Production Guide Poland 2015 - PISF. Polish Film Institute

Transkrypt

PRODUCTION
GUIDE
POLAND
PRODUCTION
GUIDE
POLAND
Film Commission Poland
coordinates efforts to promote
Poland’s film industry and shooting
locations on the international
market. Thanks to a comprehensive
database, up-to-date records
from the film sector and close
cooperation with the network
of regional film commissions,
FCP is the first contact point for
filmmakers interested in making
a film in Poland and working with
Polish partners.
Krakowskie Przedmieście 7
00-068 Warsaw
Poland
tel. + 48 22 556 54 40
[email protected]
www.filmcommissionpoland.pl
PRODUCTION GUIDE POLAND APP:
CONTENTS
Making Movies in Poland 5
FILM PRODUCTION
FUNDING 7
Polish Film Institute 8
2015 Operational Programmes 8
Project Development 8
Film Production 8
International Co-Productions 9
Polish-German Co-Development
Fund 11
Regional Film Funds 11
Creative Europe 14
Eurimages Fund 14
FILM INDUSTRY 15
Polish Cinema Today 16
Film Production 16
The Television Market 18
Box Office 2014 19
Film Commissions 22
Film Studios 24
Sound Stages 27
Producers 32
Television Broadcasters 38
Distributors 39
Professional Organisations 42
Film Events 44
FILM SERVICES 47
Pre-Production 48
Photography 51
On the Set 56
Postproduction – Image 60
Postproduction – Sound 64
THE LAW 67
Film Production 68
Employment Law 69
Economic Law 70
VAT 70
Copyright 71
Collective Copyright Management
Organisations 71
Insurance 72
4
FILM PRODUCTION
ZBRODNIA
(THE CRIME,
FUNDING
2014) DIR. GREG ZGLIŃSKI
TABLE OF CONTENTS
MAKING MOVIES IN POLAND
Polish cinema and the country’s entire film industry have recently
been enjoying a period of positive change and spectacular accomplishment. Both 2014 and the beginning of 2015 have brought
a host of important achievements, particularly as regards the resounding victories won by Paweł Pawlikowski’s Ida, which received
five European Film Awards and the Oscar® for the Best Foreign
Language Film. Then there are the successes attained by other
Polish filmmakers, including the Berlinale Silver Bear awarded to
Małgorzata Szumowska for Body and a string of awards and distinctions for Poland’s documentary makers, including the two Oscar®
nominations for Aneta Kopacz’s Joanna and Our Curse, directed
by Tomasz Śliwiński. A vital supplement to filmmaking activities
came in the form of support for international collaboration. In 2014,
the Polish Film Institute, which celebrates its tenth anniversary this
year, decided to subsidise a total of thirty-six feature, documentary
and animation co-productions, providing financing to a combined
total of EUR 8.5 million.
Another feature of 2014 was the extent of the international
film market’s interest in Poland as a source of locations. Polish
producers gave ample proof of their ability to meet the challenges
connected with major foreign productions and the Polish companies servicing the international projects showed themselves to be
first-class organisations providing fully professional services, with
a high level of linguistic proficiency and at competitive prices, all of
which enables them to compete effectively with their counterparts
in other Central and Eastern European countries. Equally as gratifying is the fact that, in most cases, foreign producers also appreciated the talents and skills of Polish actors, filmmakers and crews,
deciding to cooperate extensively with them.
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Steven Spielberg’s Bridge of Spies unquestionably numbers
amongst the most important of those projects, as does the dashing,
Japanese historical production Persona Non Grata, directed
by Cellin Gluck and shot on location in Warsaw, Gdańsk, Łódź
and amidst the natural glories of the Lower Silesia region, which
features in the film in the role of ... Manchuria!
Interest in Poland on the part of global media concerns also
increased. In May and June 2014, Warsaw and Lódź provided
locations for shooting The Passing Bells, a war-drama TV series
that continues the collaboration between BBC Worldwide and
Telewizja Polska which began with Spies of Warsaw. In turn, AXN
Central Europe filmed The Crime, its first Polish mini-series,
on the Hel Peninsula.
Polish producers should also be commended for attracting three major Bollywood productions to the country. Sajid
Nadjadwala’s Kick, starring Salman Khan, was filmed in Warsaw
and went on to gain outstanding box office returns in India and
a Taurus World Stunt Awards nomination for its daring stunt
scenes. In the south of Poland, Krakow, Lublin and Książ Castle
played host to the other two films, Bagistan, which involved
around forty days shooting in Poland, and Shandaar; both were
awaiting their premiere when this publication went to press.
In early 2015, well-known French director Anne Fontaine spent
forty days in Orneta, a small town in the north-eastern region
of Warmia, shooting her latest film, Agnus Dei, set in the brutal
realities of the post-war era.
Why are film locations in Poland attractive? The country has
a rich and varied range of landscapes featuring breathtaking
mountains scenery, great expanses of water of every description,
swathes of dense forest, stretches of desert and a coastline which,
in many spots, calls to mind the beaches of many another places
around the world.
5
Her urban landscapes, guaranteeing exteriors from a wide range
of eras and epochs, are another major attribute, as are her wealth
of fortifications and other military structures and her abundance
of castles and palaces, all of which have enticed Polish and foreign
filmmakers for many years. Situated in places accessible to trucks
and other heavy vehicles, everything can be reached at the drop of
a hat, with no vast distances to be covered between one spot and
another.
In addition to three major film studios, there are several dozen
superbly equipped editing and sound editing studios operating in
Poland. Warsaw, Wrocław, Krakow and Łódź all offer professional
sound stages. Poland’s camera crews are considered to be amongst
the best in the world and Polish cinematographers and camera operators of the ilk of Sławomir Idziak, Paweł Edelman, Jerzy Zieliński
and Artur Reinhart work on blockbusters and numerous prestigious
productions across Europe and in Hollywood. Animation, be it traditional or computer generated, is another field of expertise which
is developing dynamically and with enormous success, along with
special effects, in particular. More than a dozen superbly equipped
studios work to service films and adverts from all over the world,
supported not only by the cutting-edge quality of their equipment,
but first and foremost by the visual talent, proficiency and professional background of Polish animators and special effects experts.
Here at Film Commission Poland, we hope that our Production
and Location Guide will prove helpful to you in exploring the potential and conditions for making movies in Poland. Happy reading!
6
TABLE OF CONTENTS
FILM
PRODUCTION
FUNDING
TABLE OF CONTENTS
FILM PRODUCTION FUNDING
POLISH FILM INSTITUTE
Film Production
2015 Operational Programmes
The Polish Film Institute (Polski Instytut Sztuki Filmowej, PISF)
provides subsidies and loans. For 2015, the Institute has allocated
a sum of EUR 30 million for operational programmes:
•
•
•
•
Film Production (EUR 20.7 million)
Film Education and Dissemination of Film Culture (EUR 4 million)
Development of Cinema Infrastructure (EUR 2.6 million)
Promotion of Polish Cinema Abroad (EUR 1.8 million)
A subsidy granted by the PISF for features, documentaries and
animated films under the Film Production objective may not exceed
50% of the planned costs of the undertaking and the limits set out
in the table below. The exception to this is a difficult film project,
TYPE OF PROJECT
feature film
documentary film
Project Development
A subsidy from PISF under the Project Development objective may
not exceed 70% of the planned costs of the undertaking and the
limits set out in the table.
PROJECT GENRE
MAXIMUM
SUBSIDY EUR
arthouse / artistic / auteur
historical
children’s or family film
arthouse / artistic / auteur > 70 min
arthouse / artistic / auteur 40-70 min
historical >70 min
47 000
58 000
47 000
23 000
16 000
23 000
historical 40-70 min
historical > 70 min
children’s or family film > 70 min
16 000
70 000
12 000
70 000
70 000
TYPE OF PROJECT
feature film
documentary film
animated film,
including a series
of films
8
animated film,
including a series
of films
*
**
PROJECT GENRE
MAXIMUM
SUBSIDY EUR
DIFFICULT FILM**
EUR
930 000
581 000
historical
1 400 000
698 000
children’s or family film
930 000
698 000
commercial
465 000
arthouse / artistic / auteur >
70 min
233 000
140 000
40-70 min
70 000
47 000
arthouse / artistic / auteur <
40 min
47 000
23 000
233 000
historical > 70 min
349 000
140 000
58 000
historical < 40 min
58 000
35 000
arthouse / artistic / auteur,
historical, children’s or family
film > 70 min
698 000
349 000
commercial > 70 min
465 000
historical, for children, family
film 15-70 min
116 000
58 000
historical, for children, family
film < 15 min
70 000
35 000
a film with significant box-office potential
a film of artistically ambitious content and form, with limited commercial appeal,
or a directorial debut or second film
TABLE OF CONTENTS
which may receiving a subsidy of up to as much as 70% of the
production costs.
When applying for production funding, the producer is obliged to
contribute a minimum of 5% of the planned costs of the undertaking.
This contribution may be financial or a combination of financial and
contribution in kind. At the same time, a contribution in kind may
constitute no more than 95% of the producer’s entire contribution.
International Co-Productions
The Application Process
• Producers may apply for up to four projects per application
round, including projects from previous application rounds with
a pending decision;
• To be eligible for consideration, applications must contain every
single piece of accompanying information that is requested
(script, director’s explication, synopsis, budget, estimated
production costs, script rights agreement etc.);
• All applications are to be submitted in Polish;
• Important: Applicants must provide proof (letters of intent,
memorandum or co-production agreement) of the remaining
sources of financing (i.e. excluding the grant requested from the
Institute);
• The project review process lasts 90 days;
• The final decision is at the discretion of the General Director of
the Polish Film Institute and takes into account the opinions of
appointed experts;
• The grant decision remains valid for six months. This can be
extended by a maximum of another six months;
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• During this period, the producer must finalise an agreement with
the PFI (having completed the budget and signed the remaining
production agreements);
• If the film makes a profit, the grant is to be reimbursed (applicable only in the first six years after the film’s premiere).
Majority Co-Production
• The project in general must follow the requirements set in the
European Convention on Co-production;
• Co-production projects are evaluated based on artistic potential
and must compete against domestic projects (same funding
sources);
• The maximum subsidy for a contemporary full-length feature film
is set at 4 million PLN (approx. 1 million EUR) or no more than 50%
of the budget;
• If the director of the film is of Polish nationality, rules of a majority co-production apply even if Polish financing accounts for less
than 50% of the budget;
• For international co-productions, the application must include
details on the total amount to be spent on Polish territory, as
well as a list of creative and production elements contributed by
the Polish side;
• When applying for a subsidy for film production, the producer’s
own contribution must amount to no less than 5% of the total
expected cost of the project.
9
Minority Co-Productions
• In bilateral co-productions, the Polish contribution must account
for at least 20% of the total budget;
• In multilateral co-productions, the Polish contribution must
account for at least 10% of the total budget;
• For a Polish co-producer of a European feature film, the maximum subsidy is 2 million PLN (approx. 500,000 EUR), which
cannot exceed 50% of the Polish financing;
• For a Polish co-producer of a non-European feature film, the
maximum subsidy is 1.5 million PLN (approx. 375,000 EUR), which
cannot exceed 50% of the Polish financing;
• For minority international co-productions, the summary page of
the global production budget must be included with the application, with totals converted into Polish zlotys (PLN) and including
the exchange rates, as well as a detailed budget of the Polish
side, indicating expenditures on Polish territory;
• For minority co-productions, when applying for a subsidy for film
production, the Polish producer’s own contribution must amount
to no less than 5% of the total expected cost of the project;
• The artistic contribution must be adequate to the requested
subsidy and meet the minimum requirements listed below:
Features: at least one Polish Head of Department (DoP, Set
Designer, Editor, Composer);
Animation: producing part of the animation in Poland, and at least
one Polish artist (Director of Animation, Storyboard Writer, Author
of Artistic Project, Composer);
Documentaries: at least one of the following: Use of Polish Archives,
Polish character or subject, Polish artist (DoP, Composer, Editor)
• At least 80% of the subsidy must be spent in Poland.
10
2015 application sessions:
• Operational Programme for Film Production
• session 1/2015: November 14–30, 2014;
• session 2/2015: March 1–15, 2015;
• session 3/2015: July 1–15, 2015.
More information:
Robert Baliński
tel. +48 22 42 10 387
[email protected]
The information concerning international co-productions is drawn from the Polish
Film Institute’s website, at www.pisf.pl
TYPE OF
PROJECT
feature film
documentary
film
PROJECT GENRE
MINORITY COPRODUCTIONS
IN EUR
465 000
historical (European film**)
349 000
children’s or family film (non-European)
commercial*
116 000
arthouse / artistic / auteur < 40 min
historical > 70 min
116 000
historical < 40 min
animated
films, including
a series of films
arthouse / artistic / auteur, historical, children’s or
family film > 70 min
233 000
commercial > 70 min
arthouse / artistic / auteur, historical, for children,
family film 15-70 min
*
**
a film with significant box-office potential
a film where the lead producer is based in a country which is a member of the European Union
or a party to the European Economic Area Agreement
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POLISH-GERMAN
CO-DEVELOPMENT FUND
Polish and German producers may apply to the Polish-German
Co-Development Fund for financing for the development of film
projects.
The Fund, which was established by the Polish Film Institute
(PISF), Mitteldeutsche Medienförderung (MDM) and Medienboard
Berlin-Brandenburg, supports feature and animated films and
creative documentaries. Projects for which funding applications
are submitted must possess artistic quality and demonstrate the
potential for drawing European audiences and, at the very least,
audiences in Poland and Germany. Applications may only be
submitted on condition that a co-development agreement has been
signed by at least one Polish producer and at least one German
producer from the region in which MDM and Medienboard operate.
Financing is awarded to a maximum total of EUR 60 000 and
decisions regarding its allocation are taken jointly by the directors
of the PISF, MDM and Medienboard. The application forms are available on the websites of the Fund’s founders.
The Fund’s annual budget is approximately EUR 150 000.
Plans are currently afoot to increase the financial allocation and
transform the initiative into the Polish-German Film Fund, which will
also be oriented toward supporting the production of smaller scale
Polish-German projects. The primary target group will be debuting
filmmakers for whom financial support and international experience
could prove extremely helpful in their future cinematic careers.
TABLE OF CONTENTS
Polish Film Institute
Polski Instytut Sztuki Filmowej
Robert Baliński
tel. +48 22 421 03 87, fax +48 22 421 05 46
[email protected], www.pisf.pl
and www.mdm-online.de, www.medienboard.de
REGIONAL FILM FUNDS
There is a well-developed network of regional film funds in Poland
and their operations encompass most of the Polish regions. There
are currently nine operating funds, but the authorities in the regions
not yet covered have declared that more will be launched. In the case
of Lower Silesia, Łódź, Małopolska, Mazovia, Silesia, and Poznań, the
regional film commissions work alongside the film funds.
In general, the Polish regional film funds seek film projects
by announcing competitions. One basic condition for entering
a project for a competition is that it is related to a city or town in the
region, or to the region itself, either in its theme and/or its setting,
or through the participation of local people and companies in its
production. Support is also contingent on the expending of at least
100% of the funding within the region; in some cases, the sum
to be expended is 150%. The competition organisers are interested
in consolidating and enhancing the positive image of the city, town
or region, which is why projects intending to use distinctive locations, sites and buildings receive the most favourable assessments.
The Polish regional film funds differ in terms of the budgets
they manage, the form of support they provide and the sums
which must be expended in their cities, towns and region during
the production of a film. Support most often takes the form of
11
FILM
FUND’S
BUDGET
IN EUR IN
2014
CITY/
REGION
Gdynia
FORM OF SUPPORT
SUM TO BE
EXPENDED
IN THE CITY/
REGION
ALL SUPPORTED
PROJECTS
(LAUNCH – 2014)
75 581
co-producer: Gdynia
Culture Centre (Centrum
Kultury w Gdyni)
30% of the
allocated sum
Lower
Silesia
446 849
co-producer: Odra-Film
100-150%
of the sum
allocated
Lublin
93 023
grant
refund
50% of the
sum allocated
Łódź
136 047
refund
150% of the
sum allocated
Małopolska
232 558
co-producer:
Krakow Festival Office
(Krakowskie Biuro
Festiwalowe)
150% of the
sum allocated
Mazovia
162 791
150% of the
sum allocated
21 projects:
4 features,
17 documentaries
Poznań
69 767
co-producer: Mazovian
Institute of Culture
(Mazowiecki Instytut
Kultury)
co-producer: Poznań
‘Estrada’ (Estrada
Poznańska)
co-producer: Silesia Film
100% of the
allocated sum
(launched in 2014)
50% of the
sum allocated
co-producer: Pomeranian
Dukes’ Castle in Szczecin
(Zamek Książąt
Pomorskich w Szczecinie)
100% of the
sum allocated
44 projects:
20 features
19 documentaries,
5 animations
53 projects:
13 features,
31 documentaries,
9 animations
Silesia
304 810
Western
Pomerania
12
81 395
35 projects:
10 features,
22 documentaries,
3 animations
46 projects:
18 features
25 documentaries,
3 animations
17 projects:
3 features,
13 documentaries,
1 animation
47 projects:
17 features,
16 documentaries,
14 animations
30 projects:
13 features,
12 documentaries,
5 animations
the institution managing the fund participating in the production
as a co-producer with its own financial or in-kind contribution.
Other forms of support are non-repayable grants or refunds,
in other words, a partial reimbursement of the costs incurred,
which is paid after the production has been completed. All the
Polish film funds provide support of up to 50% of the film’s
budget, although in the case of documentaries and animated
films, the funding may be higher.
The regional film funds usually announce the competitions once
a year, with the assessment of the projects and allocation of funding
taking anything from sixty to one hundred and twenty days. Foreign
producers are also welcome to submit projects, though preferably
as partners to Polish producers. All the requisite documentation
must be completed in Polish.
In addition, the Kujawsko-Pomorskie Voivodship runs a project
entitled ‘Creative Region’, which makes it possible to obtain financing in exchange for the placement of noteworthy local products,
services and places in films, serials and television programmes. The
initiative includes foreign productions. Any producer interested
in the scheme should apply to the project administrator, Fundacja
Tumult (the Tumult Foundation). The selection criteria are open and
the process is continuous until such time as the funds allocated to
the scheme are expended.
The Krakow International Film Fund (Międzynarodowy Fundusz
Filmowy w Krakowie) was launched in 2014. A competition is held for
the purpose of co-financing international co-productions intended
primarily for cinema distribution and with the aim of developing
cooperation between the European audiovisual sector and that of
other countries. Film projects submitted to the competition must be
connected to Krakow in terms of their theme or topic, the authors
and, most importantly, the place of production. They must also involve
the participation of at least two producers from other countries.
