Interdyscyplinary 13

THE POZNAŃ SOCIETY
FOR THE ADVANCEMENT OF THE ARTS AND SCIENCES
ADAM MICKIEWICZ UNIVERSITY IN POZNAŃ
INTERDISCIPLINARY
STUDIES IN MUSICOLOGY
13
The Music of Liszt and Mahler:
interpretation, context, reinterpretation
edited by
Marcin Gmys and Ryszard Daniel Golianek
POZNAŃ 2013
Contents
Contributors ..........................................................................
7
From the Editors ...................................................................
13
Interpretation
LESZEK POLONY (Kraków)
The ‘Faust’ or ’Lucifer’ Sonata? On Liszt’s idea of
programme music as exemplified by his Piano Sonata
in B minor .............................................................................
17
ANNA RYSZKA-KOMARNICKA (Warszawa)
From the reprise overture to Liszt’s B minor Sonata.
Romantic creations in an eighteenth century formal
‘corset’? ..................................................................................
29
WOJCIECH NOWIK (Warszawa)
‘Petrarch's Sonnets’ by Liszt .................................................
43
ZIEMOWIT WOJTCZAK (Łódź)
Between opera and the Lied – ‘Tre sonetti di Petrarca’
by Franz Liszt ........................................................................
57
JOANNA SUBEL (Wrocław)
Theatrical drama and Franciscan simplicity in oratorios
by Ferenc Liszt .......................................................................
67
RYSZARD DANIEL GOLIANEK (Poznań)
A Polish saint. Historical-national themes in Franz Liszt’s
oratorio ‘St Stanislaus’ ..........................................................
79
Context
MAŁGORZATA GAMRAT (Warszawa)
Liszt and the French literary
avant-garde of the 1830s ......................................................
93
6
Contents
MAŁGORZATA GAMRAT (Warszawa)
Liszt’s experiments with literature .......................................
107
ANNA G. PIOTROWSKA (Kraków)
Liszt and the issue of so called Gypsy music ........................
127
PRZEMYSŁAW KRZYWOSZYŃSKI (Poznań)
Gaetano Donizetti by Franz Liszt: the piano in the service
of the opera ............................................................................
141
JANINA TATARSKA (Poznań)
Józef Wieniawski – Ferenc Liszt. Concert etude examined
from the perspective of the genre .........................................
155
Reinterpretation
RYSZARD DANIEL GOLIANEK (Poznań)
Liszt and Mahler in the postmodern filmic visions of Ken
Russell ....................................................................................
171
ADAM POPRAWA (Wrocław)
Slash. Uri Caine’s Mahler .....................................................
183
BOGUMIŁA MIKA (Katowice)
‘Looking out for the Horizon’. The music of Gustav Mahler
in the light of the theory of the aesthetic of reception
by Hans Robert Jauss ...........................................................
189