Piotr Furmanek* The culture-forming aspects of revitalization – the
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Piotr Furmanek* The culture-forming aspects of revitalization – the
2012 No. 2(32) DOI: 10.5277/arc120217 Piotr Furmanek* The culture-forming aspects of revitalization – the case RIH[WHQVLRQRIWKH6DUSKDWLVWUDDW2I¿FHVEXLOGLQJLQ$PVWHUGDP ,QWURGXFWLRQ When Cicero used the term “cultura animi”1 for the ¿UVW WLPH LQ KLV ZRUN Disputationes Tusculanae he disWLQJXLVKHGWZRVLJQL¿FDQWDVSHFWVRIFXOWXUHVWDWLQJWKDW ³7R\RXLWLVWKDWZHRZHWKHRULJLQRIFLWLHV\RXLWZDV ZKRFDOOHGWRJHWKHUWKHGLVSHUVHGUDFHRIPHQLQWRVRFLDO life” [1]. It is then culture that generates both cities and societies. In that context cities should be considered to be SXEOLFVSDFHVZLWKFKDUDFWHULVWLFYDOXHVRIFXOWXUDOKHULWDJHZKHUHWKHSKHQRPHQDDQGHYHQWVFUHDWLQJDVHSDUDWH )DFXOW\RI$UFKLWHFWXUH:URFODZ8QLYHUVLW\RI7HFKQRORJ\ 1 &XOWXUDDQLPL±/DWLQIRUFXOWLYDWLRQRIWKHPLQG VSKHUHRIOLIHDQGDFWLYLWLHVRIJURXSVRISHRSOHWDNHSODFH ,QFRQWHPSRUDU\FLWLHVVXFKDFWLYLWLHVXQLYHUVDOO\LQFOXGH DOO NLQGV RI DUWLVWLF SHUIRUPDQFHV DQG WKH EXLOGLQJV RI FXOWXUDO YDOXH PRVW RIWHQ LQFOXGH WKHDWHUV FLQHPDV DQG HQWHUWDLQPHQWYHQXHV,WVKRXOGEHUHPHPEHUHGKRZHYHU WKDWDSDUWIURPPDVVFXOWXUHVXFKEXLOGLQJVDVPXVHXPV DUWJDOOHULHVRUOLEUDULHVDOVRH[LVWLQWKHFLW\FXOWXUHVSDFH 6XFKDQH[WHQGHGOLVWRIWKHEXLOGLQJVRIFXOWXUDOYDOXHLQ WKH FLW\ GRHV QRW LQFOXGH DOO SRVVLEOH H[DPSOHV )RU LQVWDQFHWKHEXLOGLQJRI6DUSKLVWUDDW2I¿FHVLQ$PVWHUGDP GHVLJQHG E\ 6WHYHQ +ROO DQG EXLOW LQ ± GH¿HV FHUWDLQSDWWHUQV 6DUSKDWLVWUDDW2I¿FHV 7KH EXLOGLQJ RI 6DUSKDWLVWUDDW 2I¿FHV LV DQ DGGLWLRQ WR WKH UHQRYDWHG thFHQWXU\ EXLOGLQJ RI IRUPHU )HGHUDO :DUHKRXVHRI0HGLFDO6XSSOLHVORFDWHGLQGRZQWRZQ$PVWHUGDP7KH H[WHQVLRQ RI WKH IRXUVWRU\ 8VKDSHG EULFN EXLOGLQJ LQFOXGHG DGGLQJ D KXJH SDYLOLRQ ORFDWHG E\ WKH Singel Gracht canal adjacent to one of the outbuildings )LJ $V UHTXHVWHG E\ WKH LQYHVWRU ± 3XEOLF +RXVLQJ &RUSRUDWLRQD¿UPPDQDJLQJUHDOHVWDWH±WKHH[LVWLQJSDUW ZDVGHVLJQHGDVRI¿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¿FLQYHVWPHQWFDXVHGUHSHUFXVVLRQVLQFXOWXUH 7KH LQQRYDWLYH IXQFWLRQ RI 6DUSKDWLVWUDDW 2I¿FHV LV DOVRYLVLEOHLQWKHRULJLQDODUFKLWHFWXUDOIRUP7KH$PHULFDQDUFKLWHFW6WHYHQ+ROOZKRLVWKHDXWKRURIWKHSURMHFWLQKLVRZQGHVFULSWLRQRIWKHGHVLJQSXEOLVKHGRQWKH RI¿FLDOZHEVLWHRIKLVGHVLJQRI¿FH±6WHYHQ+ROO$UFKL 6WHYHQ+ROOELQJUDGXDWHRIWKH8QLYHUVLW\RI:DVKLQJWRQ WKHQFRQWLQXHGDUFKLWHFWXUDOVWXGLHVLQ5RPHLQ,QKHMRLQHG WKH$UFKLWHFWXUDO$VVRFLDWLRQ6FKRRORI$UFKLWHFWXUHLQ/RQGRQ$WWKDW WLPHKHHVWDEOLVKHGKLVDUFKLWHFWXUHGHVLJQRI¿FHLQ1HZ<RUN,Q KHVWDUWHGWRWHDFKDW&ROXPELD8QLYHUVLW\ 102 Piotr Furmanek )LJ6DDUSKDWLVWUDW2I¿FHVYLHZIURPWKH6LQJHO*UDFKWFDQDO Arch. Steven Holl. Source: [3] ,O6DDUSKDWLVWUDW2I¿FHZLGRNRGVWURQ\NDQDáX6LQJHO*UDFKW $UFK6WHYHQ+ROOħUyGáy>@ tects – mentions the associations with the Menger Sponge, one of the