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gDYNIA FILM FUND
Gdyński Fundusz Filmowy
Gdynia Culture Centre
Centrum Kultury w Gdyni
81-504 Gdynia, ul. Łowicka 51
tel. +48 58 664 73 77
[email protected]
[email protected]
www.ckgdynia.pl
KRAKOW REGIONAL FILM FUND
Regionalny Fundusz Filmowy
w Krakowie
Krakow International
Film Fund
Międzynarodowy Fundusz Filmowy
w Krakowie
Krakowskie Biuro Festiwalowe
31-513 Kraków, ul. Olszańska 7
tel. +48 12 424 96 50
+48 504 084 615
[email protected]
www.film-commission.pl
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SILESIAN FILM FUND
Śląski Fundusz Filmowy
Silesia Film
40-008 Katowice, ul. Górnicza 5
tel. +48 32 206 88 61-63 ext. 115, 203
[email protected]
www.silesiafilm.com
LOWER SILESIAN FILM
COMPETITION
Dolnośląski Konkurs Filmowy
Odra-Film
50-020 Wrocław
ul. Piłsudskiego 64A
tel. +48 71 793 79 72, + 48 601 384 194
[email protected]
www.wroclawfilmcommission.pl/dkf
www.odra-film.wroc.pl
LUBLIN FILM FUND
Lubelski Fundusz Filmowy
Lublin City Office
Urząd Miasta Lublina
20-080 Lublin
Trybunał Koronny, Rynek 1
tel. +48 81 466 25 22
+48 723 440 032, +48 697 620 630
[email protected]
[email protected]
www.film.lublin.eu
ŁÓDŹ FILM FUND
Łódzki Fundusz Filmowy
The City of Łódź Office
Urząd Miasta Łodzi
90-004 Łódź, ul. Piotrkowska 104
tel. +48 42 638 55 46,
+48 42 638 59 29
[email protected],
[email protected]
www.lodzfilmcommission.pl
MAZOVIA FILM FUND
Mazowiecki Fundusz Filmowy
Mazovian Institute of Culture
Mazowiecki Instytut Kultury
00-139 Warszawa, ul. Elektoralna 12
tel. +48 22 586 42 58
[email protected]
www.mff.mazovia.pl
POZNAN FILM FUND
Regionalny Fundusz Filmowy
Poznań
Poznań ‘Estrada’
Estrada Poznańska
61-767 Poznań, ul. Masztalarska 8
tel. +48 61 852 88 33 ext. 48
[email protected]
www.poznanfilmcommission.pl
WESTERN POMERANIAN FILM
FUND – POMERANIA FILM
Zachodniopomorski Fundusz
Filmowy – Pomerania Film
Pomeranian Dukes’ Castle
in Szczecin
Zamek Książąt Pomorskich
w Szczecinie
70-540 Szczecin, ul. Korsarzy 34
tel. +48 91 488 32 12
[email protected]
www.pomeraniafilm.pl
‘Creative Region’ KujawskoPomorskie Voivodship
„Kreatywny Region”
Województwo Kujawsko-Pomorskie
Fundacja Tumult
Rynek Nowomiejski 28
87-100 Toruń
tel. +48 56 62 100 19 w. 105
[email protected]
www.kreatywnyregion.pl
13
CREATIVE EUROPE
EURIMAGES FUND
Creative Europe is a new European Union programme for 2014 to
2020, offering financial support for the audiovisual, cultural and
creative sectors. The programme includes the MEDIA sub-programme, which is addressed to film and computer-game producers,
distributors, sales agents and organisers of sectoral events and
enterprises such as training, festivals, industry fairs and other
ventures of that kind.
Creative Europe has a budget of EUR 1.46 billion.
EURIMAGES is a fund supporting European cinema. It is adminstered
by the Council of Europe and it primarily subsidises co-production
activities, earmarking almost 90% of its funds for that purpose. The
Fund’s annual budget is EUR 25 million.
Eurimages provides financial support for the production of
full-length features and animations and for documentaries with
a running time of more than seventy minutes. The main condition
attached to applying for funding is that at least two producers,
from at least two of the countries belonging to the Fund, are
participating in the project. Co-producers from countries which are
not members of Eurimages may participate in a project, provided
that their combined share in the co-production does not exceed
30% of the film’s budget.
www.coe.int/eurimages
Eurimages Fund National Representatives in Poland:
CREATIVE EUROPE DESK POLAND
BIURO PROGRAMU KREATYWNA EUROPA W POLSCE
Małgorzata Kiełkiewicz
00-540 Warsaw, Al. Ujazdowskie 41
tel. +48 22 447 61 80
[email protected]
TOR Film Production
Studio Filmowe TOR
Irena Strzałkowska
02-595 Warsaw, ul. Puławska 61
tel./fax +48 22 845 53 03, [email protected]
Polish Film Institute
Polski Instytut Sztuki Filmowej
Robert Baliński
00-071 Warsaw, ul. Krakowskie Przedmieście 21/23
tel. +48 22 421 03 87, [email protected]
14
TABLE OF CONTENTS
FILM
INDUSTRY
TABLE OF CONTENTS
FILM INDUSTRY
POLISH CINEMA TODAY
Following the adoption of the new film law in Poland in 2005 and
the establishment of the Polish Film Institute, the country’s film
production began to grow rapidly. Several dozen feature films are
made each year, often in co-production with other countries, and
go on to win awards and acclaim at national and international film
festivals, as well as enjoying enormous popularity amongst Polish
cinemas and their audiences alike.
Both 2014 and the beginning of 2015 form part of one of Polish
cinema’s most successful periods. First and foremost comes
Paweł Pawlikowski’s Ida and its triumphant circuit of international
festivals, awards ceremonies and the cinema screens of France,
Spain, Denmark, Australia, Canada and the USA, to name but a few.
After receiving five European Film Awards, a BAFTA, a Goya award
in Spain and an Independent Spirit Award, Ida went on to win the
Oscar® for the Best Foreign Language Film. Two Polish documentaries were also a presence amongst the nominees at the American
Film Academy awards this year; Aneta Kopacz’s Joanna and Our
Curse, directed by Tomasz Śliwiński. Poland’s cinema also achieved
other successes on the international festival scene; Małgorzata
Szumowska won the Silver Bear for Best Director with Body at the
2015 Berlinale and Paulina Skibińska’s Object received a Short Film
Special Jury Award at the Sundance. International audiences also
had the opportunity of watching Agnieszka Woszczyńska’s graduation film, Fragments and a number of animations; Tomasz Siwiński’s
A Blue Room, Ewa Borysewicz’s To Thy Heart, Tomasz Ducki’s Baths
and Wojciech Sobczyk’s Summer 2014. There was no shortage of
Polish documentaries on international screens either, with Domino
Effect, directed by Elwira Niewiera and Piotr Rosołowski, Monika
Pawluczuk’s When I’m a Bird, Janusz Matuszyński’s Deep Love and
16
FILM INDUSTRY
Zuzanna Solakiewicz’s 15 Corners of the World being just a few of
the many titles making their way around the globe.
Ticket sales on the domestic market exceeded forty million for
the first time in 2014, with Polish productions claiming a significant
share; audiences for Łukasz Palkowski’s Gods, which swept the
board at the 2014 Polish Film Festival in Gdynia, reached 2 154 737,
Jan Komasa’s historical blockbuster, Warsaw ’44, was seen by
1 742 935 people and Władysław Pasikowski’s political thriller, Jack
Strong, sold 1 175 625 tickets.
FILM PRODUCTION
Between thirty-five and forty features are made in Poland annually,
along with several dozen documentaries and animations. A number
of the films are bilateral or multilateral international co-productions.
The budgets for Polish features in 2014 ranged between EUR
500 000 and 6.2 million, with those for documentaries and animations at EUR 35 000 to 660 000 and EUR 50 000 to 1.3 million,
respectively. The budgets for international co-productions and
animations were by far and away the highest.
Poland has three major film studios; the Documentary
and Feature Film Production Company (Wytwórnia Filmów
Dokumentalnych i Fabularnych; WFDiF) in Warsaw, the ATM Group
(Grupa ATM) in Wrocław and Alvernia Studios in Kraków. WFDiF is
state-owned and is the largest film producer in Poland. ATM is the
country’s largest television producer and Alvernia is a state-of-theart enterprise which has been compared to Pinewood Studios and
Babelsberg Studios. Polish film studios are not only experienced
co-production partners, but also offer a full range of film services.
TABLE OF CONTENTS
INTERNATIONAL CO-PRODUCTIONS (FEATURES) CO-FINANCED BY THE POLISH FILM INSTITUTE IN 2014
TITLE
DIRECTOR
POLISH PRODUCER
PFI SUBSIDY IN
EUR
CO-PRODUCER
CO-PRODUCTION
COUNTRY / COUNTRIES
The Day of Chocolate / Dzień czekolady
Jacek Piotr Bławut
Studio Filmowe Rabarbar
546 000
Angel Films, Asta Film, Toya Studios
Denmark
Summer Solstice / Letnie przesilenie
Michał Rogalski
Prasa i Film
720 000
TVP, WFDiF, Odra-Film, Studio Produkcyjne
Orka, Sunday Filmproductions, Mafilm,
RBB – Rundfunk Berlin-Brandenburg,
Synchron und Tonstudio Leipzig
Germany
11 Minutes / 11 minut
Jerzy Skolimowski
Skopia Film
930 000
Element Pictures Ltd., Telewizja Polska,
Orange Polska, HBO Polska, Fundacja Tumult
Ireland
I, Olga Hepnarova / Ja, Olga Hepnarova
Tomaś Weinreb, Petr Kazda
Media Brigade
232 000
Black Balance, Barrandov Studios, Odra-Film,
ACE Prague, Frame 100, Alef Film and Media
Group, FAMU, Michael Samuelson Lighting
Czech Republic, Slovakia
The Model / Modelka
Mads Matthiesen
Sputnik Film
232 000
Zentropa Entertainments10, Zentropa
International Poland, Zentropa International
Sweden, Film i Väst, TV2 Denmark
Denmark
Amok
Katarzyna Adamik
K&K Selekt
434 000
Cineatlantica Entertainment GmbH,
Chimney, Kino Świat
Germany, Sweden
Valley of the Gods / Dolina bogów
Lech Majewski
Stowarzyszenie Twórców
i Mecenasów Kultury i Nauki
Angelus Silesius
930 000
Royal Road Entertainment, The Safran
Company, Odra-Film, Śląski Fundusz Filmowy,
Lumicon Malewski Marcin, Lightcraft
USA
Game Count / Pokot
Agnieszka Holland
Studio Filmowe TOR
814 000
Nutpodukce,
Heimatfilm GmbH & Co. KG, Chimney
Czech Republic, Germany,
Sweden
Agnus Dei
Anne Fontaine
Aeroplan Film
348 000
France 2 Cinéma, Mandarin Cinema,
Mars Films, Scope Pictures
France, Belgium
Math Sucks
Katarzyna Rosłaniec
Mañana
744 000
OAK Motion Pictures
Netherlands
The Mute / Niemy
Bartosz Konopka
Otter Films
930 000
Neue Mediopolis Filmproduktion GmbH,
Samson Films, TVN
Germany, Ireland
Dew / Rosa
Denijal Hasanovic
Skorpion Arte
558 000
Sarajevo Center for Contemporary Arts
PRO. BA, Focus Media, Telewizja Polska, Studio
Produkcyjne Orka, Alvernia Studios
Bosnia and Herzegovina,
Croatia
Warm Bread and the Nipple’s Circle /
Świeże pieczywo i pierś
Roya Sadat
Kancelaria Adwokacka
Monika Laske
116 000
Roya Film House
Afghanistan
TABLE OF CONTENTS
FILM INDUSTRY
17
TITLE
DIRECTOR
POLISH PRODUCER
PFI SUBSIDY IN
EUR
Dawn / Świt
Laila Pakalnina
Staron-Film
46 000
Kompanija Hargla, Digitaalne Sputnik,
Miracle Worker
Latvia, Estonia
The Cut
Fatih Akin
Opus Film
232 000
Bombero International GmbH, Corazón
International, International Traders,
Jordan Films, Pandora Filmproduktion,
Pyramide Productions, Dorje Film,
Mars Media Entertainment
Germany, France, Italy,
Canada, Turkey
Roman and Rose / Zagubieni
Julia Kowalski
Donten & Lacroix Films
302 000
Les Films de Francoise
France
Refugiado / Pod ochroną
Diego Lerman
Staron-Film
112 000
Campo Cine S.R.L., Burning Blue, Bellota
Films, Rio Rojo Contenidos, Gale Cine
Argentina, Colombia,
France, Germany
THE TELEVISION MARKET
2013 marked the end of analogue broadcasting in Poland and the
launch of digital terrestrial television. Three multiplexes broadcast
twenty-four nationwide channels free of charge. The digitisation
process has given audiences access to new content and audience
measurement surveys indicate that their preferences have altered.
Poland’s broadcasting market leaders are Polsat, TVN and
Telewizja Polska’s TVP1 and TVP2 channels. However, Nielsen
Audience Measurement data reveals that the popularity of all three
stations has declined significantly since 2013. The current market
share of the most watched channels is Polsat, at 13.51%, TVN, at
13.96%, TVP1, at 9.51% and TVP2, at 8.91%. The total share of the top
four channels decreased from 55.87% in 2012 to 45.89% in 2014.
The top four are followed in the ratings by channels broadcast
via digital terrestrial television, namely TV Puls, TVN7 and TV4 and
genre channel TVN24, with a share ranging from 2.35 to 3.36%. This
18
FILM INDUSTRY
CO-PRODUCER
CO-PRODUCTION
COUNTRY / COUNTRIES
suggests that Polish audiences are increasingly turning their attention to news, current affairs, film and entertainment channels.
The television market in Poland is also changing as a result of the
development of the Internet and of mobile technologies, which is
having a direct impact on the current models of media consumption. As every survey demonstrates, audiences have a growing
preference for watching content of their own choosing, where and
when they like. The leading Polish broadcasters, and others, have
launched VoD (Video on Demand) platforms, providing access to
their content to web users and users of Internet-enabled televisions
and mobile devices.
According to a Megapanel PBI/Gemius study developed by
Wirtualnemedia.pl and covering December 2014, the most popular
VoD service is Vod, with more than four million users and almost
thirty-three million views per month. Vod is followed in the ratings
by Player, with 1.38 million real users and 28.5 million views, Ipla,
with 1.19 million real users and 25.3 million views and VOD TVP, with
770 thousand real users and 10.3 million views.
TABLE OF CONTENTS
BOX OFFICE 2014 ALL RELEASES
TITLE
DISTRIBUTOR
COUNTRY OF
ORIGIN
B.O. (EUR)
ADMISSIONS
B.O. SINCE
ADMISSIONS
RELEASE
SINCE
DATE (EUR) RELEASE DATE
SCREENS
RELEASE
DATE
1
BOGOWIE
NEXT FILM
POLAND
8,984,387
2,154,737
8,984,387
2,154,737
220
10.10.2014
2
THE HOBBIT: THE BATTLE OF THE FIVE
ARMIES
FORUM FILM
NEW ZEALAND/USA
6,336,882
1,292,972
6,336,882
1,292,972
435
26.12.2014
3
MIASTO ‘4 4
KINO ŚWIAT
POLAND
6,031,460
1,742,935
6,031,460
1,742,935
330
19.09.2014
4
JACK STRONG
VUE MOVIE
POLAND
4,869,029
1,175,625
4,869,029
1,175,625
202
07.02.2014
HOW TO TRAIN YOUR DRAGON 2 IMPERIAL CINEPIX
USA
4,360,790
1,012,837
4,360,790
1,012,837
234
20.06.2014
6
5
THE WOLF OF WALL STREET
MONOLITH
USA
4,092,623
895,593
4,463,937
973,921
111
03.01.2014
7
POD MOCNYM ANIOŁEM
KINO ŚWIAT
POLAND
3,782,941
882,785
3,782,941
882,785
250
17.01.2014
8
THE HOBBIT: THE DESOLATION OF SMAUG
FORUM FILM
USA/NEW ZEALAND
3,603,465
770,023
9,358,027
1,930,793
425
27.12.2013
9
WKRĘCENI
INTERFILM
POLAND
3,527,858
840,568
3,527,858
840,568
151
10.01.2014
10
THE HUNGER GAMES: MOCKINGJAY –
PART 1
FORUM FILM
USA
3,076,905
751,307
3,076,905
751,307
234
21.11.2014
48,666,341
11,519,382
RIO 2 IMPERIAL CINEPIX
USA
3,072,858
11
720,814
3,072,858
720,814
200
09.05.2014
12
LEGO: THE MOVIE
WARNER
AUSTRALIA/USA/DENMARK
2,894,755
680,475
2,894,755
680,475
162
07.02.2014
14
TRANSFORMERS: AGE OF EXTINCTION
UIP
USA/CHINA
2,819,574
564,321
2,819,574
564,321
213
27.06.2014
13
MALEFICENT
DISNEY
USA/GREAT BRITAIN
2,761,238
618,528
2,761,238
618,528
172
30.05.2014
07.03.2014
15
KAMIENIE NA SZANIEC
MONOLITH
POLAND
2,651,485
831,094
2,651,485
831,094
211
16
DZIEŃ DOBRY, KOCHAM CIĘ!
KINO ŚWIAT
POLAND
2,584,997
605,994
2,584,997
605,994
173
07.11.2014
17
LUCY
UIP
FRANCE
2,495,390
567,620
2,495,390
567,620
111
14.08.2014
18
LES VACANCES DU PETIT NICOLAS
KINO ŚWIAT/SPI
FRANCE
2,384,545
622,048
2,384,545
622,048
175
14.08.2014
19
POWSTANIE WARSZAWSKIE
NEXT FILM
POLAND
2,230,595
593,633
2,230,595
593,633
176
09.05.2014
20
INTERSTELLAR
WARNER
USA/GREAT BRITAIN
2,224,642
480,378
277
07.11.2014
TABLE OF CONTENTS
2,224,642
480,378
26,120,081
6,284,905
74,786,422
17,804,287
FILM INDUSTRY
19
BOX OFFICE 2014:
POLISH FILMS
1
2
3
4
5
6
7
8
9
10
TITLE
DISTRIBUTOR
B.O. (EUR)
ADMISSIONS
B.O. SINCE
RELEASE DATE
(EUR)
ADMISSIONS
SINCE RELEASE
DATE
SCREENS
RELEASE DATE
BOGOWIE
MIASTO ‘4 4
JACK STRONG
POD MOCNYM ANIOŁEM
WKRĘCENI
KAMIENIE NA SZANIEC
DZIEŃ DOBRY, KOCHAM CIĘ!
