artists who are looking for
their own artistic language on the borderline of many fields, starting from visual arts, to sociology,
psychology, biology, and music, and combine them with the latest technologies. In this way, they
contributeed to the development of contemporary multiplied culture and highlight their own
strategies within it.
The workshops „3D printing in practice”
Leon Wyczółkowski District Museum invited to join the workshops organized as a part of
“MULTIPLICATION” exhibition.
The workshops acquainted the attendees with 3D printing, work with 3D printer and the basis of
design in 3D software. The attendees learnt how to make print in 3D – from project to printout.
The workshops was given by Łukasz Brandt – soul artist of new technology, computer programmer,
interface designer, graduated from Strzemiński Academy of Fine Arts in Łódź.
15 – 16 November, 10:00-14:00, Modern Art Gallery, Mennica 8, Mill Island
“Modern Art Gallery”
The exhibition presented the most representative artworks in the collection of the Bydgoszcz
Museum. A chronological-problem layout features styles, trends and creative attitudes in Polish art in
the past hundred years, including the group of École de Paris artists, the avant-garde groups of the
twenty-year interwar period, Colourism, expressive abstraction and matter painting, geometric
expression and, accompanying it, conceptual reflection, new figuration, photorealism, the surrealistmetaphorical trend, and critical art.
The House of Leon Wyczółkowski, Mennica 7
“The Work of Leon Wyczółkowski”
The Regional Museum has one of the biggest collections of paintings, drawings and graphic art of
Leon Wyczółkowski in Poland. The exhibition presented works of the artist, supplemented by a
collection of numerous documents, an extensive photographic archive, personal memorabilia and
exhibits in the form of the artist’s studio and furniture which come from his manor house in
Gościeradz. This collection has been systematically expanded by a number of acquisitions and
deposits.
Granaries on the Brda River, Grodzka 7-11
“In the shadow of war. Bydgoszcz and its residents during World War Two”
The exhibition was prepared on the occasion of the 75th anniversary of the outbreak of World War
Two this year, based on the museum’s own collections and external contributions. The exhibition
was a historical travel around occupied Bydgoszcz city.
“From the Old Market Square to Wolności Square. Walking the Streets of the Interwar Bydgoszcz”
This interactive exhibition presented the interwar, multicultural Bydgoszcz. It featured topics
regarding cultural heritage, economic foundation, as well as the complexity and diversity of
Camerimage 2014
52
Camerimage 2014
processes and events that supported development of the city on the Brda River along with the
dynamics of the changes taking place in it.
Exploseum – War Technology Centre DAG Fabrik Bromberg, Alfred Nobel street
This was a unique example of industrial architecture preserved almost unchanged since the World
War Two period. The tour route, roughly 2 kilometres in length, goes through 8 buildings connected
by underground corridors. Exploseum is a modern narrative museum in which multimedia
accompany the traditional forms of exhibition.
Addresses of buildings open to visitors:
Granaries on the Brda River - Grodzka 7-11
Archeological Collection - Mennica 2, Mill Island
European Money Centre - Mennica 4 , Mill Island
The House of Leon Wyczółkowski- Mennica 7, Mill Island
Modern Art Gallery- Mennica 8, Mill Island
Exploseum - Alfred Nobel street, located in the proximity of the Bydgoszcz Park of Industry and
Technology
Opening hours:
Tuesday, Wednesday, Friday: 9:00 a.m.-4:00 p.m.
Thursday: 9:00 a.m.-6:00 p.m.
Saturday, Sunday: 10:00 a.m-4:00 p.m.
Monday: closed
Exploseum: closed on Monday; other days of the week, 8:00 a.m.-4:00 p.m. There are special rules
for visiting, tel. 883366056
FESTIVAL’S CLUB THE ONE
Location: Gdańska 15, Bydgoszcz
The official festival club since 2012
Festival parties from 15 to 22 November
Camerimage 2014
53
Camerimage 2014
CAMERIMAGE 2014 STATISTICS
During the 22nd edition of the International Film Festival of the Art of Cinematography we have
presented 348 films of highly visual values and 3 678 entrance cards, 2186 single tickets for the
screenings at the Opera Nova were issued. Screenings in Multikino gathered 12486 people.
Altogether, the Festival’s audience gathered 73 500 film enthusiasts.
Among the guests we had 527 cinematographers from 41 countries, and 99 special guests: directors,
actors, editors, set designers, 3D experts, composers from 18 different countries; 661 students
representing 116 film schools from 33 countries, 145 journalists representing 59 media from 8
countries. Moreover, we hosted 570 film industry representatives including producers, distributors
as well as branch companies who have presented their latest achievements and technical solutions.
Camerimage 2014
54

HERE - Camerimage

Transkrypt

Podobne dokumenty

marek straszak - GOK Jasienica