most famous fractal objects [4]. Indeed, the free composition of the functional and spatial design of the building resembles the structure of a sponge due to the layout of the rooms and the wall perforation system visible both in the plans and sections of WKHEXLOGLQJ7KDWLPSUHVVLRQLVLQWHQVL¿HGE\LWVFRSSHU cladding which is also perforated both on external walls and the reveals perpendicular to them, which makes the openings look like they penetrate into the building. The elements of the perforated cladding were also used in the interior design, covering lighting and ventilation installations. The self-similarity between window openings of various sizes and the mechanical ventilation as well as the three-dimensional design of details evoke associations with the Menger Sponge – one of the most important clas- Fig. 2. Interior of the added multi-functional room LQ6DUSKDWLVWUDDW2I¿FHV6RXUFH>@ ,O:QĊWU]HGREXGRZDQHMVDOLZLHORIXQNF\MQHM 6DUSKDWLVWUDDW2I¿FHħUyGáy>@ sic fractal objects. However, there is more to it than free associations as the Menger Sponge, whose walls are the Sierpinski Carpets, is a set of a highly regular structure based on a precise construction algorithm and the dimensions as well as the layout of the openings are connected by mathematical relations. 7KH6LHUSLĔVNL&DUSHWDQGWKH0HQJHU6SRQJH 7KH FRQVWUXFWLRQ RI WKH REMHFW FDOOHG WKH 6LHUSLĔVNL &DUSHW ZDV ¿UVW SUHVHQWHG E\ WKH 3ROLVK PDWKHPDWLFLDQ ± :DFáDZ 6LHUSLĔVNL LQ LQ KLV ZRUN WLWOHG Sur une courbe cantorienne qui contient une image biunivoque et continue de toute courbe donnée. According to the simSOL¿HG GHVFULSWLYH GH¿QLWLRQ WKH FRQVWUXFWLRQ RI WKDW VHW is determined by the following procedure: it begins with DVTXDUHFDOOHGWKHLQLWLDWRUZKLFKLVGLYLGHGLQWRFRQgruent subsquares, of which the central subsquare is removed. The same procedure of dividing and removing the central subsquare is then applied recursively to the remaining 8 subsquares (called the generator.) N-steps in the FRQVWUXFWLRQUHVXOWLQDVHWZKRVHDUHDLV7KH6LHUSLĔVNL Carpet is a fractal object whose construction method is de- termined by the recurrence relation, its fractal dimension LVDIUDFWLRQDOQXPEHUDQGLWLVG ORJORJ and its characteristic feature is self-similarity [2]. 7HQ \HDUV ODWHU LQ .DUO 0HQJHU DQ $XVWULDQ mathematician in his work titled Allgemeine Räume und Cartesische Räume. ISUHVHQWHGIRUWKH¿UVWWLPHWKHFRQVWUXFWLRQRIDWKUHHGLPHQVLRQDODQDORJRIWKH6LHUSLĔVNL Carpet. That object was called the Menger Sponge and the construction of that set results from the application of the following procedure: the initial set (called the initiaWRULVDFXEHZKRVHHDFKIDFHDLVGLYLGHGLQWRFRQgruent cubes which are adjacent to one another (whose walls are a/3) whose sum is the set of the initiator. 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