POWSTANIE WARSZAWSKIE
SŁUŻBY SPECJALNE
OBYWATEL
NEXT FILM
KINO ŚWIAT
VUE MOVIE
KINO ŚWIAT
INTERFILM
MONOLITH
KINO ŚWIAT
NEXT FILM
VUE MOVIE
VUE MOVIE
8,984,387
6,031,460
4,869,029
3,782,941
3,527,858
2,651,485
2,584,997
2,230,595
2,077,666
2,033,728
2,154,737
1,742,935
1,175,625
882,785
840,568
831,094
605,994
593,633
472,021
474,652
8,984,387
6,031,460
4,869,029
3,782,941
3,527,858
2,651,485
2,584,997
2,230,595
2,077,666
2,033,728
2,154,737
1,742,935
1,175,625
882,785
840,568
831,094
605,994
593,633
472,021
474,652
220
330
202
250
151
211
173
176
174
156
10.10.2014
19.09.2014
07.02.2014
17.01.2014
10.01.2014
07.03.2014
07.11.2014
09.05.2014
03.10.2014
07.11.2014
38,774,147
9,774,044
B.O. SINCE
ADMISSIONS
RELEASE
SINCE
DATE (EUR) RELEASE DATE
SCREENS
RELEASE DATE
BOX OFFICE 2014:
EUROPEAN FILMS
1
2
3
4
5
6
7
8
9
10
20
TITLE
DISTRIBUTOR
LUCY
LES VACANCES DU PETIT NICOLAS
DER 7BTE ZWERG
FURY
MINUSCULE – LA VALLEE DES FOURMIS
PERDUES
QU’EST-CE QU’ON A FAIT AU BON DIEU?
BELLE ET SEBASTIEN
PINOCCHIO
GET SANTA
NYMPHOMANIAC
UIP
KINO ŚWIAT/SPI
KINO ŚWIAT
MONOLITH
KINO ŚWIAT
FILM INDUSTRY
COUNTRY OF
ORIGIN
B.O. (EUR)
ADMISSIONS
FRANCE/BELGIUM
2,495,390
2,384,545
1,175,573
997,206
932,278
567,620
622,048
303,575
223,351
233,262
2,495,390
2,384,545
1,175,573
997,206
932,278
567,620
622,048
303,575
223,351
233,262
111
175
165
142
160
14.08.2014
14.08.2014
14.11.2014
24.10.2014
17.01.2014
GUTEK FILM
FRANCE
MONOLITH
FRANCE
KINO ŚWIAT
GERMANY
KINO ŚWIAT GREAT BRITAIN/USA
DENMARK/GERMANY/
GUTEK FILM
901,193
811,980
771,023
730,514
706,933
208,100
233,486
212,126
209,120
168,768
901,193
811,980
771,023
730,514
706,933
208,100
233,486
212,126
209,120
168,768
96
142
126
143
54
14.11.2014
07.11.2014
17.10.2014
05.12.2014
10.01.2014
11,906,636
2,981,456
FRANCE
FRANCE
GERMANY
GREAT BRITAIN/CHINA/USA
BELGIUM/GREAT BRITAIN/
FRANCE
TABLE OF CONTENTS
TOP 20 1990–2014
TITLE
DISTRIBUTOR
ADMISSIONS
B.O. (EUR)
1
OGNIEM I MIECZEM
2
PAN TADEUSZ
RELEASE DATE
SYRENA
7,151,354
24,439,387
12.02.1999
VISION
6,168,344
19,265,080
22.10.1999
3
QUO VADIS
SYRENA
4,300,351
16,057,114
14.09.2001
4
AVATAR 3D
IMPERIAL CINEPIX
3,679,885
20,541,660
25.12.2009
5
TITANIC
SYRENA
3,513,480
11,422,227
13.02.1998
6
PASSION OF THE CHRIST
MONOLITH
3,462,021
10,388,892
05.03.2004
7
SHREK 2
UIP
3,395,226
11,205,635
02.07.2004
8
SHREK THE THIRD
UIP
3,352,805
11,563,669
29.06.2007
9
KATYŃ
ITI CINEMA
2,769,291
8,193,946
21.09.2007
10
JURASSIC PARK
UIP-ITI
2,735,908
2,033,830
03.09.1993
40,528,665
135,111,439
11
LION KING
SYRENA
2,722,830
2,285,924
12
LISTY DO M.
ITI CINEMA
2,558,941
10,400,453
18.11.1994
10.11.2011
13
LEJDIS
ITI CINEMA
2,530,660
9,699,122
01.02.2008
14
LORD OF THE RINGS: THE FELLOWSHIP OF THE RING
WARNER
2,529,799
8,464,564
15.02.2002
15
HARRY POTTER AND THE SORCERER’S STONE
WARNER
2,518,282
7,314,526
18.01.2002
16
SHREK FOREVER 3D
UIP
2,469,957
12,706,542
09.07.2010
17
MADAGASCAR 2
UIP
2,239,644
8,540,158
01.01.2009
18
W PUSTYNI I W PUSZCZY
VISION
2,227,228
5,908,751
23.03.2001
19
KILER
UIP-ITI
2,200,943
4,027,700
17.10.1997
20
BOGOWIE
NEXT FILM
2,154,737
8,984,387
10.10.2014
TABLE OF CONTENTS
24,153,021
78,332,126
64,681,686
213,443,565
FILM INDUSTRY
21
FILM COMMISSIONS
Film Commission Poland coordinates efforts
to promote Poland’s film industry and shooting locations on the international market.
Thanks to a comprehensive database,
up-to-date records from the film sector
and close cooperation with the network of
regional film commissions, FCP is the first
contact point for filmmakers interested in
making a film in Poland and working with
Polish partners.
FILM COMMISSION POLAND
00-068 Warszawa
ul. Krakowskie Przedmieście 7
tel. +48 22 556 54 65, +48 693 477 607
[email protected],
[email protected]
22
FILM INDUSTRY
Regional Film Commissions
At present, there are six regional film
commissions operating in Poland. They are
based in the regions of Silesia (Śląsk), Lower
Silesia (Dolny Śląsk), Mazovia, Małopolska,
Łódz and Poznań. Further commissions are
currently at the organisational stage. All
the film commissions are managed independently, but collaborate closely with Film
Commission Poland.
As a rule, the commissions work in
conjunction with the Regional Film
Funds, thanks to which their activities
are integrated in nature. They frequently
operate alongside institutions with a wealth
of experience in cultural activities, an
outstanding knowledge of their region’s
unique characteristics and extensive local
contacts at their fingertips. Some have their
own production support systems in the
form of reductions in the fees for the use of
locations or discounts on hotels and local
public transport services. Every commission
provides the following services:
• location scouting;
• administering and updating a database
of locations;
• assistance in obtaining permits to film,
make use of roads, change the flow of
traffic and so forth;
• reducing the length of time required to
obtain permits by applying effectively
developed procedures;
• assistance in talks with the owners of
buildings, facilities and land;
• assistance in establishing contact with
municipal services and offices;
• assistance in arranging accommodation,
often with discounts;
• providing information and contacts
relating to local professionals, specialists
and audiovisual production companies in
their region;
• providing information on the
infrastructure and film resources
available in their region.
POZNAŃ
WARSAW
ŁÓDŹ
WROCŁAW
KATOWICE
KRAKOW
TABLE OF CONTENTS
KRAKOW FILM COMMISSION
POZNAN FILM COMMISSION
ŁÓDŹ FILM COMMISSION
SILESIA FILM COMMISSION
MAZOVIA WARSAW FILM COMMISSION
WROCLAW FILM COMMISSION
31-513 Kraków, ul. Olszańska 7
tel. +48 12 424 96 73, +48 500 057 984
[email protected]
[email protected]
90-926 Łódź, ul. Piotrkowska 102
tel. +48 42 638 55 46, +48 42 638 59 29
[email protected]
[email protected]
00-139 Warszawa, ul. Elektoralna 12
tel. +48 22 586 42 58
a.spisz@mwfc
[email protected]
www.mwfc.pl
TABLE OF CONTENTS
61-767 Poznań, ul. Masztalarska 8
tel. + 48 61 852 88 33 ext.35, +48 513 396 033
[email protected]
[email protected]
40-008 Katowice, ul. Górnicza 5
tel. +48 32 206 88 61 ext.203, +48 698 353 147
[email protected]
www.silesiafilmcommission.eu
50-020 Wrocław, ul. Piłsudskiego 64A
tel. +48 71 793 79 72, + 48 601 384 194
[email protected]
www.wroclawfilmcommission.pl
FILM INDUSTRY
23
FILM STUDIOS
ALVERNIA STUDIOS
32–566 Alwernia near Krakow, Nieporaz,
ul. Ferdynanda Wspaniałego 1
tel. +48 12 344 40 00, fax+48 12 344 49 00
[email protected], www.alvernia.com
00–312 Warsaw, ul. Dobra 56/66
tel. +48 22 417 41 30
[email protected]
Indian office
N-37, 1st Floor Panchsheel Park,
New Delhi 110017, India
[email protected]
tel. +91 9711141008, +91 9810537978
Alvernia Studios is the largest private film studio
in Poland. It combines comprehensive film
services with investment in both in-house productions and co-productions. The studio produces
features intended for international distribution,
music projects and adverts, as well as participates
in the production of video games.
• sound stages with state-of-the-art equipment,
including a shadowless, spherical bluescreen;
• recording studio, Dolby Premiere certified
post-production audio and music scoring
studios, an in-house orchestra;
• set design and construction department;
• a fleet of swap-body, mobile units: production
24
FILM INDUSTRY
•
•
•
•
office, make-up and wardrobe, washrooms,
kitchen and catering, costume and props
transport and electric generators;
shooting equipment: SONY CINEALTA F65
cameras; 35 mm ARRICAM Studio, ARRICAM
Lite, ARRIFLEx435 xtreme and an extensive
range of accessories: Ultra Prime LDS lenses,
AngenieuxOptimo 24 x290 zoom lenses,
OConnor 2575C and 120 Exfluid heads,
tripods, follow focus, matte boxes and wireless
systems;
lighting: SoftSun 100 kW lights, 250 kW
Lighting Strikes, a wide range of ARRI lights,
tripods, lighting controls;
grip: standard Galaxy cranes, platform, Thoma
head, Panther dolly and accessories:
Super Jib II, U-Bangi II and high-low rig;
location sound: Aaton Cantar-xand Zaxcom
Deva 16 multichannel, digital sound recorders,
SonosaxSx-ST8D and Deva Mix-12 mixing consoles and an extensive range of microphones
•
•
•
•
•
•
•
•
•
by Schoeps, Sennheiser and Sanken, wireless
system;
motion capture system: 24 Vicon T160 cameras;
motion control: Technodolly system;
film-processing lab: FilmLab ECN-2 12MD58;
telecine service, using a Millennium HD
Datacine;
Truelight Theatre certified, digital intermediate department: Northlight 2 scanner,
FilmLight Baselight 8 colour grading system,
Arrilaser 2 High Speed 4k and Celco Fury 4k
projectors;
editing suites;
VFx: CGI department, equipped with Mudbox,
Zbrush, Maya and Houdini; animation department, equipped with Maya and MorionBuilder;
compositing department equipped with Nuke
xand Flame 2011, matte paint;
PFClean restoration system;
Digital Lab: equipped with the DVS Clipster
4K-9600.
TABLE OF CONTENTS
ATM GROUP
ATM GRUPA
55–040 Kobierzyce, ul. Dwa Światy 1
tel. +48 71 776 47 00, fax+48 71 776 47 01
[email protected], www.atmgrupa.pl
ATM STUDIO
03–994 Warsaw, ul. Wał Miedzeszyński 384
tel. +48 22 295 61 10, fax +48 22 295 61 41
[email protected], www.atmstudio.eu
ATM FX
tel. +48 22 295 63 10, +48 22 295 63 13
[email protected], www.atmfx.pl
ATM SYSTEM
55–040 Bielany Wrocławskie, ul. Błękitna 3
tel. +48 71 785 53 00, fax +48 71 785 53 01
tel. +48 22 507 97 82, +48 507 97 83
[email protected], www.atmsystem.pl
The ATM Group is Poland’s largest television
producer. The Group comprises companies
specialising in television, film, online video and
computer game production and service provision
for the television and film market.
• sound stages, with the largest measuring
1 500 m2 / 16 156 ft2, television studios;
• greenbox / whiteboxstudio measuring
100 m2 / 1 076 ft2;
TABLE OF CONTENTS
• make-up and wardrobe facilities, including
a VIP dressing room;
• laundry and costume storage facilities, props
store;
• scenery store with access to a service lift,
production office, conference rooms, extras’
room, restaurant;
• HD1, 2 and 3 OB units;
• shooting equipment, including two ARRI
Alexa camera sets with full accessories and
MasterPrime lenses; TV production equipment: Sony, Panasonic and Canon cameras
and Fujinon lenses;
• film lighting kits: ARRI, Kinoflo, Dedolight,
Stand, Ianiro, Kobolt, Litepanels, Manfrotto,
and LTM as well as light effect units;
• sound equipment: Shure, Senheiser,
Soundevice;
• AVID editing suits with the possibility of using
AVID Unity environment;
• grip: steadicam Tiffen Ultra 2, Movie Bird
TechnoCranes with 2 – and 3-axis heads,
Stanton Jimmy Jib camera arm (10.5 m /
4.45 ft), Panther camera dollies, Stanton hot
heads and gyroscope platform AE 567 with
image stabilisation;
• special effects department: script analysis
in terms of special effects special effects
production, coordination of SFX on set, 2D and
3D CGI, virtual film set support, production of
special effects with physical models, including
model creation, computer animation, motion
capture, compositing, and layer-based colour
correction using (DaVinci Resolve software
and the Ultrascope system);
• sound post-production systems.
FILM INDUSTRY
25
DOCUMENTARY AND FEATURE
FILM PRODUCTION COMPANY
WYTWÓRNIA FILMÓW DOKUMENTALNYCH
I FABULARNYCH (WFDiF)
00–724 Warsaw, ul. Chełmska 21
tel. +48 22 841 26 83, fax+48 22 841 58 91
[email protected],www.wfdif.com.pl
Film Production Department
tel./fax+48 22 840 50 67
[email protected]
Services
tel. +48 22 841 11 71
fax+48 22 559 32 61
The Documentary and Feature Film Production
Company is Poland’s largest state-owned film
studio. It provides full production services and
produces feature and documentary films funded
from its own financial resources. The studio also
engages in film education projects.
• film stages and studios, casting studios;
• make-up rooms, dressing rooms, offices;
• wardrobe department holding (40 thousand
contemporary, period and military costumes,
accessories, and footwear), props department
housing 20 thousand items and a wig
department;
• design and set construction department;
• a fleet of trucks and cargo vehicles equipped
with power generators;
26
FILM INDUSTRY
• filmmaking equipment; cameras: ARRI, Red
One, SONY with Cooke and Zeiss lenses, and
accessories;
• a film laboratory offering, a range of services,
including colour correction employing the
Discreet Lustre System, sound negatives
and digital intermediate, with a digital film
recorder images on using a laser to write
images onto 35mm negatives;
• post-production sound studios, including
Studio S1, which holds Dolby Digital and
THX certification; a sound library containing
more than 1 000 hours of music and unique
sound effects such as original World War II
recordings;
• reconstruction and digitalisation studios
focusing on film and sound archival material;
• film production department which is engaged
in searching for interesting documentary and
feature film scripts, the development and
production of film projects, raising funds for
film production, establishing and maintaining
contact with co-producers in Poland and
abroad;
• archives: an immense collection of film
chronicles and documentaries, including the
greatest works from the Polish Documentary
School;
• educational projects: the Screenplays Studio
and On Set initiatives and Teatroteka, a cycle of screen adaptations of contemporary Polish
drama Teatroteka.
TABLE OF CONTENTS
TABLE OF CONTENTS
ELECTRICAL
CONNECTIONS,
OUTLETS
ATM
WORKING
HEIGHT (M, FT)
Alvernia
Studios
AREA (M2, FT2)
Professional
Concert
Lighting
Transcolor
DIMENSIONS
(M, FT)
Alvernia
Studios
K03
47 * 47,
154.2 * 154.2
(circular)
1 735,
18 675.4
14.5,
52.5
1.4MW
(2500A)
d, m, w
drive-in studio, 3200° artificial
skydome, air-conditioned set,
lighting grid, overhead power
points, equipment, props and
costume storage, heating and
ventilation, high-speed data
connection and Wi-Fi,
parking for 150 cars + heavy
vehicles’ area
Alwernia, near
Krakow, Nieporaz,
ul. Ferdynanda
Wspaniałego 1
www.alvernia.com
tel. +48 12 344 40 00
[email protected]
Hala 1
45 × 35,
147.6 × 114.8
1 575,
16 953
12.2,
40
32A, 125A
150kW
d, m, w
drive-in studio, technical
platform, lighting grid,
equipment and costume
storage, lighting equipments,
air-conditioning, heating and
ventilation
Szeligi near Warsaw,
ul. Szeligowska 48
www.transcolor.pl
Szymon Kosicki
tel. +48 600 386 351
[email protected]
K04
47 * 47,
154.2 * 154.2
(circular)
1 530,
16 468.8
13.8,
45.2
1MW
(2000A)
d, m, w
(350m2,
3 767ft 2)
spherical, shadowless,
3D bluescreen: 180°
(46 × 21.5m, 150.91 × 70.53ft),
air-conditioned set, lighting
grid, overhead power points,
equipment, props and
ventilation, high-speed data
connection and Wi-Fi,
vehicles’ area
Alwernia, near
Krakow, Nieporaz,
ul. Ferdynanda
Wspaniałego 1
www.alvernia.com
tel. +48 12 344 40 00
[email protected]
hala A
34 × 45,
111.5 × 147.6
1 500,
16 145.9
12,
39.4
2500A
d, m, w
VIP rooms
prod. rooms
technical platform, lighting
storage, air-conditioning,
heating and ventilation
Warsaw,
Wał Miedzeszyński 384
www.atmstudio.eu
tel. +48 22 295 63 03
[email protected]
SOUND STAGE
SYMBOL
OWNER
DRESSING ROOM
(D), MAKE-UP
ROOM (M),
WORKSHOP (W)
SOUND STAGES
FACILITIES
ADDRESS
CONTACT
FILM INDUSTRY
27
AREA (M2, FT2)
WORKING
HEIGHT (M, FT)
ELECTRICAL
CONNECTIONS,
OUTLETS
Professional
Concert
Lighting
Transcolor
DRESSING ROOM
(D), MAKE-UP
ROOM (M),
WORKSHOP (W)
DIMENSIONS
(M, FT)
45 × 25,
147.6 × 82
1 125,
12 109.4
12.2,
40
32A, 125A
150kW
d, m, w
storage, lighting equipments,
ventilation
Szeligi near Warsaw,
ul. Szeligowska 48
www.transcolor.pl
Szymon Kosicki
tel. +48 600 386 351
[email protected]
SOUND STAGE
SYMBOL
Hala 2
OWNER
FACILITIES
ADDRESS
CONTACT
Telewizja
Polska
Oddział
Kraków
Studio Mory
S3
30 × 25,
98 × 82
1 000,
10 763.9
10,
32.9
400kW
d, m, w
lighting grid, overhead
power points, equipment
and costume storage, ample
parking
Krakow,
ul. Nowohucka 44
www.krakow.tvp.pl
tel. +48 605 605 587,
+48 12 261 51 40,
+48 12 261 52 70
[email protected]
studio 1
36 × 27
118 × 88
980,
10 548.6
7.56
(max.
