Contents

CONTENTS
POLISH FEMALE ARTISTS AROUND ALICJA HALICKA
Ewa Bobrowska, Preface ........................................................................................... 9
Ewa Bobrowska, Suffragists? Polish female artists in Paris between the 19th and
20th century........................................................................................................... 11
Joanna Tomalska, The art of love and medicine. Anna Bilińska-Bohdanowiczowa
(1857–1893) in the light of her husband’s memories........................................... 28
Agnieszka Kluczewska-Wójcik, Feliks Jasieński—the patron of Polish female
artists.................................................................................................................... 38
Anna Wierzbicka, “One has to be a feminist here”. On the forgotten female
artists active in Paris during the years 1900–1914.............................................. 45
Małgorzata Dąbrowska, Bourdelle—the master and inspirer. Polish sculpturesses
in Paris ................................................................................................................. 63
Artur Winiarski, Alicja Halicka’s artistic utopia of the landscape .......................... 76
Ewa Ziembińska, Sara Lipska: versatille artist. Dunikowski’s exceptional
apprentice............................................................................................................. 82
Katarzyna A. Cybulska, The role of technical structure and identification of
artist’s technique on the basis of Mela Muter’s creativity ................................... 90
Światosław Lenartowicz, The travels of Zofia Stryjeńska and their Parisian
stage ................................................................................................................... 101
Paula J. Birnbaum, Tamara de Łempicka — uosobienie współczesnej kobiety...... 116
Marta Chrzanowska-Foltzer, Is there only Paris? A few remarks about Polish
female artists in Southern France ...................................................................... 127
Mirosław A. Supruniuk, The new deal. Polish artists in Zofia and Kazimierz
Romanowiczs’ Galerie Lambert ......................................................................... 142
Joanna Krasnodębska, „An Englishwoman in Paris”: Halina Korn-Żuławska’s
letters to her husband (May–June 1950)............................................................ 156
Jan W. Sienkiewicz, French light, Lithuanian land—the paintings of Joanna
Wierusz-Kowalska-Turowska ............................................................................. 175
Katarzyna Lewandowska, Black suns, white moons—death in the art of Alina
Szapocznikow and Angelika Markul................................................................... 183
HISTORY OF LITERATURE
Artur Jabłoński, The picture of the reception of serials in “Dziennik Polski
i Dziennik Żołnierza” in 1949–1965 through the letters from the readers ........ 193
HISTORY
Lilla B. Paszkiewicz, The controversy arisen by the prisoners in Brześć attitude
as seen in the light of the correspondence between Adam Ciołkosz and Stefania
Sigalina-Libermanowa from year 1942.............................................................. 211
Beata Dorosz, “Lechoń in Algeria”—about a certain (unfulfilled) diplomatic
role ..................................................................................................................... 233
Krzysztof Tarka, An agent in “Kultura” desired. The unfulfilled plan of enlisting
Marian Pankowski by the intelligence of the People’s Republic of Poland ....... 250
Krzysztof Tarka, Bolesław Sulik—laison officer from London .............................. 264
Arkadiusz Kierys, Paweł Jasienica versus Józef Mackiewicz. Whose road to
nowhere? ............................................................................................................ 278
HISTORY OF ART
Lidia Gerc, “Studies in Polish Architecture” by Jerzy Faczyński.......................... 311
Joanna Klara Teske, Behold!!! The Protong—The Flood and Ape-men,
the theodicy of Stanisław Szukalski .................................................................... 320
MEMOIRS / BIOGRAPHIES
Jan Jaworowski, Krysia Eichlerówna — A Memory. Krystyna Eichler
(1921–2012) ....................................................................................................... 331
Karolina Famulska-Ciesielska, Filip Istner (1912–1990) ...................................... 334
Anna Frajlich, Portfolio becomes legacy. Bartek Małysa (1947–2012)................. 338
Joanna Rostropowicz-Clark, Tales from frozen time. Jadwiga Maurer
(1930–2012) ....................................................................................................... 341
Edward Zyman, The Heroism of life choices. Nelli Turzańska-Szymborska
(1917–2012) ....................................................................................................... 344
REVIEWS / POLEMICS
Wacław Lewandowski, The traces of negligence (Paweł Tański, Ślad. Świat
poetycki Jerzego Hordyńskiego, Toruń 2012, Wydawnictwo UMK)................. 349
PROPOSITIONS
Monika Nowak, Madame Werten—artist and promoter of art. Traces from the
Polish Museum of America................................................................................. 353
List of illustrations...................................................................................................... 361
List of reviewers ......................................................................................................... 364