Contents

Contents
Kamila Stępień-Kutera, Cultural distinctness and cohesion
Chopin and Tellefsen in the musical culture of Paris during
the nineteenth century
Irena Poniatowska, La nationalité comme valeur chez Chopin dans
les œuvres de la période parisienne
Irena Poniatowska, The quality of nationality in Chopin’s works
of the Paris period
Jean-Jacques Eigeldinger, Tellefsen dans les pas de Chopin :­
entre affinités, dévouement et stratégie
Ingrid Loe Dalaker, Thomas Tellefsen in the musical culture of Paris:
a representative of juste milieu ideals?
Marie-Paule Rambeau, Joseph d’Ortigue : le regard d’un biographe
de Chopin méconnu
Mateusz Chmurski, « Affinités électives » ? F. Chopin de Liszt et les récits
de la modernité : communautés imaginées, nations culturelles,
historiographie artistique
Maciej Janicki, Listening to Paris: Chopin between the soirées intimes
and the modern soundscape
Daniel Winfree Papuga, Instead of a letter, I am sending you Tellefsen
Music at source. Poland – Norway
Dagmara Łopatowska-Romsvik, The field of traditional music in higher
education courses in Norway, taking as examples the Norwegian Academy
of Music in Oslo and the Institute of Folk Culture in Rauland
Hans Olav Gorset, Handwritten Norwegian music books: documentation
and inspiration
Ewa Dahlig-Turek, Polish rhythms in Scandinavian folk dances
Hans-Hinrich Thedens, Norwegian couple dances from east to west
Tomasz Nowak, The technique of mazurka dances in the gentry-bourgeois
and peasant environments
The shaping of national identity in the culture of Poland
and Norway during the nineteenth century and up to
the First World War: ‘national styles’ in music
Zofia Chechlińska, Polish national music: notion, function
and musical means
Harald Herresthal, Combating foreign influence and searching
for a Norwegian identity in music
Ingrid Loe Dalaker, Seeking national identity through music:
the idea of national music in nineteenth-century Poland and Norway
Irena Poniatowska, The pressure of national themes and domestic
literature in Polish opera of the second half of the nineteenth century
Agnieszka Chwiłek, The significance of the instrumental output
of Ignacy Feliks Dobrzyński for the forging of a national style
in nineteenth-century Polish music
Markéta Štefková, National and supranational elements in the piano works
by Edvard Grieg
Wojciech Marcin Stępień, The mythological and supernatural elements
in Edvard Grieg’s music
Beryl Foster, ‘That glorious language […] the most beautiful music!’
Edvard Grieg’s relationship with landsmål
Cultural heritage and dialogue: Lutosławski – Nordheim
Grzegorz Michalski, A silent friendship
Eva Maria Jensen, Reception of Witold Lutosławski’s music
in Denmark over the last sixty years
Harald Herresthal, Musique concrète – ‘this is obviously not music’:
Arne Nordheim’s route from Aftonland to Response
Marcin Krajewski, Lutosławski–Nordheim: two stylistic models
and their interrelations
Ola Nordal, The sound sculpture Ode to Light: Arne Nordheim’s first
project at the Studio Eksperymentalne
Asbjørn Blokkum Flø, Time, timbre and text: techniques and artistic
concepts in Arne Nordheim’s electronic music
Bohdan Dziemidok, In the age of globalisation, can music articulate and consolidate national identity?
Contributors