8.9),
25 (max.
29.2)
125A,
110kW
d, m, w
VIP rooms
prod. rooms
natural light available, heating,
ventilation, optical fibre data
connection, parking for 50
cars + heavy vehicles’ area
Warsaw, ul. Mory 10
www.studiomory.pl
Jacek Grodzki
tel. +48 22 100 67 87,
+48 607 077 060
[email protected]
Toya Studios
hala IV
39.6 × 22.6,
129.9 × 74.2
911.7,
9 813.5
10.8,
35.4
250kW
d, m, w
VIP room
grid, air-conditioning, heating
and ventilation, overhead
power points, parking for 200
Łódź, ul. Łąkowa 29
www.toyastudios.pl
tel. +48 42 639 55 55
[email protected]
Opus Film
stage IV
39.3 × 22.8
129 × 75
896,
9 644.5
10.9,
36
250kW
each side
d, m, w
bluescreen, greenscreen,
whitescreen
www.opusfilm.com
tel. +48 42 634 55 00
[email protected]
Opus Film
stage I
41 × 20,
134.9 × 65.8
826,
8 891
8,
26.3
250kW
each side
d, m, w
whitescreen
www.opusfilm.com
tel. +48 42 634 55 00
[email protected]
ATM
hala B
25 × 32,
82 × 104.9
800,
8 611.1
7,
22.9
800A
d, m, w
VIP rooms
prod. rooms
power points, equipment
and costume storage, airconditioning, heating and
ventilation
Warsaw,
www.atmstudio.eu
tel. +48 22 295 63 03
[email protected]
ATM
hala C
25 × 32,
82 × 104.9
800,
8 611.1
7,
22.9
800A
d, m, w
VIP rooms
prod. rooms
Warsaw,
power points, equipment and Wał Miedzeszyński 384
www.atmstudio.eu
ventilation
tel. +48 22 295 63 03
[email protected]
28
FILM INDUSTRY
TABLE OF CONTENTS
WORKING
HEIGHT (M, FT)
DRESSING ROOM
(D), MAKE-UP
ROOM (M),
WORKSHOP (W)
AREA (M2, FT2)
ELECTRICAL
CONNECTIONS,
OUTLETS
DIMENSIONS
(M, FT)
hala D
25 × 32,
82 × 104.9
800,
8 611.1
6,
19.7
630A
d, m, w
VIP rooms
prod. rooms
power points, equipment and
costume storage,
ventilation
Warsaw,
www.atmstudio.eu
tel. +48 22 295 63 03
[email protected]
ATM
hala E
25 × 32,
82 × 104.9
800,
8 611.1
6,
19.7
630A
d, m, w
VIP rooms
prod. rooms
costume storage,
ventilation
Warsaw,
www.atmstudio.eu
tel. +48 22 295 63 03
[email protected]
Toya Studios
hala III
37.5 × 20.8,
123 × 68.2
783.2,
8 430.5
10.6,
34.8
250kW
d, m, w
VIP room
heating and ventilation,
vehicles’ area
www.toyastudios.pl
tel. +48 42 639 55 55
[email protected]
Opus Film
stage III
37.3 × 20.6
123 × 68
768,
8 266.7
10.9,
36
250kW on
either side
d, m, w
whitescreen
www.opusfilm.com
tel. +48 42 634 55 00
[email protected]
Apricor
Apricor
25 × 30,
82 × 98.4
750,
8 073
12.5,
41.1
150 kW and
more
d, m, w
greenscreen (16 × 16m,
52.5 × 52.5ft), whitescreen (16 ×
16m, 52.5 × 52.5ft)
Sękocin Nowy
near Warsaw,
al. Krakowska 22B
www.apricorfilm.pl
tel. +48 502 714 619,
[email protected]
WFDiF
hala W
27.8 × 21.6,
91.2 × 70.8
600,
6 458.3
8.5,
27.8
-
d, m, w
costumes and props,
air-conditioned set
Warsaw,
ul. Chełmska 21
www.wfdif.com.pl
Krzysztof Ruta
tel. +48 22 841 98 31,
+48 501 777 210
[email protected]
WFDiF
hala Z
27.8 × 21.6,
91.2 × 70.8
600,
6 458.3
8.5,
27.8
-
d, m, w
costumes and props,
air-conditioned set
Warsaw,
ul. Chełmska 21
www.wfdif.com.pl
Krzysztof Ruta
tel. +48 22 841 98 31,
+48 501 777 210
[email protected]
2
16 × 40,
52.5 × 131.2
600,
6 458.3
8,
26.3
16A, 23A,
63A, 125A
220V,
230V
d, m, w
ground floor, drive-in studio, Warsaw, ul. Rydygiera 8
lift, photographic equipments,
www.studiotecza.com
lighting grid, greenscreen,
bluescreen
Piotr Stefański
+48 602 299 147
[email protected]
Studio Tęcza
TABLE OF CONTENTS
SOUND STAGE
SYMBOL
ATM
OWNER
FACILITIES
ADDRESS
CONTACT
FILM INDUSTRY
29
WORKING
HEIGHT (M, FT)
DRESSING ROOM
(D), MAKE-UP
ROOM (M),
WORKSHOP (W)
AREA (M2, FT2)
ELECTRICAL
CONNECTIONS,
OUTLETS
DIMENSIONS
(M, FT)
28 × 20,
91.8 × 65.6
560,
6 027.8
7,
22.9
400A
d, m, w
VIP rooms
prod. rooms
costume storage,
ventilation
Wrocław,
Bielany Wrocławskie,
ul. Dwa Światy 1
www.atmgrupa.pl
tel. +48 71 776 47 00
[email protected]
Studio Fox
hala 1
30 × 17. 6,
98.4 × 57.6
526,
5 661.8
7.30,
23.9
110kW
d, m
drive-in studio
Warsaw,
ul. Marywilska 38
www.studiofox.pl
tel. +48 602 386 025
[email protected]
Studio Fox
hala 2
30 × 17.6,
98.4 × 57.6
526,
5 661.8
7.30,
23.9
110kW
d, m
drive-in studio, limbo (16 ×
7.30m, 52.48 × 23.9ft)
Warsaw,
ul. Marywilska 38
www.studiofox.pl
tel. +48 602 386 025
[email protected]
ATM
hala F
25 × 20,
82 × 65.6
500,
5 381.9
6,
19.7
400A
d, m, w
VIP rooms
prod. rooms
costume storage,
ventilation
Warsaw,
www.atmstudio.eu
tel. +48 22 295 63 03
[email protected]
Studio 2+
30 × 16.5,
98.4 × 54.1
500,
5 381.9
7,
23
125A
d, m, w
VIP room
loft style daylight studio,
drive-in studio, photographic
equipments, lighting grid
Warsaw,
ul. Racjonalizacji 6/8
www.studiolas.pl
tel. +48 501 022 850
[email protected]
hala V
30.9 × 15.9,
101.4 × 52.2
491.3,
5 288.3
7.9,
25.9
250kW
d, m, w
VIP room
ventilation, parking for 200
www.toyastudios.pl
tel. +48 42 639 55 55
[email protected]
Opus Film
stage V
30.7 × 15.9
101 × 52
448,
4 822.2
7.5,
25
250kW
each side
d, m, w
whitescreen
www.opusfilm.com
tel. +48 42 634 55 00
[email protected]
Studio Las
Studio 4
21 × 16.5,
69 × 54.1
432,
4 650
7,
23
125A
d, m, w
VIP room
drive-in studio, lighting grid,
photographic equipments,
cyclo (12 × 8m, 39.4 × 26.3ft)
Warsaw,
www.studiolas.pl
tel. +48 501 022 850
[email protected]
Studio Las
Studio 2
18 × 18.4,
59 × 60.4
324,
3 487.5
7,
23
125A
d, m, w
VIP room
drive-in studio, photographic
equipments, lighting grid,
screen (4 × 8m, 13.1 × 26.3ft)
Warsaw,
www.studiolas.pl
tel. +48 501 022 850
[email protected]
SOUND STAGE
SYMBOL
studio I
OWNER
ATM
Studio Las
Toya Studios
30
FILM INDUSTRY
FACILITIES
ADDRESS
CONTACT
TABLE OF CONTENTS
DIMENSIONS
(M, FT)
AREA (M2, FT2)
WORKING
HEIGHT (M, FT)
ELECTRICAL
CONNECTIONS,
OUTLETS
DRESSING ROOM
(D), MAKE-UP
ROOM (M),
WORKSHOP (W)
Cukry
Cukry
20.7 × 13.7,
68 × 45
300,
3 229.2
4,
13.10
32A,
16A
d, m
loft style daylight studio
Warsaw,
ul. Ogrodowa 31/35
www.cukry.com.pl
tel. +48 505 800 777,
+48 501 025 111
[email protected]
Toya Studios
hala II
12.5 × 22,
41 × 72.2
275.9,
2 969.8
10.6,
34.8
250kW
d, m, w
VIP room
ventilation, parking for 200
www.toyastudios.pl
tel. +48 42 639 55 55
[email protected]
Agencja
Aktorska
Prozano
Studio Tęcza
Bratanka
18 × 15,
59 × 49.2
270,
2 906.3
4.5,
14.7
120kW +
50kW
d (86m2,
282ft2), m
cyclo, greenbo × (12 × 6 ×
4.5m, 39.3 × 19.7 × 14.8ft)
Warsaw,
ul. Chełmska 21 lok.30
www.bratanka.pl
tel. +48 602 676 000
[email protected]
1
10 × 15,
32.8 × 49.2
150,
1 614.6
8,
26.3
16A, 32A,
63A, 125A
230V
d, m, w
lift, photographic equipments,
www.studiotecza.com
greenscreen, bluescreen,
cyclo
Piotr Stefański
+48 602 299 147
[email protected]
Studio Tęcza
4
10 × 15,
32.8 × 49.2
150,
1 614.6
8,
26.3
16A, 32A,
63A
220V
d, m, w
lighting grid, photographic
www.studiotecza.com
equipments, greenscreen,
bluescreen, cyclo
Piotr Stefański
+48 602 299 147
[email protected]
Studio
Piaseczno
13.6 × 10.1,
44.6 × 33.1
138.2,
1 487.6
6.5,
21.3
100 A
d, m
lighting grid, photographic
equipments and
postproduction unit on-site,
greenscreen, whitescreen,
blackscreen, Wi-Fi,
ample parking
Jacek Stanclik,
+48 501 302 458
[email protected]
Besta Film
Stanisław
Krzemiński
TABLE OF CONTENTS
SOUND STAGE
SYMBOL
FACILITIES
OWNER
ADDRESS
CONTACT
Piaseczno,
ul. Elektroniczna 2A
www.studiobesta.pl
FILM INDUSTRY
31
PRODUCERS
32
FILM INDUSTRY
tel. +48 502 555 443, [email protected]
OTHER
ANIMATION
●
SERVICE
www.aeroplanfilm.com
www.afilm.pl
www.partus.pl
www.akson-studio.pl
www.alteregopictures.pl
www.alvernia.com
www.amondofilms.com
–
–
www.lechmajewski.art.pl
www.animapol.pl
www.applefilm.pl
–
www.arkanastudio.pl
COPRODUCTION
AEROPLAN
AFILM
AGENCJA ARTYSTYCZNA PARTUS
AKSON STUDIO
ALTER EGO PICTURES
ALVERNIA STUDIOS
AMONDO FILMS
ANAGRAM FILM
ANANAS MEDIA
ANGELUS SILESIUS
ANIMA-POL
APPLE FILM PRODUCTION
ARGOMEDIA
ARKANA STUDIO
DOCUMENTARY
Feature: feature-length, live-action film;
Documentary: short / medium-length / feature-length documentary film;
Animation: short / medium-length / feature-length animated film or TV series;
Other: short feature, commercial, TV production, music video, other;
Co-productions: international co-production, including live action, documentaries and animations;
Service: servicing international projects in Poland.
FEATURE
The symbols alongside the
companies’ names indicate
that, in the course of the
past few years, the producer
has made at least one
production corresponding
to the following criteria:
●
●
●
●
tel. +48 22 858 84 95, +48 22 642 83 02, [email protected]
●
●
●
●
●
●
●
●
●
●
●
●
●
tel..+48 501 209 172, [email protected]
●
●
●
●
●
●
●
●
●
●
●
●
●
●
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●
●
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●
TABLE OF CONTENTS
OTHER
ATM GRUPA
www.atmgrupa.pl,
www.atmstudio.eu, www.atmfx.pl
●
●
●
●
●
●
AURUM FILM
BADI BADI
BALABUSTA
BERES&BARON MEDIA
PRODUCTIONS
BOW AND AXE ENTERTAINMENT
www.aurumfilm.pl
www.badibadi.com
www.balabusta.pl
●
●
●
●
●
www.swiatmasens.pl
●
●
www.bowandaxe.com
●
●
BREAKTHRU FILMS
www.breakthrufilms.pl
BWM ART
www.bwmart.pl
CENTRALA
www.centralafilm.pl
CHILLI PRODUCTIONS
CHIMNEY POLAND
www.chilliproductions.com
www.chimneygroup.com
COLAB PICTURES
www.colabpictures.com
DARKLIGHT FILM STUDIO
DI FACTORY
DOMINO FILM
DONTEN & LACROIX FILMS
DRYGAS PRODUCTION
EAST STUDIO
EASYBUSY PRODUCTIONS
EUREKA MEDIA
EUREKA STUDIO
www.darklight.pl
www.di-factory.com
www.dominofilm.pl
www.dontenlacroix.eu
–
www.eaststudio.pl
TABLE OF CONTENTS
www.easybusyproductions.com
www.eurekamedia.info
www.eurekastudio.eu
tel. +48 71 776 47 00, +48 22 295 61 10, +48 22 295 63 10,
[email protected], [email protected], [email protected]
tel. +48 81 532 42 41, +48 504 275 80, [email protected]
●
tel. +48 668 685 415, [email protected],
[email protected]
●
●
●
●
●
●
●
●
●
●
tel. +48 664 116 524, +48 664 08 49 49, [email protected],
[email protected]
SERVICE
ANIMATION
www.artcore.pl
COPRODUCTION
DOCUMENTARY
●
FEATURE
ARTCORE
●
●
●
●
●
[email protected]
●
●
●
●
●
●
tel. +48 516 516 606, +33 699 30 85 17, [email protected]
●
●
●
●
●
●
●
●
●
●
●
●
●
●
●
FILM INDUSTRY
33
GREMI FILM
GRUPA DR.A.R. KWIECIŃSKIEGO –
FILM STUDIO KWIECIŃSKI
GRUPA SMACZNEGO
HUMAN ARK
KALEJDOSKOP
KALEJDOSKOP FILM
KAMEROVID
KID FILM
KIJORA
KOI STUDIO
LAVA FILMS
LIGHTCRAFT
MAGIC PRODUCTION
MAGNET MAN FILM
34
FILM INDUSTRY
www.gremifilm.pl
www.kwiecinski.pl
www.g-s.pl
www.human-ark.com
www.kalejdoskop.art.pl
www.kalejdoskopfilm.pl
–
www.kidfilm.pl
–
www.koi-studio.pl
www.lavafilms.pl
www.lightcraft.pl
www.magic-production.com
www.magnetmanfilm.com
COPRODUCTION
●
●
●
●
●
●
●
●
●
●
●
●
●
●
●
tel. +48 514 593 757 [email protected]
●
●
●
●
●
●
●
●
●
●
●
●
●
●
●
●
●
●
●
●
tel. +48 12 632 13 50, +48 691 889 019, [email protected],
[email protected]
SERVICE
OTHER
tel. +48 602 133 993, +48 692 434 993, [email protected]
ANIMATION
DOCUMENTARY
www.federicofilm.com
www.filmit.com.pl
www.filmmedia.com.pl
www.filmpolska.pl
www.filmprodukcja.com
www.filmicon.pl
www.filmograf.com.pl
www.filmpolis.eu
www.fumistudio.com
www.graniza.pl
FEATURE
FEDERICO FILM
FILM IT
FILM MEDIA
FILM POLSKA PRODUCTIONS
FILM PRODUKCJA
FILMICON DOM FILMOWY
FILMOGRAF
FILMPOLIS
FUMI STUDIO
GRANIZA
●
●
●
●
●
●
●
●
●
●
●
●
●
●
●
●
●
●
●
[email protected]
●
●
●
●
TABLE OF CONTENTS
www.majfilm.pl
www.manana.pl
www.manifiesta.pl
www.md4.eu
www.mediabrigade.pl
www.metrofilms.com.pl
www.monolith.pl
www.nosugarfilms.com
www.nolabel.pl
www.odeon.com.pl
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ON PRODUCTION
www.onproduction.pl
OPUS FILM
ORKA
OTO FILM
OTTER FILMS
PLATIGE IMAGE
PLESNAR & KRAUSS FILMS
POKROMSKI STUDIO
PRASA I FILM
PROFIL FILM
RAGUSA FILM
ROCK AND ROLL PRODUCTION
SACO FILMS
SCORPIO STUDIO
www.opusfilm.com
www.orkafilm.pl
www.otofilm.pl
www.otterfilms.pl
www.platige.com
www.plesnarandkrauss.com
www.pokromskistudio.pl
www.prasaifilm.pl
www.profilfilm.pl
www.ragusafilm.pl
–
www.sacofilms.pl
www.scorpio-studio.com
TABLE OF CONTENTS
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SERVICE
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tel. + 48 609 101 690, + 48 609 484 487,
[email protected]
COPRODUCTION
OTHER
ANIMATION
DOCUMENTARY
FEATURE
MAJ FILM
MAÑANA
MANIFIESTA FILM
MD4
MEDIABRIGADE
METRO FILMS
MONOLITH FILMS
NO SUGAR FILMS
NOLABEL
ODEON RYBARCZYK PRODUCTIONS
OFICYNA FILMOWA GALICJA
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FILM INDUSTRY
35
36
FILM INDUSTRY
www.se-ma-for.com
www.serafinskistudio.com
www.shipsboy.com
www.skopiafilm.com
www.skorpionarte.pl
www.spinkafilm.pl
www.staronfilm.pl
www.sti.com.pl
www.studio-a.tv
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www.autograf.art.pl
www.studioeverest.pl
www.sfkadr.com
www.logosfilm.pl
www.tor.com.pl
www.zebrafilm.pl
www.sfr.com.pl
www.smf.com.pl
www.studiomunka.pl
www.sunpowercinema.com
www.takfilm.eu
www.touchfilms.pl
www.tramway.pl
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COPRODUCTION
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OTHER
ANIMATION
DOCUMENTARY
FEATURE
SE-MA-FOR PRODUKCJA FILMOWA
SERAFIŃSKI STUDIO
SHIPSBOY
SKOPIA FILM
SKORPION ARTE
SPINKA FILM STUDIO
STAROŃ – FILM
STI STUDIO FILMOWE
STUDIO A
STUDIO DANIEL PRODUKCJA
FILMOWA
STUDIO FILMOWE AUTOGRAF
STUDIO FILMOWE EVEREST
STUDIO FILMOWE KADR
STUDIO FILMOWE LOGOS
STUDIO FILMOWE TOR
STUDIO FILMOWE ZEBRA
STUDIO FILMÓW RYSUNKOWYCH
STUDIO MINIATUR FILMOWYCH
STUDIO MUNKA
(THE MUNK STUDIO)
SUNPOWER CINEMA
TAK FILM
TOUCH FILMS
TRAMWAY
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ZOYDA ART PRODUCTION
TABLE OF CONTENTS
www.videostudio.com.pl
www.visionhouse.eu
–
www.wajdastudio.pl
www.wjt.com.pl
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www.zorgwerke.com
www.zair.eu
www.zkstudio.pl
www.zoyda.pl
tel. +48 605 10 35 53, tel. +48 22 799 92 22,
[email protected], [email protected]
SERVICE
COPRODUCTION
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tel. +48 22 559 33 12, [email protected],
[email protected]
www.wfdif.pl
OTHER
ANIMATION
www.tvsfa.com
DOCUMENTARY
FEATURE
TV STUDIO FILMÓW
ANIMOWANYCH
VIDEO STUDIO GDAŃSK
VISION HOUSE
W.W.
