interdisciplinary studies in musicology 9

interdisciplinary studies in musicology 9

THE POZNAŃ SOCIETY
FOR THE ADVANCEMENT OF THE ARTS AND SCIENCES
ADAM MICKIEWICZ UNIVERSITY IN POZNAŃ
INTERDISCIPLINARY
STUDIES IN MUSICOLOGY
9
(for 2010)
Theme Issue:
1810-1910-2010: Chopin’s Shadow.
Transformations of the composer’s image
in culture and the arts
edited by
Marcin Gmys, Danuta Jasińska and Anna Lubońska
POZNAŃ 2011
Contents
Contributors ......................................................................
9
From the Editors ...............................................................
17
MIROSŁAW STRZYŻEWSKI (Toruń)
Much ado about Chopin. Discussion in the Warsaw
Press from 1830 ................................................................
19
ELŻBIETA NOWICKA (Poznań)
Chopin and the Warsaw literati – part two .....................
31
AGATA SEWERYN (Lublin)
Słowacki’s Chopin .............................................................
53
JUSTYNA CECYLIA NOWICKA (Wrocław, Barcelona)
Chopin as Romantic narrator (in his youth) ....................
69
DANUTA JASIŃSKA (Poznań)
Sketch for a portrait of Kalkbrenner and Chopin ..............
83
IRENA PONIATOWSKA (Warszawa)
Chopin – Grottger..............................................................
101
STEFAN KEYM (Leipzig)
“Od Chopina do… Noskowskiego”?
Zygmunt Noskowskis Langer Weg zu Chopin .................
115
TOMASZ BARANOWSKI (Warszawa)
Chopin in the music culture of Russia
in the second half of the nineteenth century.
From Glinka to Scriabin ...................................................
139
MAGDALENA DZIADEK (Poznań)
On collective forms of the Chopin cult in Poland during
the nineteenth century ......................................................
151
6
Contents
MAGDALENA PIOTROWSKA (Poznań)
Accents of Chopin anniversaries in territories annexed
by Prussia ..........................................................................
165
RADOSŁAW OKULICZ-KOZARYN (Poznań)
The play of nerves. Chopin in the era of mental
disorder .............................................................................
177
JUSTYNA BAJDA (Wrocław)
The place of music in the poetry of Kazimierz
Przerwa-Tetmajer ............................................................
195
MARCIN GMYS (Poznań)
On the trail of a trail, the trace of a trace.
Kazimierz Przerwa-Tetmajer’s Cień Chopina
and its compositional interpretations ..............................
215
KAZIMIERZ MACIĄG (Rzeszów)
It all began with George Sand. Novelistic portraits
of Fryderyk Chopin and his music in foreign literature.
A survey ............................................................................
251
DANUTA SOSNOWSKA (Warszawa)
Fryderyk Chopin’s correspondence from
the perspective of body studies. The discovery
of corporeality ..................................................................
265
DARIUSZ CZAJA (Kraków, Warszawa)
Water, time and a dark-green coat. On Chopin’s
Barcarolle ..........................................................................
283
JACEK SZERSZENOWICZ (Łódź)
Chopin: visual contexts .....................................................
297
KRZYSZTOF KORNACKI (Gdańsk)
Chopin on the cinema screen. Aesthetic and cultural
determinants .....................................................................
317
EWA DAHLIG-TUREK (Poznań, Warszawa)
Chopin and Polish FOLK ...................................................
343
Contents
7
JAKUB KASPERSKI (Poznań)
Fryderyk Chopin in popular instrumental music ............
357
PATRYCJA MADEŁA (Poznań)
Chopin and jazz. The case of Andrzej Jagodziński’s
arrangement of the Prelude in E minor ...........................
371