Numer 5/2015 Audiophilia Foreword Jakub Momro

Numer 5/2015
Audiophilia
Foreword
Jakub Momro Phenomenology of the Ear
Essays
Dariusz Brzostek Tyranny of the Eye, Humility of the Ear? On the Need for Sound Studies
Artur Szarecki Coffitivity: Sound, Creative Work and Posthegemony
Robert Losiak The Picturesqueness of the Soundscape: The Aesthetic Experience of the
Acoustic Environment [Audiosfera]
Justyna Tuszyńska The Sound of Nature and the Art of Sound: Concepts of Representation in
Phonography
Katarzyna Marak Echoes in Silence: David Toop on the Uncanniness of Sound
Andrzej Hejmej In Sound Culture: Listening to Literature
Aleksandra Kremer Poetry Out Loud: Close Listening in Literary Studies
Dominik Antonik The Audiobook: From the Sound of Words to the Voice of the Author
Agnieszka Kramkowska-Dąbrowska Sound in Janusz Krasiński’s Drama
Discussions and analyses
Zofia Mitosek Bakhtin One More Time
Agata Stankowska Trying the Prose Poem, or: The Dilemmas and Claims in Studying
Genealogy
Iwona Sowińska-Fruhtrunk Experiencing Music, Experience in Music: Reflections on Maciej
Jabłoński’s Przeciw Muzykologii Niewrażliwej [Against Insensitive Musicology]
Wojciech Śmieja Difficulties with Otherness, Otherness with Difficulties
Tomasz Szymon Markiewka Rorty’s Constructivism and Critical Intentionalism: Reflections
on Danuta Szajnert’s Work
Presentations
Roland Barthes The Grain of the Voice [Le grain de la voix]. Przeł. J. Momro
Mladen Dolar The Politics of the Voice. Przeł. P. Bożek, G. Nowak
Salomé Voegelin Listening to Noise and Silence. Przeł. P. Bożek, G. Nowak
Investigations
Małgorzata Mikołajczak Between Mimicry and Rebellion: The (Post)Colonial Landscape of
Regional Literature
Anna Nasiłowska The Geography of Polish Literature: Recognizing the East
Kamila Gieba In Search of the Epic: Settler Narratives from the So-Called Recovered
Territories
Commentaries
Wojciech Ryczek Polytropia: Odysseus’s Rhetoric
Elżbieta Zarych Night-Time Conversations: The Nocturne in Romantic Music, Literature and
Painting
Paweł Zajas The Barbarian in Suhrkamp’s Garden: Zbigniew Herbert and his German
Publisher