WAJDA STUDIO
WJTEAM
WYTWÓRNIA FILMÓW
DOKUMENTALNYCH
I FABULARNYCH (WFDIF)
WYTWÓRNIA FILMÓW
OŚWIATOWYCH
YETI FILMS
ZJEDNOCZENIE ARTYSTÓW
I RZEMIESLNIKÓW
ZK STUDIO
ZODIAK JERZY HOFFMAN FILM
PRODUCTION
ZORG WERKE
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FILM INDUSTRY
37
TELEVISION
BROADCASTERS
There is one public television broadcasting
corporation in Poland, Telewizja Polska
S.A. There are also several dozen private
broadcasting companies. In total, there are
almost two hundred television channels,
the majority of which are genre channels,
primarily focused on news and current
affairs, documentaries, films, music, sport
and children’s programmes. In the main,
they reach their audiences via digital
platforms, cable TV, IPTV and digital
terrestrial channels.
TELEWIZJA POLSKA (TVP)
00-999 Warsaw, ul. J.P. Woronicza 17
tel. +48 22 547 80 00
www.tvp.pl
Television and Film Production Agency
Agencja Produkcji Telewizyjnej i Filmowej
tel. +48 22 547 81 67, +48 22 547 70 77
fax +48 22 547 42 25
International Affairs Department
Biuro Wymiany Krajowej i Międzynarodowej
tel. +48 22 547 85 01, fax +48 22 547 42 48
[email protected]
www.dystrybucja.tvp.pl
HBO POLSKA
02-515 Warsaw, ul. Puławska 17
tel. +48 22 852 88 40, fax +48 22 852 88 02
[email protected]
www.hbo.pl
ITI NEOVISION
TELEWIZJA POLSAT
04-175 Warsaw, ul. Ostrobramska 77
tel. +48 22 514 51 44
[email protected]
www.polsat.com.pl
TELEWIZJA PULS
00-724 Warsaw, ul. Chełmska 21 block 22
tel. +48 559 73 00-1, fax +48 22 559 73 05
[email protected]
www.pulstv.pl
TVN
02-952 Warsaw, ul. Wiertnicza 166
tel./fax +48 22 856 60 60
40-004 Katowice, al. Korfantego 2 lok.315
tel. +48 32 253 27 00, fax +48 32 253 27 27
[email protected]
30-832 Krakow, ul. Pułkownika St. Dąbka 2
tel. +48 12 652 82 00, +48 12 652
82 01, fax +48 12 652 81 02
[email protected]
www.tvn.pl
02-758 Warsaw, al. gen. Sikorskiego 9
tel. +48 22 328 28 65, +48 601 161 999
[email protected]
www.ncplus.pl
38
FILM INDUSTRY
TABLE OF CONTENTS
DISTRIBUTORS
BEST FILM
GUTEK FILM
Primarily Polish and European films.
Arthouse cinema from all over the world.
BOMBA FILM
HAGI
Full-length documentaries and arthouse
features from all over the world.
20-082 Lublin, ul. Zielona 8 lok.4
tel. +48 81 820 07 89
[email protected]
www.bombafilm.pl
ALTER EGO PICTURES
Predominantly European cinema.
European feature and documentaries.
FORUM FILM POLAND
IMPERIAL CINEPIX
Polish and foreign cinema hits.
Foreign cinema hits.
AGAINST GRAVITY
00-515 Warsaw, ul. Żurawia 22 lok.212
tel./fax +48 22 828 10 79
[email protected]
www.againstgravity.pl
www.docsag.pl
00-724 Warsaw, ul. Chełmska 21 lok.422
tel./fax +48 22 851 11 15
[email protected]
www.alteregopictures.pl
Arthouse cinema, primarily European and
Polish.
AURORA FILMS
00-718 Warsaw, ul. Czerniakowska 73/79
tel. +48 22 887 14 80, fax +48 22 887 17 30
[email protected]
www.bestfilm.pl
02-675 Warsaw, ul. Wołoska 12
tel. +48 22 456 65 55, fax +48 22 456 65 35
[email protected]
www.forumfilm.pl
01-503 Warsaw, al. Wojska Polskiego 41 lok.43
tel. +48 22 536 92 00, fax +48 22 635 20 01
[email protected]
www.gutekfilm.pl
52-131 Wrocław, ul. Buforowa 4A
tel. +48 71 367 78 50, fax +48 71 367 96 59
[email protected]
www.hagi.pl
02-222 Warsaw, Al. Jerozolimskie 179
tel. +48 22 379 05 01
[email protected]
www.imperial-cinepix.com.pl
02-784 Warsaw, Pasaż Ursynowski 1 lok.111
tel. +48 22 405 41 46, +48 603 542 471
[email protected]
www.aurorafilms.pl
Cinema of a high artistic quality.
TABLE OF CONTENTS
FILM INDUSTRY
39
KINO ŚWIAT
M2FILMS
SOLOPAN
Polish, European and American films.
Independent films from beyond the
mainstream.
Auteur cinema from all over the world.
00-762 Warsaw, ul. Belwederska 20/22
tel. +48 22 840 68 01-5, fax +48 22 840 68 06
[email protected]
www.kinoswiat.pl
KRAKOWSKA FUNDACJA FILMOWA
00-718 Warsaw, ul. Czerniakowska 73/79
tel. +48 533 031 945
[email protected]
www.m2films.pl
31-143 Krakow, ul. Basztowa 15 lok.8A
tel./fax +48 12 294 69 45
[email protected]
www.kff.com.pl
www.krakowfilmfestival.pl
MONOLITH FILMS
Polish documentaries and shorts.
MAÑANA
NEXT FILM
Primarily Ibero-American and Spanish films,
but also high-quality productions from all
over the world.
Polish cinema.
00-724 Warsaw, ul. Chełmska 19/21 lok.8
tel./fax +48 22 851 10 97
[email protected]
www.manana.pl
40
FILM INDUSTRY
01-830 Warsaw, al. Zjednoczenia 36
tel. +48 22 851 10 77-8, fax +48 22 851 10 79
[email protected]
www.monolith.pl
00-732 Warsaw, ul. Czerska 8/10
tel. +48 22 555 60 06, +48 22 555 48 17
[email protected]
www.next-film.pl
00-064 Warsaw, ul. Królewska 23 lok.2
tel. +48 22 828 01 44
[email protected]
www.solopan.com.pl
SPECTATOR
01-595 Warsaw, ul. Popiełuszki 17B lok.22
tel. +48 503 876 453
[email protected]
www.spectator.com.pl
Independent and arthouse films.
STOWARZYSZENIE NOWE HORYZONTY
(New Horizons Association)
00-153 Warsaw, ul. Zamenhofa 1
tel. +48 22 530 66 40, fax +48 22 831 06 63
[email protected]
www.nowehoryzonty.pl
Films going beyond the boundaries of
conventional cinema and originating from
all over the world.
TABLE OF CONTENTS
STUDIO INTERFILM
02-589 Warsaw, ul. Kazimierzowska 3
tel. +48 22 565 23 25, fax +48 22 565 23 29
[email protected]
www.interfilm.pl
01-164 Warsaw, ul. Radziwie 7 lok.U03B
tel. +48 22 826 60 48, fax +48 22 353 96 03
[email protected]
www.vivarto.pl
VIVARTO
WARNER BROS. ENTERTAINMENT POLSKA
European and world cinema works.
TONGARIRO RELEASING
VUE MOVIE DISTRIBUTION
LGBT cinema.
Polish, European and American films.
UNITED INTERNATIONAL PICTURES (UIP)
WALT DISNEY COMPANY POLSKA
61-884 Poznań, ul. Rybaki 18A
tel. +48 515 270 800, fax +48 61 625 68 21
[email protected]
www.tongariro.pl
02-672 Warsaw, ul. Domaniewska 41
tel. +48 22 606 01 76, fax +48 22 606 01 75
www.uip.com
www.tylkohity.pl
TABLE OF CONTENTS
02-366 Warsaw, ul. Bitwy Warszawskiej 1920r. 7A
tel. +48 22 358 26 00, fax +48 22 358 26 01
[email protected]
www.wbep.pl
00-542 Warsaw, ul. Mokotowska 49
tel. +48 22 223 00 00
[email protected]
www.vuemovie.pl
00-609 Warsaw, ul. Armii Ludowej 26
tel. +48 22 579 33 55, fax +48 22 579 33 65
www.disney.pl
Walt Disney Studios productions.
FILM INDUSTRY
41
PROFESSIONAL
ORGANISATIONS
POLISH FILMMAKERS ASSOCIATION
STOWARZYSZENIE FILMOWCÓW POLSKICH
(SFP)
00-068 Warsaw, ul. Krakowskie Przedmieście 7
tel. +48 22 556 54 40, +48 22 845
51 32, fax +48 22 845 39 08
[email protected], www.sfp.org.pl
The Polish Filmmakers Association is
Poland’s largest organisation of film and
television professionals. Its primary task is
to integrate the film community and protect
its interests. The Union of Audiovisual
Authors and Producers (Związek Autorów
i Producentów Audiowizualnych; ZAPA),
a collective copyright management organisation, operates within the structures of
the Association, as does the Andrzej Munk
Youth and Film Studio (Studio „Młodzi
i Film” im. Andrzeja Munka), which produces
debut films. The SFP has a number of sections and circles, which unite representatives of all the filmmaking professions. It is
also the organiser or co-organiser of the
most important film festivals held in Poland.
42
FILM INDUSTRY
POLISH AUDIOVISUAL PRODUCERS CHAMBER
OF COMMERCE
KRAJOWA IZBA PRODUCENTÓW
AUDIOWIZUALNYCH (KIPA)
00-724 Warsaw, ul. Chełmska 21 bud.28C
tel./fax +48 22 840 59 01
[email protected], www.kipa.pl
www.audiowizualni.pl, www.fpca.org.pl
The Polish Audiovisual Producers’ Chamber
of Commerce unites producers and
protects their interests. As an autonomous
organisation, it has a genuine impact on the
shaping of legal, financial and economic
legislation relating to the film sector
through consultation with the government
and parliament. It collaborates with Polish
and European producers’ organisations,
as well as with filmmakers and television
producers.
The Chamber established the Polish
Audiovisual Centre Foundation (Fundacja
Polskie Centrum Audiowizualne), together with which, it runs the Regional
Audiovisual Initiative (Regionalna Inicjatywa
Audiowizualna; RIA). The aim of the initiative is to increase the number of funding
sources for Polish filmmaking by launching
a national network of regional film funds
and commissions.
POLISH SOCIETY OF CINEMATOGRAPHERS
STOWARZYSZENIE AUTORÓW ZDJĘĆ
FILMOWYCH (PSC)
02-867 Warsaw, ul. Baletowa 30C
[email protected], www.psc.pl
The Polish Society of Cinematographers
represents cinematographers interests,
in particular by protecting copyright and
by creating favourable conditions for its
members’ professional development. It also
supports intitiatives which instigate the
development of the art of film and present
cinematography-related issues to a wider
view.
POLISH ASSOCIATION OF EDITORS
POLSKIE STOWARZYSZENIE MONTAŻYSTÓW
(PSM)
00-336 Warsaw, ul. Kopernika 30, lok.600
tel. +48 510 255 060
www.psm.org.pl
The Polish Association of Editors unites
editors for whom professional and artistic
development is pivotal. It also protects their
rights. In addition, it is engaged in the development of the art and science of picture
and sound editing in audiovisual works.
TABLE OF CONTENTS
UNION OF POLISH ACTORS
ZWIĄZEK ZAWODOWY AKTORÓW POLSKICH
(ZZAP)
00-536 Warsaw, Al. Ujazdowskie 45
tel. +48 22 628 84 76, +48 679 092 692
[email protected], www.zzap.aktorzy.org
The Union of Polish Actors represents
the interests of professional actors and
protects their social rights. It is a member
of the International Federation of Actors
(FIA).
DIRECTORS GUILD OF POLAND
ZWIĄZEK ZAWODOWY REŻYSERÓW
POLSKICH – GILDIA REŻYSERÓW POLSKICH
00-724 Warsaw, ul. Chełmska 21 lok.202
tel. +48 662 057 900
[email protected]
www.polishdirectors.com
POLISH ANIMATION PRODUCERS
ASSOCIATION
STOWARZYSZENIE PRODUCENTÓW POLSKIEJ
ANIMACJI (SPPA)
01-523 Warsaw, ul. Śmiała 34 lok.1
tel. +48 604 775 271
[email protected], www.sppa.eu
The Polish Animation Producers
Association promotes Polish animated
films both in Poland and internationally.
It integrates the community of Polish
animated film producers and provides
it with support in acquiring foreign coproducers and distributors. It also supports
the artistic development of promising
young filmmakers and the creation of works
for children and young people.
The Directors Guild of Poland is an
organisation which was established in order
to represent and protect the rights of directors, their professional and social interests
and the accomplishment of their social and
cultural needs.
TABLE OF CONTENTS
FILM INDUSTRY
43
FILM EVENTS
MARCH
The EAGLES Polish Film Awards
ORŁY – Polskie Nagrody Filmowe
Warsaw
The Polish Film Academy’s annual awards
ceremony.
www.pnf.pl
MAY
PKO OFF CAMERA International Festival
of Independent Cinema
Międzynarodowy Festiwal Kina
Niezależnego PKO OFF CAMERA
Krakow
The festival presents works by young filmmakers from all over the world.
www.offcamera.pl
Docs Against Gravity Film Festival
Warsaw
A selection of the best feature-length
documentaries, award winners at international festivals.
Film Music Festival
Festiwal Muzyki Filmowej
Kraków
A festival devoted to film music.
www.fmf.fm
MAY / JUNE
Krakow Film Festival
Krakowski Festiwal Filmowy
Krakow
An international festival featuring documentaries, animations and short features.
www.kff.com.pl
www.krakowfilmfestival.pl
JUNE
‘Youth and Cinema’ Debut Film Festival
Koszaliński Festiwal Debiutów
Filmowych „Młodzi i Film”
Koszalin
The festival presents the work of debuting
filmmakers.
www.mlodziifilm.pl
JUNE / JULY
Lubuskie Film Summer
Lubuskie Lato Filmowe
Łagów
A festival of films from the post-communist
countries of Central and Eastern Europe.
www.llf.pl
JULY
ANIMATOR International Animated Film
Festival
ANIMATOR Międzynarodowy Festiwal
Filmów Animowanych
Poznań
The festival presents animated films from all
over the world.
www.animator-festival.com
T-Mobile New Horizons International
Film Festival
Międzynarodowy Festiwal Filmowy
T-Mobile Nowe Horyzonty
Wrocław
A round-up of films blazing the trail for new
trends in cinema.
www.nowehoryzonty.pl
www.docsag.pl
44
FILM INDUSTRY
TABLE OF CONTENTS
AUGUST
Two Riversides Film and Art Festival
Festiwal Filmu i Sztuki Dwa Brzegi
Kazimierz Dolny, Janowiec nad Wisłą
An event bringing together film and other
fields of the arts.
www.dwabrzegi.pl
Transatlantyk Festival Poznań
Poznań
The festival presents outstanding works of
world cinema in an event combining film
and music.
www.transatlantyk.org.pl
SEPTEMBER
Gdynia Film Festival
Festiwal Filmowy w Gdyni
Gdynia
A festival devoted to the latest Polish films.
www.festiwalgdynia.pl
OCTOBER
Warsaw Film Festival
Warszawski Festiwal Filmowy
Warsaw
The festival presents the latest and most
interesting features and documentaries
from around the world.
www.wff.pl
International Festival of Film
Producers REGIOFUN
Międzynarodowy Festiwal
Producentów Filmowych REGIOFUN
Katowice
A festival devoted to films which were made
thanks to the support of the regional film
funds and the help of cities and towns.
www.regiofun.pl
American Film Festival
Wrocław
The festival presents contemporary
American cinema works.
www.americanfilmfestival.pl
NOVEMBER
Etiuda&Anima International Film
Festival
Międzynarodowy Festiwal Filmowy
Etiuda&Anima
Krakow
The festival brings together the achievements of film school students from all
over the world and the works of animated
filmmakers.
www.etiudaandanima.com
Camerimage International Film Festival
of the Art of Cinematography
Międzynarodowy Festiwal Sztuki
Autorów Zdjęć Filmowych Camerimage
Bydgoszcz
A festival devoted to the art of
cinematography.
www.camerimage.pl
DECEMBER
Ale Kino! International Young Audience
Film Festival
Międzynarodowy Festiwal Filmów
Młodego Widza Ale Kino!
Poznań
The festival presents films for children and
young people.
www.alekino.com
TABLE OF CONTENTS
FILM INDUSTRY
45
46
NIEWINNE (AGNUS DEI, 2016) DIR. ANNE FONTAINE
TABLE OF CONTENTS
FILM
SERVICES
TABLE OF CONTENTS
2P STUDIO
A+MEDIA
ACORDEON
AGENCJA AKTORSKA ABSOLWENT
AGENCJA AKTORSKA ESPERANZA
AGENCJA AKTORSKA MERITO
AGENCJA AKTORSKA TRADYCJA
AGENCJA ARTYSTYCZNA RETRO-PASJE
AGENCJA BUMERANG
AKSON STUDIO
ALVERNIA STUDIOS
ANAGRAM FILM
APPETITE PRODUCTION
ATV GROUP
BANANA SPLIT POLSKA
BANK OF LOCATIONS
BEST PROPERTY
www.2p-studio.com
www.aplusmedia.pl
www.acordeon.pl
www.absolwent.art.pl
www.esperanza.net.pl
www.agencjamerito.pl
www.aktorskatradycja.pl
www.retropasje.pl
www.agencjabumerang.pl
www.akson-studio.pl
www.alvernia.com
www.alejagowniarzy.pl
www.locationspoland.com
www.atvfilm.pl
www.banana.pl
www.bankoflocations.com
www.bestproperty.pl
CHOICE CASTING
www.choicecasting.pl
COOLKEYPLAY
www.coolkeyplay.pl
COUNTERPOINT
www.counterpoint.pl
DAUL
EDWIN FILM
EPISODEONE
FILMLOCATIONS
FILM POLSKA PRODUCTIONS
www.daul.pl
www.casting.wroc.pl
www.statysci-bank.pl
www.filmlocations.com.pl
www.filmpolska.pl
48
FILM SERVICES
+48 22 227 77 91, +48 502 324 068, [email protected]
LOCATION
SCOUTING
CASTING
PRE-PRODUCTION
●
+48 608 791 416, [email protected]
●
+48 600 766 269, +48 22 851 06 49, [email protected]
●
+48 22 251 70 15, [email protected]
●
+48 660 705 781, +48 790 301 353, [email protected]
●
+48 22 851 10 75, +48 508 841 949, [email protected]
●
+48 22 841 12 83, +48 606 877 000, [email protected]
●
+48 884 997 009, +48 506 715 480, [email protected]
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+48 42 636 48 58 , +48 791 014 224, [email protected], [email protected]
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+48 604 070 457, +48 531 900 055, [email protected]
●
+48 22 224 58 93, +48 602 377 770, [email protected]
●
+48 600 967 968, +48 698 713 115, [email protected],
[email protected]
●
+48 605 352 545, +48 22 898 26 70, [email protected]
●
+48 605 075 181, +48 605 075 197, [email protected],
[email protected]
●
+48 12 643 25 12, +48 509 726 225, [email protected], [email protected]
●
+48 71 780 50 59, +48 71 789 59 27, [email protected]
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+48 12 346 29 50, +48 604 428 940, [email protected]
●
TABLE OF CONTENTS
FILMSERVICE.PL
GALAKTIKA FILM
GRUPA xxI
GRUPPA RAFAŁ WIDAJEWICZ
GUDEJKO AGENCJA AKTORSKA
HOUSE MEDIA COMPANY
JMC STUDIO
KNOCK KNOCK – INTERNATIONAL
ACTORS MANAGEMENT
KRAKOW FILM COMMISSION
LAVA FILMS
LIPSTICK FILM
www.filmservice.pl
www.galaktikafilm.pl
www.grupaxxi.pl
www.gruppa.pl
www.gudejko.pl
www.housemedia.com.pl
www.jmcstudio.pl
LOCATION SCOUT
www.locationscout.pl
LUKAS FILM
ŁÓDŹ FILM COMMISSION
MAZOVIA WARSAW FILM COMMISSION
MONOCEROS STUDIO
NO SUGAR FILMS
www.lukasfilm.pl
www.mwfc.pl
www.monocerosstudio.pl
www.nosugarfilms.com
www.knockknockactors.com
www.lavafilms.pl
OPUS FILM
www.opusfilm.com
OUTSIDE AGENCJA CASTINGOWA
PASSA AGENCJA AKTORSKA
PINK MEDIA
www.outside.com.pl
www.passa.media.pl
www.pink-media.pl
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●
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+48 22 428 53 05, +48 22 487 85 55, [email protected]
●
+48 22 425 37 39, +48 790 884 840, [email protected]
●
+48 12 424 96 61, +48 501 051 605, [email protected]
●
●
●
●
+48 601 168 868, +48 602 377 770, [email protected],
[email protected]
●
●
●
●
●
●
+48 603 486 287, +48 600 457 010 [email protected]
●
+48 42 634 55 00, +48 22 646 02 63, [email protected],
[email protected]
●
+48 791 993 949, +48 12 423 52 83, [email protected]
●
●
+48 602 846 528, +48 668 418 388, [email protected]
●
FILM COMMISSION Poland
+48 22 556 54 40, +48 693 477 607, [email protected],
[email protected]
POZNAN FILM COMMISSION
+48 556 54 65 ext.35, +48 513 396 033, [email protected],
[email protected]
TABLE OF CONTENTS
●
+48 22 845 55 87, +48 604 412 337, [email protected]
LOCATION
SCOUTING
CASTING
PRE-PRODUCTION
FILM SERVICES
●
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49
PRIMEMOVERS
SILESIA FILM COMMISSION
SKWER KORPORACJA
50
www.primemovers.pl
www.silesiafilmcommission.eu
STARS IMPRESARIAT FILMOWY
www.stars-impresariat.pl
START STUDIO
STUDIO ABM
TALENT AGENCJA ARTYSTYCZNA
V-FILM
WILD POLAND TOURS
WROCLAW FILM COMMISSION
ZA AGENCJA AKTORÓW
I REALIZATORÓW FILMOWYCH
www.startstudio.pl
www.studioabm.com.pl
www.talentagencja.pl
www.v-film.com
www.wildpolandtours.com
www.wroclawfilmcommission.pl
FILM SERVICES
www.zaagencja.com
LOCATION
SCOUTING
CASTING
PRE-PRODUCTION
+48 604 612 141, +48 22 493 01 27, [email protected]
●
●
+48 501 376 553, [email protected], [email protected]
●
+48 22 314 69 20, +48 12 290 69 40, [email protected],
[email protected]
●
●
+48 71 347 72 78, +48 71 347 73 60, [email protected]
●
+48 533 111 500, +48 533 111 600, [email protected]
●
●
●
●
+48 71 793 79 72, +48 601 384 194, [email protected]
●
+48 504 190 606, +48 22 841 21 33, [email protected]
●
TABLE OF CONTENTS
24MEDIA
www.24media.pl
4WALL STUDIO
www.4wallstudio.pl
AB FILM
www.abfilm.pl
AEROCINEMA
www.aerocinema.pl
+48 502 966 741, +48 504 086 042,
[email protected]
ALVERNIA STUDIOS
www.alvernia.com
+48 605 431 060, +48 605 431 040
[email protected]
●
www.agfilm.pl
www.aquafilm.pl
+48 503 007 116, +48 606 140 423, [email protected]
ARTCAM
www.artcam.biz
+48 691 852 409, +48 697 334 427,
[email protected]
ATM SYSTEM
www.atmsystem.pl
AVANTGARDE STUDIOS
BOLDY RECORDS
www.avantgardestudios.eu
www.boldyrecords.com
www.cinelight.pl
www.cinegrip.pl
www.cinemag.com.pl
TABLE OF CONTENTS
●
●
●
●
●
+48 506 189 198, +48 505 714 826,
[email protected]
ANTENA GÓRNOŚLĄSKA
AQUAFILM
CINELIGHT FILM
CINEGRIP FILM
CINE MAG
EQUIPMENT
RENTAL
●
www.animatorfilm.com
www.chimerafilm.d6.pl
MOTION
CONTROL
ANIMATOR FILM
CHIMERA ŚWIATŁO-FILM
MOTION
CAPTURE
●
www.4planetmedia.pl
www.camcam.pl
www.cameracar.pl
LIGHTING
EQUIPMENT
●
●
4PLANET MEDIA
CAMCAM
CAMERA CAR
SPECIAL AND
UNDERWATER
PHOTOGRAPHY
●
+48 509 917 808, +48 22 842 09 69,
[email protected]
www.2stepsmedia.com
www.brutusfilm.com.pl
HIGH-SPEED
PHOTOGRAPHY
+48 697 653 276, +48 794 991 350, [email protected]
2STEPS MEDIA
BRUTUS FILM
AERIAL
PHOTOGRAPHY
PHOTOGRAPHY
EQUIPMENT
PHOTOGRAPHY
●
●
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●
+48 71 785 53 00, +48 22 507 97 82,
[email protected]
●
●
●
●
●
●
+48 500 009 498, +48 501 717 288, [email protected]
●
●
+48 42 639 55 40, +48 601 250 344,
[email protected]
●
+48 607 622 036, +48 601 916 931, [email protected]
●
●
●
●
+48 22 885 64 03, +48 501 209 581,
[email protected]
●
●
+48 791 440 660, [email protected],
[email protected]
●
●
●
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●
FILM SERVICES
51
CINERENTAL
CUKRY
CYTAT FILM
DEVIL’S STUDIO
DIGITAL35
DOGFILM STUDIO FILMOWE
DROFIAK FILM
EBH POLSKA
www.cinerental.pl
www.cukry.com.pl
www.cytat-film.pl
www.devilstudio.pl
www.digital35.pl
www.dogfilm.pl
www.drofiak.pl
www.ebh.pl
●
+48 501 534 949, +48 509 074 455, [email protected]
www.fastmedia.com.pl
●
●
●
EQUIPMENT
RENTAL
MOTION
CONTROL
MOTION
CAPTURE
●
●
●
●
●
●
+48 600 360 404, +48 22 578 22 88,
[email protected]
●
+48 22 863 12 70, +48 501 328 585,
[email protected]
●
●
+48 33 818 15 06, +48 601 501 290,
[email protected]
●
+48 601 665 219, +48 601 665 921, [email protected]
●
www.filmfactor.pl
FILM FACTORY
FILMSERVICE.PL
FIxAFILM
GAFFERS
www.filmfactory.com.pl
www.filmservice.pl
www.fixafilm.pl
www.gaffers.pl
GAMMA TV STUDIO
www.gammatv.com.pl
+48 502 297 002, +48 601 297 002,
[email protected]
GONZO SERVICE
GRIK MEDIA
www.gonzoservice.pl
www.grikmedia.pl
FILM SERVICES
●
+48 58 712 28 78
FILM FACTOR
52
●
●
FASTMEDIA
●
+48 602 473 113, +48 22 617 11 43, [email protected]
www.epoka.tv
www.erkafilm.pl
www.fabrykafilmow.pl
●
●
+48 22 666 84 25, +48 600 880 881
EPOKA
ERKA FILM
FABRYKA FILMÓW
www.faratfilm.pl
LIGHTING
EQUIPMENT
●
●
www.ekipa.waw.pl
FARAT FILM
SPECIAL AND
UNDERWATER
PHOTOGRAPHY
●
EKIPA
www.fabrykafilmu.com.pl
HIGH-SPEED
PHOTOGRAPHY
+48 602 785 435, +48 503 042 164,
[email protected]
FABRYKA FILMU
AERIAL
PHOTOGRAPHY
PHOTOGRAPHY
EQUIPMENT
PHOTOGRAPHY
●
●
+48 22 254 97 91, +48 662 250 030, [email protected]
●
+48 12 686 14 98–9, +48 503 164 731, [email protected]
●
●
●
●
●
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●
TABLE OF CONTENTS
GRIP SEVEN
www.grip7.pl
GRUPA FRESH MEDIA
www.grupafreshmedia.pl
GRUPA MY
GRUPA VCANAL
www.grupamy.pl
HD AIR STUDIO
www.hdairstudio.com
www.grupavcanal.pl
●
+48 506 797 626, +48 602 298 206,
[email protected]
●
●
●
www.hdvplanet.pl
HELIOGRAF
www.heliograf.pl
+48 22 894 60 40, +48 603 764 864
[email protected]
JJ
JJW
www.jj.net.pl
www.jjw.com.pl
KAJ TV JERZY KAJSZCZAK
www.kajtv.com.pl
KARNOWSKI TOMEK
KLIMEx
LIGHT4YOU
LUKSFILM
www.steadicam.pl
www.klimex.pl
www.light4youkrakow.pl
www.luksfilm.pl
LUMEN
www.lumen.org.pl
MAG-FILM
www.magfilm.com.pl
MASTERSHOT
www.mastershot.pl
MEDIA ADVERT
www.studio-filmowe.pl
MEDIA BRIGADE
TABLE OF CONTENTS
www.mediabrigade.pl
+48 22 841 78 01, +48 501 117 716, [email protected]
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●
●
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●
+48 602 211 844, +48 22 835 44 63,
[email protected]
●
●
+48 601 206 191, +48 22 642 43 43, [email protected]
●
●
●
●
●
●
+48 22 649 07 83, +48 501 262 712,
[email protected]
●
●
+48 601 465 969, +48 601 581 891, [email protected]
●
+48 602 256 770, +48 881 588 594,
[email protected]
●
+48 696 872 345, +48 505 034 034,
[email protected]
EQUIPMENT
RENTAL
MOTION
CONTROL
MOTION
CAPTURE
LIGHTING
EQUIPMENT
SPECIAL AND
UNDERWATER
PHOTOGRAPHY
HIGH-SPEED
PHOTOGRAPHY
●
+48 502 734 878, +48 601 611 026,
[email protected]
HDV PLANET
www.mastergrip.neostrada.pl
●
+48 602 664 873, +48 22 665 59 19,
[email protected]
MASTER GRIP
AERIAL
PHOTOGRAPHY
PHOTOGRAPHY
EQUIPMENT
PHOTOGRAPHY
●
●
+48 71 790 14 50, +48 604 432 425,
[email protected]
●
FILM SERVICES
53
MEGA TV
MNIAM.TV
MOCAP.PL
MUFI
Mx35
NON STOP FILM SERVICE
ONOFFMEDIA
OP1 OUTPOST ONE
ENTERTAINMENT
PANAVISION POLSKA
PAY STUDIO TV
PIRAMIDA FILM
PLATIGE IMAGE
www.megatv.pl
www.mniam.tv
www.mocap.pl
www.mufi.pl
www.mx35.eu
www.nsfs.pl
www.onoffmedia.pl
PRIMEMOVERS
www.primemovers.pl
PRO-CAM
PROTEL
RENTCAM
REVOFLITE
www.pro-cam.pl
www.protelsc.pl
www.rentcam.pl
www.revoflite.com
www.op1.pl
www.panavision.pl
www.pay.com.pl
www.piramidafilm.eu
www.platige.com
SERVIMEDIA
www.servimedia.pl
SKYCAM
www.filmowaniez
powietrza.com
www.skyfilm.com.pl
SKYFILM POLSKA
+48 22 853 12 01–2, +48 601 376 667, [email protected]
●
+48 91 460 90 33, +48 600 111 202, [email protected]
●
●
●
●
●
●
●
●
●
+48 22 622 79 85, +48 602 518 111, [email protected]
●
●
●
+48 793 111 671, +48 790 624 860, [email protected]
●
●
●
●
●
●
●
●
●
●
+48 691 389 968, +48 601 383 481, [email protected]
●
●
●
●
●
+48 604 612 141, +48 22 493 01 27,
[email protected]
●
●
+48 601 318 319, +48 607 461 213, [email protected]
●
+48 501 511 632, +48 517 222 115, [email protected]
●
●
+48 602 432 742, +48 663 789 893,
●
48 883 280 535, [email protected]
●
●
www.studiosointeractive.com
SOPOCKA WYTWÓRNIA
FILMOWA
www.sopockawytworniafilmowa.com
+48 58 719 05 32, +48 697 090 797,
[email protected]
EQUIPMENT
RENTAL
MOTION
CONTROL
MOTION
CAPTURE
LIGHTING
EQUIPMENT
SPECIAL AND
UNDERWATER
PHOTOGRAPHY
HIGH-SPEED
PHOTOGRAPHY
●
SOINTERACTIVE STUDIO
FILM SERVICES
●
+48 609 178 175, +48 12 687 77 09,
[email protected]
54
AERIAL
PHOTOGRAPHY
PHOTOGRAPHY
EQUIPMENT
PHOTOGRAPHY
●
●
●
●
TABLE OF CONTENTS
SPOTFILM2
STARFISH AERIAL PICTURES
STEADIPIxELS
www.spotfilm2.com
www.starfish.pl
www.steadipixels.com
EQUIPMENT
RENTAL
MOTION
CONTROL
MOTION
CAPTURE
LIGHTING
EQUIPMENT
SPECIAL AND
UNDERWATER
PHOTOGRAPHY
HIGH-SPEED
PHOTOGRAPHY
AERIAL
PHOTOGRAPHY
PHOTOGRAPHY
EQUIPMENT
PHOTOGRAPHY
●
[email protected]
●
●
●
STUDIO FOTO VIDEO DARIO
www.studio-dario.pl
+48 601 442 690, +48 32 322 70 79,
[email protected]
STUDIO BESTA
www.studiobesta.pl
+48 22 711 65 40, +48 501 302 458
[email protected]
●
STUDIO DESIGN
www.studiodesign.com.pl
+48 22 824 08 84, +48 22 824 65 44–6,
[email protected]
●
STUDIO PANIKA
www.studiopanika.pl
TBA GROUP
www.tbagroup.pl
+48 58 620 05 39, +48 501 501 391,
[email protected]
●
●
●
●
●
●
TELEWIZJA PULS
www.tvpuls.pl
+48 22 559 73 89, +48 693 444 952,
[email protected]
TFS MEDIA / TEN FILM STUDIO
www.tenfilm.pl
TPS FILM STUDIO
www.tps.com.pl
+48 22 651 97 87, +48 608 480 506,
UNIGREG
www.unigreg.pl
+48 601 300 619, +48 603 954 431, [email protected]
VIDEO STUDIO GDAŃSK
WYPOŻYCZALNIA SPRZĘTU
FOTO-VIDEO
WFDIF ZAKŁAD TECHNIKI
ZDJĘCIOWEJ
WYTWÓRNIA FILMÓW
OŚWIATOWYCH
TABLE OF CONTENTS
www.videostudio.com.pl
www.fcrent.pl
www.wfdif.com.pl
www.wfo.com.pl
+48 58 301 55 24, +48 601 642 502,
[email protected]
●
●
●
●
●
●
●
●
●
+48 609 421 497, +48 698 616 343,
[email protected]
●
●
●
●
●
●
●
●
FILM SERVICES
55
ADEx
AGENCJA ARTYSTYCZNA
RETRO-PASJE
ALVERNIA STUDIOS
ANIMALS LIVE WITOLD
PLUCIK
ANTENA GÓRNOŚLĄSKA
ARAM MULTIMEDIA
ATM Fx
ATM SYSTEM
AVANTGARDE STUDIOS
BEROS FILM
BOLDY RECORDS
CAMERA CAR
CAMPERY24.PL
CATERING FILM PLUS
www.adexagregaty.pl
www.retropasje.pl
+48 884 997 009, +48 506 715 480,
[email protected]
www.alvernia.com
www.hurtownia-animals.pl
www.agfilm.pl
www.aram.pl
www.atmfx.pl
www.atmsystem.pl
www.beros.pl
www.boldyrecords.com
www.cameracar.pl
www.campery24.pl
www.catering-film.pl
●
●
●
●
●
●
●
●
+48 22 295 63 10/16, [email protected],
●
●
+48 661 500 088, +48 601 089 006, [email protected]
●
●
●
●
●
●
●
●
+48 22 885 64 03, +48 501 209 581,
[email protected]
●
●
www.danacatering.pl
+48 502 935 872, +48 501 165 990,
[email protected]
DEESEE AUTOMOBILE
www.pajak.auto.pl
+48 505 477 355, +48 501 051 858
[email protected]
EFEKT FILM
www.efektfilm.pl
EFEKTYSPECJALNE.PL
www.efektyspecjalne.pl
ENERGY
www.ajenergy.com.pl
ERKA FILM
www.erkafilm.pl
●
●
DANA CATERING
ANIMAL
TRAINING
PYROTECHNICS
SUNTS, SF●
SET DESIGN,
COSTUMES,
PROPS
MAKE-UP
CATERING
●
+48 22 778 70 75, +48 22 778 70 55, [email protected]
www.chimerafilm.d6.pl
FILM SERVICES
●
CHIMERA ŚWIATŁO-FILM
56
TRANSPORTATION
POWER SUPPLY
ON THE SET
●
●
●
●
●
+48 42 652 03 74, +48 601 332 445
●
●
+48 505 006 600, +48 504 016 600,
●
●
●
●
●
●
EURO FILM SEBA
www.eurofilmseba.eu
FABRYKA DEKORACJI
FORT – MILITARY INSTITUTE
www.scenografia.com.pl
www.fort.mil.pl
●
●
www.geo-mix.com.pl
+48 502 558 880, +48 602 220 021,
[email protected]
●
GONZO SERVICE
GRIK MEDIA
www.gonzoservice.pl
www.grikmedia.pl
●
●
+48 506 797 626, +48 602 298 206,
[email protected]
●
GWADERA ROBERT
www.k9borderunit.pl
HDV PLANET
www.hdvplanet.pl
+48 602 664 873, +48 22 665 59 19,
[email protected]
HELIOGRAF
www.heliograf.pl
+48 22 894 60 40, +48 603 764 864,
[email protected]
HERO COLLECTION
www.hero-collection.com.pl
INDEPENDENT STUNT TEAM
JANISZEWSKI
www.stunts.pl
www.janiszewski.net.pl
●
●
●
●
●
+48 61 835 02 15–6, [email protected],
[email protected]
●
●
+48 500 178 970
+48 503 489 489, +48 502 489 489,
ANIMAL
TRAINING
MAKE-UP
CATERING
●
●
www.grupafreshmedia.pl
www.krolewicz.pl
www.light4youkrakow.pl
www.luksfilm.pl
●
GRUPA FRESH MEDIA
KRÓLEWICZ CATERING
LIGHT4YOU
LUKSFILM
●
●
GEO-MIx
www.kajtv.com.pl
●
●
www.gastroteam.pl
KAJ TV JERZY KAJSZCZAK
●
GASTRO TEAM
www.camperyfilmowe.pl
●
+48 22 873 55 80, +48 501 155 050,
[email protected]
JOKER FILM
●
PYROTECHNICS
+48 602 386 291
+48 695 125 135, +48 509 866 206,
[email protected]
SUNTS, SF●
www.etiop.pl
SET DESIGN,
COSTUMES,
PROPS
ETIOP Fx
TRANSPORTATION
POWER SUPPLY
ON THE SET
●
●
+48 602 211 844, +48 22 835 44 63,
[email protected]
●
●
●
●
+48 32 353 07 42, +48 602 519 510
●
●
●
FILM SERVICES
57
MIM
www.budowadekoracji.pl
MOVIE TEC
MO, ZOMO – ZESPÓŁ
REKONSTRUKCYJNY
www.movietec.pl
NO PROBLEM
www.noproblem.com.pl
PIRAMIDA FILM
www.piramidafilm.eu
PIROMIx
PLUMART
POGOTOWIE TEATRALNO
FILMOWE
www.piromix.pl
www.plumart.pl
PRODEKOR
www.prodekor.pl
PROTEL
PROTEL PLUS
SAFE TRANS
SE-MA-FOR PRODUKCJA
FILMOWA
SITEK ANDRZEJ
SNOW ART
www.protelsc.pl
www.budowascenografii.pl
www.safe-trans.waw.pl
SOBIERAJ ARTUR
58
FILM SERVICES
www.milicja.waw.pl
www.pogotowie-teatralno-filmowe.pl
●
●
●
●
●
●
+48 605 250 374, +48 12 261 55 66,
[email protected]
●
●
●
●
●
+48 22 863 40 18, +48 605 537 537,
[email protected]
●
+48 691 389 968, +48 601 383 481
[email protected]
●
●
+48 504 221 807, +48 669 221 136,
[email protected]
●
+48 22 825 12 02, +48 601 251 202,
[email protected]
●
+48 601 318 319, +48 607 461 213, [email protected]
●
●
●
●
www.se-ma-for.com
www.pokazkonny.pl
www.snowart.pl
●
●
+48 601 326 821, +48 501 102 048,
[email protected]
●
www.pirotechnik.com
ANIMAL
TRAINING
MAKE-UP
CATERING
PYROTECHNICS
www.marathon.com.pl
www.studio-filmowe.pl
SUNTS, SF●
www.lcf.pl
SET DESIGN,
COSTUMES,
PROPS
ŁÓDZKIE CENTRUM
FILMOWE
MARATHON BUS RENTAL
MEDIA ADVERT
TRANSPORTATION
POWER SUPPLY
ON THE SET
●
●
●
TABLE OF CONTENTS
www.stuntforces.com
www.stunt.pl
www.kaskaderzy.pl
www.zasilania.com
TOM-BUD
www.tom-bud.eu
UNIGREG
WFDIF ZAKŁAD TECHNIKI
ZDJĘCIOWEJ
ZAKŁAD ZARZĄDZANIA
NIERUCHOMOŚCIAMI
I ŚRODKAMI INSCENIZACJI
WJTEAM
www.unigreg.pl
YELLOWÓZ
www.wfdif.com.pl
www.wjt.com.pl
www.yellowoz.pl
ZAKŁAD BUDOWY
www.zbid.com.pl
I DEKORACJI
ZAKŁAD TRESURY PSÓW RUSS www.russ.pl
TABLE OF CONTENTS
●
●
●
●
●
+48 601 300 619, +48 603 954 431, [email protected]
●
●
+48 22 851 10 23, +48 22 851 10 27,
+48 501 777 210, +48 22 841 98 31,
[email protected]
●
●
+48 71 372 82 85, +48 71 725 55 60, [email protected]
●
●
+48 602 290 142, +48 602 290 095,
+48 501 061 066, +48 604 431 317,
ANIMAL
TRAINING
●
PYROTECHNICS
MAKE-UP
CATERING
+48 22 616 26 01, +48 502 587 387,
[email protected]
SUNTS, SF●
www.pokromskistudio.com
SET DESIGN,
COSTUMES,
PROPS
STUDIO EFEKT /
POKROMSKI STUDIO
STUNT FORCES
STUNTS INCORPORATED
POLAND
STUNT TEAM POLAND
TECHNOSTAGE
TRANSPORTATION
POWER SUPPLY
ON THE SET
●
●
●
●
●
+48 22 790 40 86, +48 502 822 166, [email protected]
●
FILM SERVICES
59
24MEDIA
2STEPS MEDIA
4PLANET MEDIA
4WALL STUDIO
6x6 PRACOWNIA SZTUKI WIZUALNEJ
ALIEN Fx
ALVERNIA STUDIOS
ANIMADE
ANIMA-POL
ANIMOON
ARMFILM
ARTGRAPHIC MULTIMEDIA
ATM SYSTEM
ATM Fx
AVANTGARDE STUDIOS
BADI BADI
BIG BLUE TV
BREAKTHRU FILMS
CHIMNEY GROUP
CYTAT FILM
DASH DOT CREATIONS
DEEP FLAME
DI FACTORY
DIGITAL35
DIGITAL LAB
60
FILM SERVICES
www.24media.pl
www.2stepsmedia.com
www.4planetmedia.pl
www.4wallstudio.pl
www.6x6psw.pl
+48 697 653 276, +48 794 991 350, [email protected]
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+48 605 431 060, +48 605 431 040, [email protected]
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www.animade.pl
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www.animapol.pl
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www.animoon.pl
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www.artgraphic.pl
+48 85 674 31 87, +48 604 879 224, [email protected]
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www.atmsystem.pl
www.atmfx.pl
+48 71 785 53 00, +48 22 295 63 10, +48 22 507 97 82
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www.badibadi.com
www.bigbluestudios.pl
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www.breakthrufilms.pl
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www.dashdot.pl
www.deepflame.com
www.di-factory.com
www.digital35.pl
www.dlab.pl
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+48 501 534 949, +48 509 074 455, [email protected]
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www.cytat-film.pl
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www.chimneygroup.com
EDITING SERVICES
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www.armfilm.pl
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www.alvernia.com
STOCK
PROCESSING
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+48 509 917 808, +48 22 842 09 69, [email protected]
+48 605 525 452, +48 694 037 013, [email protected]
www.alienfx.com.pl
SCANNING,
TELECINE,
DIGITAL
INTERMEDIATE
ANIMATION, CGI
POSTPRODUCTION – IMAGE
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TABLE OF CONTENTS
EBH POLSKA
EFEKTPOL
EFEKTURA
ELECTRONIC ART
EPOKA
ExPRESSO ART HOUSE
FABRYKA FILMÓW
FILM FACTOR
FILM GARDEN
FIxAFILM
FRAMESOUND PRODUCTION
FUTROFILM
GMS RECORDS
GOLDEN BEE
www.ebh.pl
EDITING SERVICES
STOCK
PROCESSING
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www.efektpol.com
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www.efektura.com
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+48 22 651 56 13, +48 535 227 221, [email protected]
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www.electronicart.com.pl
www.epoka.tv
+48 58 712 28 78
www.expresso.com.pl
+48 502 480 500, +48 22 276 37 23, [email protected]
www.filmfactor.pl
www.filmgarden.pl
www.fixafilm.pl
www.framesound.com
+48 22 227 77 00–1, [email protected]
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+48 501 555 902, +48 22 628 64 61, [email protected]
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+48 22 254 97 91, +48 662 250 030, [email protected]
www.futrofilm.eu
www.goldenbee.pl
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+48 33 818 15 06, +48 601 501 290, [email protected]
www.gms.waw.pl
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+48 605 954 823, +48 601 151 757, [email protected]
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+48 71 360 80 00, [email protected],
[email protected]
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+48 58 718 13 23, [email protected], [email protected]
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+48 22 227 77 88, [email protected],
[email protected]
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+48 12 378 22 29, +48 604 372 553, [email protected]
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www.krakatau.pl
+48 600 377 728, +48 42 678 85 36, [email protected]
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www.lightcraft.pl
+48 22 424 30 10, +48 604 420 500, [email protected]
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GRUPA 13
www.grupa13.pl
GRUPA SMACZNEGO
www.g-s.pl
HUMAN ARK
www.human-ark.com
ICON RUN
KRAKATAU
LIGHTCRAFT
LUKAFILM
LUMICONFx
LUMINANCE STUDIO
LUNAPARK
www.iconrun.com
TABLE OF CONTENTS
SCANNING,
TELECINE,
DIGITAL
INTERMEDIATE
ANIMATION, CGI
www.lukafilm.com
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www.lumiconfx.com
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+48 22 323 67 05, +48 693 881 333, [email protected]
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www.luminancestudio.pl
www.lunapark.pl
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FILM SERVICES
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61
MASTER FILM
MASTERGROOVE STUDIO
MASTERSHOT
MEDIA BRIGADE
MEGA TV
MOJOTRIBE
MONTERNIA
MOTION BRAND
MUFI
NOLABEL
ODEON RYBARCZYK PRODUCTIONS
ONOFFMEDIA
www.masterfilm.pl
www.mastergroove.pl
www.mastershot.pl
www.mediabrigade.pl
www.megatv.pl
+48 696 872 345, +48 505 034 034, [email protected]
+48 22 651 52 31, +48 22 651 52 57, [email protected]
+48 61 610 20 20, +48 22 292 48 07, [email protected]
EDITING SERVICES
STOCK
PROCESSING
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+48 22 853 12 01–2, +48 601 376 667, [email protected]
www.monternia.pl
www.nolabel.pl
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+48 71 790 14 50, +48 604 432 425, [email protected]
www.mufi.pl
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www.mojotribe.eu
www.motionbrand.pl
SCANNING,
TELECINE,
DIGITAL
INTERMEDIATE
ANIMATION, CGI
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+48 91 460 90 33, +48 600 111 202, [email protected]
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www.odeon.com.pl
+48 22 646 69 00, +48 22 380 40 50, [email protected]
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www.onoffmedia.pl
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OPUS FILM
www.opusfilm.com
+48 42 634 55 00, +48 22 646 02 63, [email protected],
[email protected]
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ORANGE TIGERBELLS
ORKA STUDIO PRODUKCYJNE
PACKSHOT
PAY STUDIO TV
PLATIGE IMAGE
www.orangetigerbells.com
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+48 22 641 56 20, +48 501 379 886, [email protected]
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www.pay.com.pl,
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www.platige.com
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www.orkafilm.com.pl
www.packshot.pl
POST MERIDIAN PRODUCTIONS
www.postmeridian.com.pl
PRIMEMOVERS
PROVIZORCA.COM
RENDER 305
SE-MA-FOR PRODUKCJA FILMOWA
SIMPLE FRAME
www.primemovers.pl
62
FILM SERVICES
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+48 22 843 34 64, +48 22 347 95 30, [email protected],
[email protected]
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+48 604 612 141, +48 22 493 01 27, [email protected]
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www.provizorca.com
+48 502 137 572, +48 509 841 390, [email protected]
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www.render305.com
+48 661 501 361, +48 667 699 669, [email protected]
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www.se-ma-for.com
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www.simpleframe.pl
+48 22 842 10 55, +48 502 061 431, [email protected]
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TABLE OF CONTENTS
SOPOCKA WYTWÓRNIA FILMOWA
STAGE TWO
STUDIO BESTA
STUDIO FILMÓW RYSUNKOWYCH
TELEWIZJA POLSKA
TELEWIZJA PULS
TOP EDITORS
www.stage2.pl
www.studiobesta.pl
www.sfr.com.pl
www.tvp.pl
www.tvpuls.pl
www.topeditors.tv
TPS FILM STUDIO
www.tps.com.pl
TRAFIK
TUTTO ARTS & MEDIA
TV STUDIO FILMÓW ANIMOWANYCH
VIRTUAL MAGIC
WFDIF, ZAKŁAD LABORATORIUM
FILMOWE, ZAKŁAD TECHNIKI
ZDJĘCIOWEJ
WIZUAL STUDIO FILMOWE
WJTEAM
xANTUS
YAKUMAMA FILM
www.trafik.pl
TABLE OF CONTENTS
www.tuttoarts.pl
www.tvsfa.com
www.virtualmagic.com.pl
www.wfdif.com.pl
www.wizual.pl
www.wjt.com.pl
www.xantus.pl
www.yakumama.pl
EDITING SERVICES
STOCK
PROCESSING
SCANNING,
TELECINE,
DIGITAL
INTERMEDIATE
ANIMATION, CGI
+48 58 719 05 32, +48 697 090 797,
[email protected]
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+48 22 841 29 66, +48 501 505 046, [email protected]
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+48 22 711 65 40, +48 501 302 458, [email protected]
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+48 22 559 73 89, +48 693 444 952, [email protected]
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+48 511 334 415, +48 606 399 378, [email protected]
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+48 22 651 97 87, +48 608 480 506, [email protected],
[email protected]
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+48 606 665 019, +48 509 361 666, [email protected]
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+48 61 852 01 05, +48 606 454 962, [email protected]
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+48 22 851 10 18, +48 22 851 10 23, [email protected],
[email protected]
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+48 22 206 39 16, +48 605 579 887, [email protected]
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+48 22 550 06 50, +48 601 341 787, [email protected]
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FILM SERVICES
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63
SUBTITLING,
DUBBING,
VOICEOVER
EDITING
SERVICES
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POSTPRODUCTION – SOUND
ADDICTED TO MUSIC
ALVERNIA STUDIOS
ARMFILM
AVANTGARDE STUDIOS
BABA SOUND STUDIO
CAFE OLE STUDIO DŹWIĘKOWE
CINESYNC
CYTAT FILM
DREAMSOUND
DUBB FILM STUDIO
EFEKTURA
EUROCOM STUDIO
EXPRESSO ART HOUSE
FABRYKA FILMÓW
FILM FACTORY STUDIO
FILM GARDEN
FONOGRAF
FRAMESOUND PRODUCTION
GMS RECORDS
GRUPA SMACZNEGO
LEKTORING.PL
LUNAPARK
MASTER FILM
MASTERGROOVE STUDIO
MASTERSHOT
MEGA TV
MOJOTRIBE
64
FILM SERVICES
www.addictedtomusic.eu
www.alvernia.com
www.armfilm.pl
www.babastudio.pl
www.cafeole.pl
www.cinesync.pl
www.cytat-film.pl
www.dreamsound.pl
www.dubbfilm.pl
www.efektura.com
www.eurocom.waw.pl
www.expresso.com.pl
www.filmfactorystudio.pl
www.filmgarden.pl
www.fonograf.pl
www.framesound.com
www.gms.waw.pl
www.g-s.pl
www.lektoring.pl
www.lunapark.pl
www.masterfilm.pl
www.mastergroove.pl
www.mastershot.pl
www.megatv.pl
www.mojotribe.eu
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+48 22 349 99 05, +48 502 206 074, [email protected]
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+48 501 534 949, +48 509 074 455, [email protected]
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+48 601 949 357, +48 501 042 332, [email protected]
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+48 22 857 90 04, +48 660 785 800, [email protected]
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+48 502 480 500, +48 22 276 37 23, [email protected]
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+48 22 227 77 00-1, [email protected]
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+48 501 555 902, +48 22 628 64 61, [email protected]
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+48 58 718 13 23, [email protected], [email protected]
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+48 22 323 67 05, +48 693 881 333, [email protected]
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+48 696 872 345, +48 505 034 034, [email protected]
+48 22 853 12 01-2, +48 601 376 667, [email protected]
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TABLE OF CONTENTS
M.R. SOUND
PAPRIKA SOUND FACTORY
www.mrsound.com.pl
www.papryka.com.pl
+48 22 468 19 19, +48 602 736 015, [email protected]
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EDITING
SERVICES
SUBTITLING,
DUBBING,
VOICEOVER
POSTPRODUCTION – SOUND
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+48 22 843 34 64, +48 22 347 95 30, [email protected],
[email protected]
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POST MERIDIAN PRODUCTIONS
www.postmeridian.com.pl
PRL STUDIO
PRO-TON STUDIO
RECPUBLICA STUDIOS
SONORIA CYFROWE STUDIA DŹWIĘKOWE
SOPOCKA WYTWÓRNIA FILMOWA
SOUND AND MORE
SOUNDFLOWER
STAGE TWO
START INTERNATIONAL POLAND
STUDIO MELANGE
STUDIO PUBLISHING
STUDIO SONICA
STUDIO SPOT
STUDIO ZET
TELEWIZJA POLSKA
TONNSTUDIO
TOWER STUDIO
TOYA STUDIOS
TPS FILM STUDIO
TRAFIK
VOICELAND
WFDIF, ZAKŁAD MONTAŻU I DŹWIĘKU
WIZUAL STUDIO FILMOWE
www.prl.com.pl
www.pro-ton-studio.pl
www.recpublica.com
www.sonoria.pl
+48 58 719 05 32, +48 697 090 797, [email protected]
www.soundandmore.pl
www.soundflower.pl
www.stage2.pl
www.start.it.pl
www.studiomelange.pl
www.studio-publishing.com.pl
www.sonica.com.pl
www.studiospot.pl
www.studiozet.com.pl
www.tvp.pl
www.tonnstudio.com.pl
www.towerstudio.pl
www.toyastudios.com
www.tps.com.pl
www.trafik.pl
www.voiceland.com.pl
www.wfdif.com.pl
www.wizual.pl
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+48 22 253 14 58, +48 22 257 87 88, [email protected]
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TABLE OF CONTENTS
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+48 501 283 077, +48 22 752 90 35, [email protected]
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+48 784 062 753, +48 784 062 768, [email protected]
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+48 22 841 29 66, +48 501 505 046, [email protected]
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+48 22 843 29 21, +48 602 379 880, [email protected]
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+48 22 843 38 08, +48 22 853 20 44, [email protected]
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+48 22 858 33 70, +48 12 641 00 10, [email protected]
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+48 22 583 31 80-1, [email protected]
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+48 42 712 68 36, +48 602 434 603, [email protected]
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+48 71 799 05 05, +48 604 695 877, [email protected]
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+48 42 636 05 77, +48 665 911 274, [email protected]
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+48 71 339 04 80-1, +48 509 903 763, [email protected]
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FILM SERVICES
65
66
BODY/CIAŁO (2015) DIR. MAŁGORZATA SZUMOWSKA
TABLE OF CONTENTS
THE LAW
TABLE OF CONTENTS
THE LAW
67
FILM PRODUCTION
A foreign producer planning to produce
a film independently in Poland must
complete the necessary formalities and
fulfil the obligations set out in respect of
entrepreneurs under Polish law. No matter
what form of business activity they elect to
run, it must be registered in Poland and the
accounts must be kept in Polish. However,
given the opportunities and facilities which
await foreign producers in Poland, the
simplest form of activity in the filmmaking
field is co-production with a Polish partner.
In 2002, Poland ratified the European
Convention on Cinematographic Coproduction, which is binding upon forty
European countries. It guarantees not only
a status equal to that of national films for coproductions undertaken by producers from
the signatory countries, but also the rules
of fair cooperation. In addition, it facilitates
matters such as the crossing of borders.
Countries bound by the Convention are
obliged to facilitate the entry, residence
and granting of work permits on their
territory for the technical and artistic
personnel of other parties participating in
a co-production. Each party is also obliged
to permit the temporary import and reexport of the equipment necessary to the
68
THE LAW
production and distribution of cinematic
works produced within the framework of
the Convention.
The Convention applies to:
• co-productions involving at least
three co-producers based in three
different Member States bound by the
Convention;
• co-productions involving at least
three co-producers based in three
different Member States bound by the
Convention, as well as one or more
co-producers who are not based in
those Member States; however, the total
contribution of the co-producers who
are not based in the Member States may
not exceed 30% of the total production
cost;
• bilateral co-productions, in the absence
of any agreement governing bilateral
co-production relations between two
parties to the Convention.
The Convention establishes the
principle that, in the case of a multilateral
co-production, the minimum contribution
may not be less than 10% and the maximum
may not exceed 70% of the total cost of the
production of the film. However, when the
Convention takes the place of a bilateral
agreement, the co-producer’s contribution
may be no less than 20% and no more than
80% of the total production cost.
The Convention regulates the matter of
the co-producers’ technical and artistic participation, stipulating that the contribution
of the co-producers’ creative, technical and
artistic personnel, as well as that of a given
co-producer‘s technical equipment, must
be proportional to the investment made by
the co-producer in question. Co-producers
must also be guaranteed both joint ownership of the original picture and the sound
negative and the right to an internegative
or to any other medium of duplication.
The European Convention on
Cinematographic Co-production applies
to European cinematographic works which
have acquired co-production status. The
term ‘European cinematographic work’ is
understood as a work involving an appropriate number of creative and technical
personnel, as defined, respectively, by the
Convention, in the creative group and technical craft group, from the co-producing
states. In order to acquire co-production
status, the relevant applications should be
submitted to the authorities designated by
the Member State/Party to the Convention
two months before shooting begins.
The signatories to the Conventions
are Albania, Armenia, Austria, Azerbaijan,
Belgium, Bosnia and Herzegovina, Bulgaria,
Croatia, Cyprus, Denmark, Finland, France,
Germany, Greece, Hungary, Iceland,
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Ireland, Italy, Latvia, Lithuania, Luxembourg,
Malta, Moldova, Montenegro, Netherlands,
Norway, Portugal, Romania, Russia,
Serbia, Slovakia, Slovenia, Spain, Sweden,
Switzerland, the Former Yugoslav Republic
of Macedonia, Turkey, Ukraine and the
United Kingdom.
Poland has also entered into bilateral
co-production agreements with France,
Canada, Israel and India, pursuant to which,
the co-producers’ financial contribution
must total from 20% to 80%, while the
creative and technical contributions should
be proportional to the parties’ share of the
film’s budget. The agreements also allow for
co-productions with third-party countries
which have entered into individual agreements with France, Canada or India.
EMPLOYMENT LAW
As a Member State of the European Union,
Poland guarantees EU citizens the free
movement of people, goods, services
and capital. This includes equal access to
the labour market and the recognition of
educational and professional qualifications.
Although the regulations pertaining to the
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employment and economic activity of foreigners on the Polish market impose some
restrictions on third country nationals, the
Polish legislature is systematically introducing new improvements in this respect.
Polish law identifies various groups
of people who are authorized to work in
Poland without the necessity of obtaining
a work permit. They include the citizens of
the European Union and the states with
which the EU has entered into agreements
on the free movement of people. People
who hold a Polish residence or settlement
permit may also work in Poland without
a work permit. In addition, Polish law lists
categories of people who, by virtue of the
particular nature of their activities, are
exempt from applying for a work permit.
This group includes foreigners who, either
individually or in teams, perform services
over no more than thirty days per calendar
year. These services include performances
given by actors, directors, reciters, conductors, instrumentalists, singers, circus
performers, dancers and mime artists.
Employment in Poland is based on a written contract of employment which may
be open-ended or fixed term or cover the
period of time required to complete a specified job. Two types of civil contract relating
to the commissioning of work and services
may also be entered into, a contract
for specific work (umowa zlecenia) and
a contract of mandate (umowa o dzieło).
Agency agreements may also be concluded.
Both a natural person and an entrepreneur
of any kind may be party to a fixed-term
civil contract. The Labour Code (Kodeks
Pracy) sets out the provisions which should
be included in a contract of employment in
detail and the Civil Code (Kodeks Cywilny)
stipulates those for civil law contracts.
Contracts for specific work and contracts of mandate are most frequently used
in the film production process. In the case
of a contract of mandate, the contractor
undertakes to perform the designated work
and the commissioning party undertakes
to remunerate them for it. This is thus an
agreement based on an end result, where
the contractor is obliged to provide the
film producer with the outcome set out in
the contract. In the case of a contract for
specified work, the contractor’s commitment is to carry out the work in question
with due diligence; this kind of agreement
is therefore also known as an agreement
of due diligence. Other types of contract
used in the film production process relate
to copyright and are discussed in the
Copyright section.
THE LAW
69
ECONOMIC LAW
The citizens of the EU Member States,
as well as those of Norway, Iceland,
Lichtenstein and Switzerland may undertake and carry out economic activities
under the same conditions as Polish
entrepreneurs. This also applies to people
who hold a Polish residence or settlement
permit. Other foreigners may only engage
in business activity in the form of a limited
partnership, a limited joint-stock partnership, a joint stock company or a limited
liability company (spółka z ograniczoną
odpowiedzialnością; Sp. z o.o.). They can
also join such companies and acquire and
purchase stocks and shares in them.
The most common form for conducting
a business activity in the Polish film industry
is a limited liability company.
This can be formed by one or more
partners, although not by another singleperson limited liability company alone.
The shareholders are not liable for the
company’s obligations; however, they are
obliged to contribute share capital to the
sum of at least PLN 5 000, which equates
to around EUR 1 160. The company is liable
for its obligations by way of its own assets.
It is also obliged to pay corporate tax
70
THE LAW
(CIT). Anyone wishing to establish a limited
liability company must:
• draw up the Articles of Association;
• pay in the share capital;
• appoint the company’s governing bodies;
• register the company in the National
Court Register’s register of entrepreneurs (Krajowy Rejestr Sądowy [KRS];
rejestru przedsiębiorców).
In the course of these procedures, the
company’s areas of activity are defined
on the basis of the Polish Classification
of Activities (PKD), which is fundamentally
similar to the international classification
(NACE). The division of shares among the
shareholders is also determined. At the
same time, the company is registered with
the Social Insurance Institution (ZUS, Zakład
Ubespieczeń Społecznych) as a payee and
it is assigned a National Official Register of
Business Entities identification number
(REGON; Rejestr Gospodarki Narodowej)
and a NIP tax identification number (Numer
Identyfikacji Podatkowej). The entrepreneur is also obliged both to pay taxes and
due payments such as VAT, income tax,
tax withheld on remunerations and social
insurance contributions and to submit tax
declarations and financial reports.
VAT
In accordance with Polish law, VAT is included, inter alia, in paid services rendered
in Poland. This means that the majority of
film production services, such as shootingrelated services or those involving logistics
in the form of transport, accommodation,
catering and so forth, are subject to VAT.
The present rate is 23%.
The transfer of copyright to a film in
return for a co-producer’s financial contribution is also deemed a service and is
therefore subject to VAT. The factors which
will have tax effects are decided by the
provisions of the co-production agreement,
which should set out the parties’ mutual
obligations in detail.
Entities running a business activity in
Poland may reclaim VAT. Pursuant to the VAT
Act, the statutory period for its return is
sixty days; however, it is possible to apply
for a reduction to twenty-five days.
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COPYRIGHT
The term copyright refers in general to the
rights of an author of a work whereby the
author is entitled both to determine its use
and to benefit from it. Polish law distinguishes two types of copyright:
• moral rights (personal rights; osobiste);
• property rights (majątkowe).
Moral rights protect the relationship
between the author and the work. They
are permanently assigned to the author, do
not expire over time and are inalienable;
in other words, they cannot be transferred
to other persons. However, the author may
agree not to exercise these rights.
Property rights protect the material
well-being of the author, who can benefit
from the work and may manage its use in
exchange for remuneration. The author may
transfer either all of their property rights,
or a specified range, to other persons.
The producer acquires the rights to a film
by concluding agreements on the transfer
of property rights with the co-creators of
the film, including, but not limited to, the
director, cinematographer, screenwriter,
production designer, costume designer,
special effects director and composer. The
most common practice is to conclude one
contract of mandate with the co-creator,
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covering the execution of the work and the
transfer of copyrights and, in the case of an
already completed or ready-to-use work,
such as a script, covering the transfer of
copyrights alone.
It is worth noting that the transfer of all
property rights does not deprive the author
of the exclusive right to decide on the implementation of what is known as dependent
copyright. The scope of the rights granted
depends on the substance of the agreements entered into. Agreements should always be concluded in writing and should set
out the terms agreed between the parties in
detail. For example, if the producer plans to
use stills and visual sequences from a film in
order to create promotional materials such
as posters and trailers, then the agreement
with the cinematographer should contain
either a clause stipulating the terms of the
use for stills and visual sequences beyond
the film itself, or an undertaking on the part
of the cinematographer to the effect that
they will not exercise personal copyright in
such a way to conflict with the producer’s legitimate interests. The exception is the right
to translate the film into other languages
without the consent of co-creators; this
right is assigned to the producer. It should
also be remembered that, unless otherwise
provided for, the rights acquired under the
agreement may be resold.
COLLECTIVE COPYRIGHT
MANAGEMENT
ORGANISATIONS
THE UNION OF AUDIOVISUAL AUTHORS
AND PRODUCERS
ZWIĄZEK AUTORÓW I PRODUCENTÓW
AUDIOWIZUALNYCH (ZAPA)
00–832 Warsaw, ul. Żelazna 28/30
tel. +48 22 581 43 60, fax +48 22 581 43 61
[email protected], www.zapa.org.pl
The Union of Audiovisual Authors and
Producers operates within the structures of
the Polish Filmmakers Association. It protects the rights of producers of audiovisual
works, as well as those of the directors,
cinematographers, production, costume and
art designers, sound engineers and editors.
ASSOCIATION OF POLISH STAGE ARTISTS
ZWIĄZEK ARTYSTÓW SCEN POLSKICH (ZASP)
00–536 Warsaw, Al. Ujazdowskie 45
tel. +48 22 696 79 00, fax +48 22 696 79 09
[email protected], www.zasp.pl
The Association of Polish Stage Artists
represents the interests of performers and
artistic personnel. It manages the copyright
THE LAW
71
of directors and theatrical designers, as well
as the neighbouring rights of performers,
namely actors, soloists, singers and dancers.
AUTHOR’S Association
STOWARZYSZENIE AUTORÓW ZAiKS
00–092 Warsaw, ul. Hipoteczna 2
tel. + 48 22 827 60 61–9, fax + 48 22 828 92 04
00–158 Warsaw, ul. Nalewki 8
tel. +48 22 635 51 77, fax +48 22 635 55 46
[email protected], www.zaiks.org.pl
The ZAiKS Authors’ Association manages
the rights to literary works, musical works,
combined literary and musical works,
choreographic works and mime works,
as well as to literary, musical, combined
literary and musical and choreographic
works in audiovisual productions.
INSURANCE
EXITO BROKER / EVENTS COVERAGE
00–355 Warsaw, ul. Tamka 38
tel. +48 22 211 16 70, +48 504
162 791, fax +48 22 211 16 71
[email protected], www.eventscoverage.eu
72
THE LAW
GRAS SAVOYE POLSKA
02–672 Warsaw, ul. Domaniewska 34A
tel. +48 22 318 81 00, fax +48 22 318 81 01
[email protected]
40–047 Katowice, ul. Kościuszki 66
tel. +48 32 606 78 55–8, fax +48 32 354 20 32
[email protected]
60–840 Poznań, ul. Dąbrowskiego 29
tel. +48 61 885 39 30, fax +48 61 885 39 31
[email protected]
31–526 Krakow, ul. Kielecka 1
tel. +48 12 431 18 93, fax +48 12 421 86 19
[email protected], www.grassavoye.pl
KONRAD ALABRUDZIŃSKI BROKERZY
UBEZPIECZENIOWI I REASEKURACYJNI
00–753 Warsaw, ul. Gagarina 9 lok.35
05–230 Ossów, ul. Rozwadowskiego 35C
tel. +48 604 580 584
[email protected], www.alabrudzinski.pl
MAKONLINE
02–531 Warsaw, ul. Łowicka 54 lok.6
tel. +48 22 832 11 89, fax +48 22 427 89 57
[email protected], www.makonline.pl
MENTOR
87–100 Toruń, ul. Szosa Chełmińska 177/181
tel. +48 56 669 33 00, fax +48 56 669 33 04
02–703 Warsaw, ul. Bukowińska 10 lok.98
tel. +48 22 654 12 50, fax +48 22 654 12 49
[email protected], www.mentor.pl
„PO SĄSIEDZKU” AGENCJA UBEZPIECZENIOWA
01–503 Warsaw, al. Wojska Polskiego 41
01–956 Warsaw, ul. Wrzeciono 50
tel. +48 514 834 005
[email protected],
www.posasiedzku.com.pl
PROFESJONALNE UBEZPIECZENIA
05–160 Modlin Twierdza, Nowy Dwór
Mazowiecki, ul. Malewicza 117 lok.12
tel. +48 695 555 333, +48 22 713 01
00, fax +48 22 713 04 00
[email protected],
www.profesjonalneubezpieczenia.pl
UNIBROKER
04–162 Warsaw, ul. Komorska 42
tel. +48 22 832 13 70, +48 600 428 694
www.unibroker.pl
TABLE OF CONTENTS
TABLE OF CONTENTS
ARIZONA W MOJEJ GŁOWIE (THEY CHASED ME THROUGH ARIZONA, 2014) DIR. MATTHIAS HUSER
73
Studio Munka
productionofdebutfeaturesandshortfilms,
animationsand documentaries;
supportingyoungfilmmakersthrough
unique learningprogrammes
ZAPA
collectivecopyrightmanagementandmutual
representationwith theworld’slargest
collectivemanagementorganisations
Polish Film Festivals Co-Organiser
GdyniaFilmFestival,mainfeatures
competition;KrakowFilmFestival,
internationalshortfilmcompetition;
YouthandFilm.KoszalinDebutFilmFestival,
mainfeaturescompetition
Polish Actors & Polish Filmmakers
Virtualcastingdatabasesatwww.aktorzypolscy.pl
andwww.filmowcypolscy.pl
The most professional
partner in Poland
• operatoroftheKinoKultura
Warsaw –auniquearthousecinema
attheheartoftheOldTown
• co-organisingthePolishFilm
standattheInternationalFilm
FestivalsinCannesand Berlin
• coordinatingspecialprogrammes
suchasthePolishCinemafor
YoungAudiencesAbroad
www.sfp.org.pl
• combatingaudiovisualpiracy
and theftofintellectualproperty
• publishingMagazyn Filmowy (theFilm
Magazine)andsfp.org.pl,vitalsources
ofinformationfromtheworldoffilm
• lobbyingforlegislationfavourable
to thedevelopmentofcinematography
aroundthe world
• liaisingbetweenPolishand foreign
cinemaprofessionals

Production Guide Poland 2015 - PISF. Polish Film Institute

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